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"... a useful introduction to an important field of African creative writing that has been invisible for the most part in North America and Europe." --Eileen Julien Readings in African Popular Fiction explores the social, political, and economic contexts of popular narratives by bringing together new and classic essays by important scholars in African literature and eight primary texts. Excerpts from popular magazines, cartoons, novellas, and moral and instructional pamphlets present African popular fiction from all areas of the continent. Selections include essays on Hausa creative writing, the influence of Indian film in Nigeria, Onitsha market literature, writing and popular culture in Cameroon, Kenyan romances, Swahili literature, art and cartoons, works by South African writers of the 1950s, and popular crime thrillers in Malawi. Stephanie Newell's introduction engages themes and trends in popular fiction in contemporary Africa. Contributors are J. C. Anorue, Misty Bastian, Felicitas Becker, Richard Bjornson, William Burgess, Michael Chapman, Don Dodson, Dorothy Driver, Roger Field, Bodil Folke Frederiksen, Graham Furniss, Raoul Granqvist, Paul Gready, Ime Ikiddeh, J. Roger Kurtz and Robert M. Kurtz, Alex La Guma, Brian Larkin, Bernth Lindfors, Charles Mangua, Gomolemo Mokae, Ben R. Mtobwa, Njabulo Ndebele, Nici Nelson, Stephanie Newell, Sarah Nuttall, Donatus Nwoga, Alain Ricard, Lindy Stiebel, and Balaraba Ramat Yakubu.
This is a book of reading on religion and culture in Africa comprising ten papers by experts in religion and cultural matters and an introductory note by the editor himself. Covered in the volume are papers covering: the impact of secularisation and urbanisation on a most cherished socio-cultural practice of the extended family system of the Isoko people in Nigeria; the traditional medical practices in Urhobo with particular focus on the use of local herbs to treat ailments; the socioreligious as well as the political significance of Obiri (family hall) in Ikwerreland; the rationale behind the use of the concept Dunamis in the Gospel According to Staint Mark. Although his paper does not focus on African (traditional) religion, its inclusion here is based purely on the theological significance of the concept of Dunamis; the extent to which evil spirits and mysterious forces have influenced the religion and culture of the Urhobo people of Nigeria; the significance of festivals in the traditional African society; John Wesleys innovations in Christendom and their implications for Africa; the recent unprecedented upsurge in the assumed use of religious powers to cast out evil spirits as well as for prayer healing among Muslims in Nigeria; the culture of alienation, anxiety and violence, drawing inspiration from the Fall Story of Genesis 3; and the widowhood practices of some areas in Nigeria.
“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.
This book is a comprehensive history of the Igala kingdom (Kogi state, Nigeria), people, land and language based on the study of the oral traditions, cultural practices, articles, published and unpublished works on Igala history. It is a compendium of the history of the Igala people from the Pre-16th century to the present day using the Igala cultural and rituals practices as evidence of historical events. It is a scholarly work on the chronology of the events that led to the establishment of the present dynastic monarchy in Igala land and the creation of the Igala kingdom which became the greatest pre-colonial kingdom in the River Niger-Benue confluence area in Nigeria, with its influence on the cultural, political and commercial developments on the northern Igbo country and along the River Niger down to the Niger-Delta area. The chronology was discussed under three main eras; the Pre-Dynastic Monarchy Era, the Proto-Dynastic Monarchy Era and The Dynastic Monarchy Era. The events that took place in each of these eras were extensively reported. The book illustrates the cultural leadership development of the autochthonous Igala clans, the Benin vassal Aji-Ata dynasty, the Achadu clan and the Empire building escapades of Ayegba oma Idoko starting from his progenitor “Abutu-Ejeh” breakaway from the ancient Jukun led Kwararafa Kingdom. Other subjects discussed include; the real history behind the sacrifice of Princess Inikpi and Oma-Odoko, the funeral rites and coronation rituals for the Ata-Igala and the origin of the name “Igala”. This book is recommended for students of history and those who want to enrich their knowledge on Igala, people, land, language and other related cultural matters.
"This is an extraordinarily rich collection full of informative detail and excellent interpretative analysis. There is not a single piece that fails to fascinate... " --Leeds African Studies Bulletin "... an impressive collection of inspiring and thought-provoking essays." --Media Development "This is a book that should find its way into many syllabuses and onto the bookshelves of Africanist scholars in many disciplines. Its publication marks a key turning point in scholarlship on the cultures of contemporary Africa." --Africa Today This book surveys the popular culture of contemporary Africa, including popular literature, oral narrative and poetry, dance, drama, music, and visual art, with special emphasis on the verbal arts. The essays cover six main areas: views of the field; oral tradition revisited; social history, social criticism and interpretation; women in popular culture; "little genres of everyday life"; the local and the global.