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This second volume of Readings in African American Church Music and Worship makes available the most recent scholarship on 21st-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, as well as offerings from seasoned authors whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions--from names new and familiar--greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices, Liturgical Theologies, Proclamation of the Word, Hymnody: Sound and Sense, Perspectives on Praise and Worship, Hip Hop and/in the Church, and Perspectives on Women and Gender. Insightful, thought-provoking, challenging, and hopeful--this volume will be a source of knowledge, a stimulus for discussion, and a call to reconsider the many and varied viewpoints of the African American church.
In this update to her 1993 classic, African American Christian Worship, Melva Wilson Costen, again delights her reader with a lively history and theology of the African American worship experience. Drawing upon careful scholarship and engaging stories, Dr. Costen details the global impact on African American worship by media, technology, and new musical styles. She expands her discussion of ritual practices in African communities and clarifies some of the ritual use of music in worship. In keeping with recent congregational practices, Dr. Costen will also provide general orders of worship suitable for a variety of denominational settings.
"Resourceful and easy-to-use, Going to Wait! is a ground-breaking book designed to assist worship leaders and musicians of the Black church in their ministries. Authors Rev. Dr. Linda H. Hollies and Dr. James Abbington have created an indispensable guide to Sunday worship preparation for between Pentecost and Advent, calling congregations to celebrate the cycle of the Christian year and follow the suggested scripture readings of the Revised Common Lectionary. Going to Wait! is a companion volume to Waiting to Go! (GIA), which covers Advent through Pentecost. For each Sunday and other holy days, scripture references are given along with suggested altar and banner colors. Rev. Dr. Hollies includes prayers, a short focus essay with sermon ideas, suggestions for visual art, and more. Dr. Abbington brings his expertise in music to the planning. Based on seven major African-American worship hymnals, he suggests appropriate hymns, as well as anthems, spirituals, gospel songs, and organ music for each service. Sure to compliment the traditions of all types of congregations, Going to Wait! is an excellent reference for all who lead African-American Christian worship today!"--Back cover.
Costen concludes by offering models and suggestions for helping those who plan worship to listen for the leading of the Holy Spirit and ultimately challenges music and worship leaders to reclaim traditional African American spirituality and its presence in the music experienced in African American worship."--BOOK JACKET.
From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, "People Get Ready!" provides, for the first time, an accessible overview of this musical genre.
An introductory overview of the development of African American religion and theology Down by the Riverside provides an expansive introduction to the development of African American religion and theology. Spanning the time of slavery up to the present, the volume moves beyond Protestant Christianity to address a broad diversity of African American religion from Conjure, Orisa, and Black Judaism to Islam, African American Catholicism, and humanism. This accessible historical overview begins with African religious heritages and traces the transition to various forms of Christianity, as well as the maintenance of African and Islamic traditions in antebellum America. Preeminent contributors include Charles Long, Gayraud Wilmore, Albert Raboteau, Manning Marable, M. Shawn Copeland, Vincent Harding, Mary Sawyer, Toinette Eugene, Anthony Pinn, and C. Eric Lincoln and Lawrence Mamiya. They consider the varieties of religious expression emerging from migration from the rural South to urban areas, African American women's participation in Christian missions, Black religious nationalism, and the development of Black Theology from its nineteenth-century precursors to its formulation by James Cone and later articulations by black feminist and womanist theologians. They also draw on case studies to provide a profile of the Black Christian church today. This thematic history of the unfolding of religious life in African America provides a window onto a rich array of African American people, practices, and theological positions.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
For over 200 years in African-American churches throughout the country, gospel and spiritual music have offered solace and been a source of celebration, leaving a mark not only on the Christian world, but on popular music as well. Ev'ry Time I Feel the Spirit contains the lyrics and music of 101 of the most widely known and cherished of these pieces, ranging from heartring spirituals sung during slave times (Steal Away; Swing Low, Sweet Chariot) to songs of unity from the civil rights movement and contemporary times (We Shall Overcome, I'll Fly Away). The book also presents a biography of each composer and the history of the evolution of each song, examining the role it played in enabling African-Americans to develop the strength to carry on in the face of adversity. An important historical document as well as an inspirational gift, the book captures the rich connections between song and experience as no other volume does.