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This is the most comprehensive collection of articles on ritual ever assembled. The book includes selections by internationally known scholars such as Victor Turner and Clifford Geertz, as well as innovative piece s that illustrate the extraordinary interdisciplinary range of contemporary ritual studies. Grimes has drawn readings from the entire range of ritual--encompassing its secular, political and dramatic expressions as well as its religious ones.
This book draws on a variety of disciplines to undertake a unique analysis of Leviticus 1-7. Rather than studying the rituals prescribed in Leviticus as arcane historical/theological texts of little interest to the modern reader, or as examples of primitive rituals that have no parallel in Western society, this book provides many points of contact between animal sacrifice rituals and various parts of post-modern society. Modern rituals such as Monday Night Football, eating fast food, sending sons and daughters off to war, and even the rituals of modern academia are contrasted with the text of Leviticus. In addition, responses to Leviticus among modern African Christians and in the early church are used to draw out further understandings of how the language and practice of sacrifice still shapes the lives of people. This study takes a consciously Christian perspective on Leviticus. Leviticus is assumed to be an ongoing part of the Christian Bible. The usual Christian response to Leviticus is to ignore it or to claim that all sacrifice has now been superseded by the sacrifice of Jesus. This study refutes those simplistic assertions, and attempts to reassert the place of Leviticus as a source for Christian self-understanding. This is volume 417 of JSOTS and volume 9 of Playing the Texts.
Reading Religious Ritual with Ricoeur: Between Fragility and Hope creates a dialogue between Ricœur’s hermeneutic philosophy and the interpretation of human ritual practices, especially as such practices are manifested within the context of Christian liturgy. In the first part of the book, Christina M. Gschwandtner shows that Ricœur’s account of religion would be deepened if it were to take into account not only the biblical texts but also forms of liturgical expression and ritual actions. She challenges Ricœur’s early reading of the symbol and second naïveté, broadens his interpretation of biblical texts and faith to consider religious actions more fully, and suggests that ritual can enhance human capacities. The second part of the book employs Ricœur’s hermeneutics in order to shed light on the analysis of liturgy, demonstrating that his accounts of truth, of the world of the text, of religious language, of the imagination, and of the formation of identity are all eminently applicable to liturgical experience. Reading Religious Ritual with Ricoeur shows that one of the most significant themes in Ricœur’s work—the tension between fragility and hope—is especially helpful for understanding what liturgy does and how it functions. Seeing how liturgy and ritual configure fragility and hope also enriches Ricœur’s account of the role and function of religion in human experience.
The stories within these books have the poignancy of new discoveries as well as the unworn imagination of the ancestors. The commentary has the sharp edge of modern thought and the intricacy which results from the intellect being woven through the ritual complexities of tribal life. The purpose of constructing thresholds that bring this world together is to find the powers that can heal the rends in tribal as well as modern communities.? --Michael Meade, from the Introduction Versed in the languages of psychology, comparative literature, as well as ancient mythology, healing, and divination, Malidoma Patrice Some bridges paths between the ancient tribal world of the West African Dagara culture and modern Western society. Ritual is written with wild imagination, careful critical reflection, and intuitive insights that will force the reader to encounter the world anew.
A horror debut by one of Britain's most celebrated up-and-coming writers, in which four friends get lost in a forest in Sweden, to find their lives are in mortal peril... as something evil lurks.
Successful working of any of these devotions will enable you to share consciousness with the Angel of Death as well as becoming 'one' with your own death.
Sociologists Émile Durkheim, Erving Goffman and Randall Collins broadly suppose that ritual is foundational for social life. By contrast, this book argues that ritual is merely surface, beneath which lie status and power, the behavioral dimensions that drive all social interaction. Status, Power and Ritual Interaction identifies status and power as the twin forces that structure social relations, determine emotions and link individuals to the reference groups that deliver culture and administer preferences, actions, beliefs and ideas. An especially important contention is that allegiance to ideas, even those as fundamental as the belief that 1 + 1 = 2, is primarily faithfulness to the reference groups that foster the ideas and not to the ideas themselves. This triggers the counter-intuitive deduction that the self, a concept many sociologists, social psychologists and therapists prize so highly, is feckless and irrelevant. Status-power theory leads also to derivations about motivation, play, humor, sacred symbols, social bonding, creative thought, love and sex and other social involvements now either obscure or misunderstood. Engaging with Durkheim (on collective effervescence), Goffman (on ritual-cum-public order) and Collins (on interaction ritual), this book is richly illustrated with instances of how to examine many central questions about society and social interaction from the status-power perspective. It speaks not only to sociologists, but also to anthropologists, behavioral economists and social and clinical psychologists - to all disciplines that examine or treat of social life.
From Marx to Murakami and Beethoven to Bacon, 'Daily Rituals' examines the working routines of more than a 160 of the greatest philosophers, writers, composers and artists ever to have lived. Filled with fascinating insights on the mechanics of genius and entertaining stories of the personalities behind it, it is irresistibly addictive and utterly inspiring
"Why do beer commercials dominate Super Bowl advertising? How do political ceremonies establish authority? Why were circular forms favored for public festivals during the French Revolution? This book answers these questions using a single concept: common knowledge. Game theory shows that in order to coordinate its actions, a group of people must form "common knowledge." Each person wants to participate only if others also participate. Members must have knowledge of each other, knowledge of that knowledge, and so on. Michael Chwe applies this insight, with striking erudition, to analyze a range of rituals across history and cultures. He shows that public ceremonies are powerful not simply because they transmit meaning from a central source to each audience member but because they let audience members know what other members know. In a new afterword, Chwe delves into new applications of common knowledge, both in the real world and in experiments, and considers how generating common knowledge has become easier in the digital age." -- From the jacket.
75 years since its first release, a true modern rarity and historical keystone in occult fiction and cinematic pop culture returns. Shrouded in the same brand of mystery and contradiction that forms its tangled plot, Ritual is commonly recognised by cult cinema fanatics as the original seed that spawned the towering movie enigma, The Wicker Man. A police officer is requested to investigate the presumed murder of a child in an obscure rural village. During his short stay, he is subjected to a spectacle of psychological trickery, sexual seduction and ancient practices and rituals.