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Linking the dying words of three slain strangers proves risky for Dalziel and Pascoe in this “shrewd . . . and deft” mystery (The New York Times). Reginald Hill “raised the classical British mystery to new heights” when he introduced pugnacious Yorkshire Det. Inspector Andrew Dalziel and his partner, the callow Sgt. Peter Pascoe (The New York Times Book Review). Their chafing differences in education, manners, technique, and temperament made them “the most remarkable duo in the annals of crime fiction” (Toronto Star). Adapted into a long-running hit show for the BBC, the Gold Dagger Award–winning series is now available as ebooks. On the same night, three old men are offed: One is found in the icy rain sputtering the name “Polly” before expiring; another mumbles “Charley” after being beaten in his bathtub; and most alarmingly, the final words of the third, a cyclist knocked off the road by a drunk driver, implicate Superintendent Andrew Dalziel in the fatal hit and run. Bearing the brunt of three seemingly disparate investigations while proving his partner’s innocence, Peter Pascoe follows a confounding trail that leads to one victim’s family secrets, a shady retirement community, and corruption within the CID’s ranks that’s putting more than Dalziel’s already dicey reputation in peril. Exit Lines is the 8th book in the Dalziel and Pascoe Mysteries, but you may enjoy reading the series in any order.
And When Connon got back from the rugby club, his wife was dead in front of the TV, her head had been caved in. Superintendent Dalziel knew exactly what went on in the clubhouse, but Sergeant Pascoe had other ideas.
The brilliant new crime thriller featuring Dalziel and Pascoe from the Top Ten Bestseller, Reginald Hill
On Beulah Height is the 15th of his superlative Dalziel-&-Pascoe novels. In this book Reginald Hill himself has provided some previously unpublished comments and glosses - a must for fans of Dalziel-&-Pascoe and a treat for all.
"Reginald Hill has raised the classical British mystery to new heights." -- "The New York Times Book Review Acclaimed as "the master of form and the sorcerer of style,"* the Grand Master of British psychological suspense returns to weave wordplay and murder into a lethal tapestry that only Dalziel and Pascoe can unravel. With characteristic precision, insidious wit, and unparalleled insight into the serpentine criminal mind, Hill offers readers his most diabolical surprise to date. Dialogues of the Dead "Paronomania [n. A clinical obsession with word games] In the Beginning was the Word... And the Word was Murder. A motorist dies after plunging off a bridge.... A motorcyclist is found dead after a fatal encounter with a tree. Two apparently innocuous tragedies ... until two Dialogues are submitted to a local literary competition, claiming responsibility for the deaths. But has anybody heard the Word? When a beautiful, unscrupulous journalist meets her Maker in fact, and then in fiction, as victim of The Third Dialogue, Dalziel and Pascoe take note and find themselves involved in a deadly duel of wits against an opponent known only as the Wordman: a brilliant sociopath who leaves literary clues in his wake ... and who hides in plain sight. Contestants, are you ready? Reginald Hill's books consistently combine wordplay and sleuthing, but the Master is in superb form in Dialogues of the Dead. There are enough clues to make a patchwork quilt, but in this test of wills just who is playing against whom? Is it the Wordman versus the police? Or the killer against his victims? Or is the real game between you, dear reader, and Reginald Hillhimself, at his most intriguing, most enticing, most elusive best? Just when you think you have your killer, guess again. Someone may have conceived the perfect crime. Let the games begin...
Gwendoline Lomas's son had gone missing during WW2, but she'd never accepted his death. Her funeral is interrupted by a man falling to his knees crying "Mama]". Could it be her son? Dalziel and Pascoe investigate when a body is found in a car.
Three times DCI Pascoe has wrongly accused dead-pan joker Franny Roote. This time he’s determined to leave no gravestone unturned as he tries to prove that the ex-con and aspiring academic is mad, bad, and dangerous to know. Meanwhile, Edgar Wield rides to the rescue of a child in danger, only to find he has a rent-boy with a priceless secret under his wing. DC Bowler is looking forward to a blissful New Year with the girl of his dreams. Unfortunately, her dreams are filled with a horror too terrible to tell . . . And over all this activity broods the huge form of DS Andy Dalziel. As trouble builds, the Fat Man discovers (as have many deities before him) that omniscience can be more trouble than it’s worth and that sometimes all omnipotence means is that you can have any colour you want, as long as it’s black.
When Ellie Pascoe finds herself underthreat from an unknown quarter, her husband DCI Peter Pascoeand his boss Superintendant Andy Dalziel assume it's because she's married to a cop. Irish arms, Columbian drugs, and men who will stop at nothing create a tidal wave which threatens to sweep her away. She heads out of town in search of haven, but instead finds herself at the very edge of the storm in a remote clifftop house undermined by the sea.
Superintendent Andy Dalziel and Inspector Peter Pascoe investigate the disappearance of a young girl and the suicide of the man who confessed killing her
Two novellas and one short story featuring the two detectives Dalziel and Pascoe, plus a novella which tells the story of how the pair met.