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“Wolf restores our awe of the human brain—its adaptability, its creativity, and its ability to connect with other minds through a procession of silly squiggles.” — San Francisco Chronicle How do people learn to read and write—and how has the development of these skills transformed the brain and the world itself ? Neuropsychologist and child development expert Maryann Wolf answers these questions in this ambitious and provocative book that chronicles the remarkable journey of written language not only throughout our evolution but also over the course of a single child’s life, showing why a growing percentage have difficulty mastering these abilities. With fascinating down-to-earth examples and lively personal anecdotes, Wolf asserts that the brain that examined the tiny clay tablets of the Sumerians is a very different brain from the one that is immersed in today’s technology-driven literacy, in which visual images on the screen are paving the way for a reduced need for written language—with potentially profound consequences for our future.
A detailed analysis of Proust's masterpiece, aimed at students coming to the work for the first time.
In these inspiring essays about why we read, Proust explores all the pleasures and trials that we take from books, as well as explaining the beauty of Ruskin and his work, and the joys of losing yourself in literature as a child. Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
A brilliant and original memoir of midlife–a writing life, a reading life, a woman's life–by the distinguished author of Parallel Lives Phyllis Rose, a biographer, essayist, and literary critic, finally got around to reading Proust in middle age. As Rose learned, you don't have to live through an unhappy childhood or celebrity adulthood to write an autobiography. You just need patience, candor, and a close–to–scientific passion for truth. She begins to learn how to navigate the intricacies of Proust's novels, at the same time reflecting on the course of her own life. With striking honesty, Rose writes about marriage, friendship, childbirth, and her own mortality. As she moves from daily experience to what she's read and back again, she illuminates how the close reading of her own life reveals truths for the rest of us and how such a subtle celebration of books can help us live.
‘What a marvellous book this is . . . de Botton dissects what [Proust] had to say about friendship, reading, looking carefully, paying attention taking your time, being alive and adds his own delicious commentary. The result is an intoxicating as it is wise, amusing as well as stimulating, and presented in so fresh a fashion as to be unique . . . I could not stop, and now much start all over again.’ Brian Masters, Mail on Sunday ‘De Botton not only has a complete understanding of Proust’s life . . . but what is particularly charming about this small, readable book is its tongue-in-cheek benignity, its lightly held erudition and its generous way of lending itself to what is not only the greatest book of the century but also the darkest and the most eccentric’ Edmund White, Observer ‘It contains more human interest and play of fancy than most fiction . . . de Botton, in emphasizing Proust’s healing, advisory aspects, does us the service of rereading him on our behalf, providing of that vast sacred lake a sweet and lucid distillation.’ John Updike, New Yorker ‘De Botton’s little book is so charming, amusing and sensible that it may even itself change your life.’ Allan Massie, Daily Telegraph ‘This engaging book is one of the most entertaining pieces of literary criticism I have read in a long while.’ Sunday Telegraph ‘A very enjoyable book’ Sebastian Faulks
Men will want you like they want a glass of rum…One man will love you. But you won’t love him. You will destroy his life. The one you love will break your heart in two. So says the soothsayer, when predicting young Celia’s future. Raised in the tropics of Tobago by an aunt she loves and an uncle she fears, Celia has never felt that she belonged. When her uncle–a man the neighbors call Allah because he thinks himself mightier than God–does something unforgivable, Celia escapes to the bustling capital city. There she quickly embraces her burgeoning independence, but her search for a place to call home is soon complicated by an affectionate friendship with William, a thoughtful gardener, and a strong sexual tension with her employer. All too quickly, Celia finds herself fulfilling the soothsayer’s predictions and living a life of tangled desperation–trapped between the man who offers her passion and the one who offers his heart.
The narrator recounts his complicated relationship with Albertine, the events that lead to their separation, and his retreat to Venice
Named a Times Literary Supplement Best Book of the Year A Pulitzer Prize–winning historian revisits Marcel Proust’s masterpiece in this essay on literature and memory, exploring the question of identity—that of the novel’s narrator and Proust’s own. This engaging reexamination of In Search of Lost Time considers how the narrator defines himself, how this compares to what we know of Proust himself, and what the significance is of these various points of commonality and divergence. We know, for example, that the author did not hide his homosexuality, but the narrator did. Why the difference? We know that the narrator tried to marginalize his part-Jewish background. Does this reflect the author’s position, and how does the narrator handle what he tries, but does not manage, to dismiss? These are major questions raised by the text and reflected in the text, to which the author’s life doesn’t give obvious answers. The narrator’s reflections on time, on death, on memory, and on love are as many paths leading to the image of self that he projects. In Proustian Uncertainties, Saul Friedländer draws on his personal experience from a life spent investigating the ties between history and memory to offer a fresh perspective on the seminal work.