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This book translates and comments on a selection of Old English poems that modern scholars identify as “wisdom” texts. These comprise collections of maxims, philosophical and cosmological speculation, and historical meditation. Composed by monastic authors from the ninth to the eleventh centuries, they mingle orthodox Christian beliefs with pre-Christian sensibilities embedded in the linguistic texture of Anglo-Saxon verse itself. Their preoccupation with how the human psyche responds to the challenges of incarnate life in space and time lends them a wide-ranging interest for students of medieval religion, social history, and psychology. Many are superb poems in their own right, whose quality the translations here serve to communicate to modern readers. The book’s commentaries engage sympathetically with patterns of thought and imagination both remote from us in time and yet strangely familiar.
Reading Old English Biblical Poetry considers the Junius 11 manuscript, the only surviving illustrated book of Old English poetry, in terms of its earliest readers and their multiple strategies of reading and making meaning. Junius 11 begins with the creation story and ends with the final vanquishing of Satan by Jesus. The manuscript is both a continuous whole and a collection with discontinuities and functionally independent pieces. The chapters of Reading Old English Biblical Poetry propose multiple models for reader engagement with the texts in this manuscript, including selective and sequential reading, reading in juxtaposition, and reading in contexts within and outside of the pages of Junius 11. The study is framed by particular attention to the materiality of the manuscript and how that might have informed its early reception, and it broadens considerations of reading beyond those of the manuscript's compiler and possible patron. As a book, Junius 11 reflects a rich and varied culture of reading that existed in and beyond houses of God in England in the tenth and eleventh centuries, and it points to readers who had enough experience to select and find wisdom, narrative pleasure, and a diversity of other things within this or any book's contents.
As one of the most prolific and influential scholars in the field, Thomas D. Hill has made an indelible mark on the study of Old English literature. In celebration of his distinguished career, the editors of Source of Wisdom have assembled a wide-ranging collection of nineteen original essays on Old English poetry and prose as well as early medieval Latin, touching upon many of Hill's specific research interests. Among the topics examined in this volume are the Christian-Latin sources of Old English texts, including religious and 'sapiential' poetry, and prose translations of Latin writings. Old English poems such as Beowulf, The Dream of the Rood, and The Wife's Lament are treated, throughout, to thematic, textual, stylistic, lexical, and source analysis. Prose writers of the period such as King Alfred and Wærferth, as well as medieval Latin writers such as Bede and Pseudo-Methodius are also discussed. As an added feature, the volume includes a bibliography of publications by Thomas D. Hill. Source of Wisdom is, ultimately, a contribution to the understanding of medieval English literature and the textual traditions that contributed to its development.
Reading Old English Biblical Poetry considers the Junius 11 manuscript, the only surviving illustrated book of Old English poetry, in terms of its earliest readers and their multiple strategies of reading and making meaning. Junius 11 begins with the Creation story and ends with the final vanquishing of Satan by Jesus. The study is framed by particular attention to the materiality of the manuscript and how that might have informed its early reception, and it broadens considerations of reading beyond those of the manuscript’s compiler and possible patron. As a book, Junius 11 reflects a rich and varied culture of reading that existed in and beyond houses of God in England in the tenth and eleventh centuries, and it points to readers who had enough experience to select and find wisdom, narrative pleasure, and a diversity of other things within this orany book’s contents.
Craig G. Bartholomew and Ryan P. O'Dowd provide an informed introduction to the Old Testament wisdom books Proverbs, Ecclesiastes and Job. More than an introduction, however, this is a thoughtful consideration of the hermeneutical implications of this literature.
Bibliography and guide to scholarly literature on the genre of Old English wisdom poetry. Wisdom literature played a crucial role in the evolution of traditional societies, contributing to the structure of society and to the acceptance of new ideas within a culture, a function that has become increasingly understood. Old English wisdom literature is the focus of this volume, which offers an bibliography of the scholarly criticism between 1800 and 1990 of a group of largely secular poems comprising the metrical Charms, The Fortunes of Men, The Gifts of Men, Homiletic Fragments I and II, Maxims I and II, The Order of the World, Precepts, the metrical Proverbs, the Riddles of the Exeter Book, the Rune Poem, Solomon and Saturn, and Vainglory. A General Introduction investigates debates between scholars and establishes overall trends; it is followed by the bibliography proper, divided into chapters, each with its own introduction, focusing on a major text or collection of texts, with entries arranged chronologically. Dr RUSSELL POOLEteaches in the School of English and Media Studies at Massey University, New Zealand.
Ideas about the human mind are culturally specific and over time vary in form and prominence. The Life of the Mind in Old English Poetry presents the first extensive exploration of Anglo-Saxon beliefs about the mind and how these views informed Old English poetry. It identifies in this poetry a particular cultural focus on the mental world and formulates a multivalent model of the mind behind it, as the seat of emotions, the site of temptation, the container of knowledge, and a heroic weapon. The Life of the Mind in Old English Poetry treats a wide range of Old English literary genres (in the context of their Latin sources and analogues where applicable) in order to discover how ideas about the mind shape the narrative, didactic, and linguistic design of poetic discourse. Particular attention is paid to the rich and slippery vernacular vocabulary for the mind which suggests a special interest in the subject in Old English poetry. The book argues that Anglo-Saxon poets were acutely conscious of mental functions and perceived the psychological basis not only of the cognitive world, but also of the emotions and of the spiritual life.
A Store of Common Sense is the first comparative study in English of Old Icelandic and Old English wisdom poetry. It examines problems of form, unity, and coherence, and how the genre responds to social change, both reflecting and shaping the thinking of the communities which originate it. Carolyne Larrington analyses the differences between the pagan wisdom of Norse, ranging through everyday practical advice, rune magic, and spells, and the Christian, socially oriented ideals of Old English wisdom poetry, strongly rooted in Christian concepts of 'natural' order and hierarchy in God's Creation. Close reading in primary texts, both runic and magical, lays bare the skilful, structural integration of pragmatic, social wisdom with other kinds of knowledge. The book explores the possibility of Christian influence on Norse texts and demonstrates the impact of Christian learning on the ancient pagan genre. The existence of a gnomic 'key' in Norse and English narrative verse is also shown. Far from being platitudinous moralizing, the wisdom poems of the two literatures reveal themselves as comic, ironic, dramatic, and grandiose by turns, exploring a gamut of themes unequal led in any other genre of the period.