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Drawing inspiration from Novalis (1772-1801) a poet who, like the other adherents of early German Romanticism, believed in the correspondence between inner and outer worlds, Kwasny divines the palpable and ineffable ways in which inherited traditions--indigenous culture, mythology, romanticism, modernism, surrealism, postmodernism, and more--inform daily life. Finding inspiration in the mountain West, Kwasny weaves a shimmering web of connections. Reading Novalis in Montana stretches boundaries with a section of "reading poems"--poems in dialogue with romantic and modernist poets, including Ezra Pound, H.D., Novalis, Dickinson, as well as a sequence that is a twenty-first century take on "The Wasteland," included with stunning lyric poems. Using luxuriant syntax to string together conditional clauses, these poems throw the reader backward and forward within a line and a poem. Alternatively, repetition offers a commentary on meaning, chopping perception into fragments. Combined with a charming self-qualification that deliberately interrupts momentum, this work smartly ties the reader back down to earth. Throughout details of lived experience emerge--hiking through the Pacific Northwest, helping a friend deal with cancer, sorting through the ruins of a relationship --and yet the interior voice is always tuned to the physical world, envisioning the shared understanding that connects all life.
The historical writings that helped shape our current understandings of poetry. Toward the Open Field brings together many of the great prose pieces—essays, letters, declarations, defenses, manifestos, and apologia—by the most influential European and American poets from the Romantics to the Symbolists, Surrealists, and Moderns. Hitherto uncollected and all in English, the work in this anthology follows the changing notions of what a poem is, what a poet is, and why we read a poem, tracing the development of stylistic and ideological strategies that have spawned our current, conflicting understandings of verse. The book begins with Wordsworth's 1802 "Preface" to the Lyrical Ballads and proceeds through 150 years of English language tradition, including the European poetries which greatly influenced it. These prose works allow the reader to share one of the great extended conversations by poets about poetry during a dynamic period of literary experimentation. Includes work by Charles Baudelaire, André Breton, Aimé Césaire, Samuel Taylor Coleridge, Emily Dickinson, T.S. Eliot, Ralph Waldo Emerson, Gerard Manley Hopkins, Langston Hughes, John Keats, Federico Garcia Lorca, Mina Loy, Stéphane Mallarmé, Marianne Moore, Charles Olson, Ezra Pound, Arthur Rimbaud, Percy Bysshe Shelley, Gertrude Stein, Wallace Stevens, Paul Valéry, Walt Whitman, William Carlos Williams, William Wordsworth and Louis Zukofsky.
The prize-winning author of Thistle shares “a quietly magnificent collection of prose poems” that explore how we connect to the world around us (Orion). Drawing inspiration from the work of Rene Char, Melissa Kwasny presents a new kind of prose poem in The Nine Senses. These experiments challenge the way we read sequentially, making each line equal to the next as disparate figures and topics appear side by side: Dylan Thomas, Roman water lines, Paul Celan, Shirin Neshat, anti-depressants, Buddhism, William Carlos Williams, Trakl, cancer, Beckett, Pound, Breton, the Iraq War, telekinesis, clairvoyance, Jaune Quick-to-See Smith, and Yeats, among many others. Through it all, Kwasny asks how we tie ourselves to the world when our minds are always someplace other than where we are? As bromides and aphorisms degrade, we are left with startling new realizations. Obliquely touching on the cancer of a friend, her own troubled relationship with her father, and the break-up of a nearly thirty-year partnership, Kwasny also questions mortality, temporality, and eternity. Kwasny then abandons abstraction with some very direct poems about her own cancer and diagnosis.
These thirty-seven poems are eccentric in the true meaning of the word-off-center. Their titles, bearing the names of weeds, flowers, herbs, trees, are merely points of departure. How hard can it be," the poet asks, "to lie down in the green / mussed bed of the senses... In clover." Whether it's clover or rue, aspen or moss, the reader is invited into that rumpled but rich bed." --Maxine KuminAbout the Author(s) Melissa Kwasny is the author of "The Archival Birds" (Bear Star Press, 2000), and editor of "Toward the Open Field: Poets on the Art of Poetry 1800 - 1950" (Wesleyan University Press, 2004). She has also published two novels, most recently "Trees Call for What They Need." Ms. Kwasny lives in Jefferson City, Montana.
Poetry.New to SPD. These poems capture wonderfully the complex and rich interconnection between the human mind and heart and nature. A moving and beautiful collection -- Susan Griffin. Melissa Kwasny is the author of two novels Modern Daughters and the Outlaw West and Trees Call for What They Need. She makes her home in Montana.
Printmaker/anthropologist Laura B. DeLind and poet Anita Skeen never set out to produce a book at all when they began exchanging prints and poems, but as they began to appreciate at a deeper level the skill involved in each other's work, they began to find meaning in small things--a pattern, a memory, a carefully chosen word. The twenty-two fantastic and formerly undiscovered avian delights in this book illuminate the human world of love and loss, grief and joy, politics and play.
Where Outside the Body Is the Soul Today comprises two interwoven series—one of linked prose poems called “Another Letter to the Soul” and one of individual lined poems that explore the connection between anima and animal. The volume speaks to and questions the ancient concept of the soul and its contemporary manifestations, including the damaged soul, the American soul, and the blind, gagged soul of history. Melissa Kwasny does not define the soul in traditional religious terms, but in a shamanic, perhaps ecological sense, as the part of being that continues its existence after death. The poems in “Another Letter to the Soul” point inward, addressing the human soul directly, while the individual lined poems search outward, sensing the soul in the plants, animals, rocks, waters, and winds that surround us.
“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University
The prize-winning poet evokes the spirit of nature in this collection inspired by the sacred sites around her rural Montana home. “If you would learn the earth as it really is,” N. Scott Momaday writes, “learn it through its sacred places.” With this quote as her guiding light, Melissa Kwasny traveled to ancient pictograph and petroglyph sites across Montana. In Pictograph, she captures the natural world she encounters around the sacred art, filling it with new, personal meaning: brief glimpses of starlight through the trees become a reminder of the impermanence of life, the controlled burn of a forest a sign of the changes associated with aging. Unlike traditional nature poets, however, Kwasny acknowledges the active spirit of each place, agreeing that “we make a sign and we receive.” Not only do we give meaning to nature, Kwasny suggests, but nature gives meaning to us. As the collection closes, the poems begin to coalesce into a singular pictograph, creating “a fading language that might be a bridge to our existence here.”
I Am Montana is a collaborative project between two Montana-based organizations: Free Verse Writing Project, and Second Season. Free Verse teaches literature and creative writing to students in juvenile detention facilities across Montana, and Second Season serves Northern Cheyenne communities, helping young people set and achieve positive goals.