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Marx's critique of political economy is vital for understanding the crisis of contemporary capitalism. Yet the nature of its relevance and some of its key tenets remain poorly understood. This bold intervention brings together the work of leading Marx scholars Slavoj i ek, Frank Ruda and Agon Hamza, to offer a fresh, radical reinterpretation of Marxism that explains the failures of neoliberalism and lays the foundations for a new emancipatory politics. Avoiding trite comparisons between Marx's worldview and our current political scene, the authors show that the current relevance and value of Marx's thought can better be explained by placing his key ideas in dialogue with those that have attempted to replace them. Reading Marx through Hegel and Lacan, particle physics, and modern political trends, the authors provide new ways to explain the crisis in contemporary capitalism and resist fundamentalism in all its forms. Reading Marx will find a wide audience amongst activists and scholars.
In this book, Reiner Schürmann argues that what is most original about Marx is his philosophical axis. Extending his highly original engagement with the history of philosophy, Schürmann draws out this axis, which determines and localizes his theories of history, social relations, and economy. Whereas Marxist readings of Marx conceive history, classes, and social relations as primary realities, Schürmann brings out a radically immanent understanding of praxis that introduces multiplicity. This edition is complemented by a reprinting of Schürmann's Anti-Humanism essay, in which he reads Marx alongside Nietzsche and Heidegger as spelling out the dissociation of being and action. Reading Marx showcases underappreciated facets of Schürmann's work and offers an interpretation of Marx that resonates with the readings of Jacques Derrida, Michel Henry, Antonio Negri, and François Laruelle.
'All too often, Karl Marx has been regarded as a demon or a deity - or a busted flush. This fresh, provocative, and hugely enjoyable book explains why, for all his shortcomings, his critique of modern society remains forcefully relevant even in the twenty-first century.' Francis Wheen, author of Karl Marx In recent years we could be forgiven for assuming that Marx has nothing left to say to us. Marxist regimes have failed miserably, and with them, it seemed, all reason to take Marx seriously. The fall of the Berlin Wall had enormous symbolic resonance: it was taken to be the fall of Marx as well as of Marxist politics and economics. This timely book argues that we can detach Marx the critic of current society from Marx the prophet of future society, and that he remains the most impressive critic we have of liberal, capitalist, bourgeois society. It also shows that the value of the 'great thinkers' does not depend on their views being true, but on other features such as their originality, insight, and systematic vision. On this account too Marx still richly deserves to be read.
A contemporary interrogation of Marx’s masterwork Karl Marx saw the ruling class as a sorcerer, no longer able to control the ominous powers it has summoned from the netherworld. Today, in an age spawning the likes of Donald Trump and Boris Johnson, our society has never before been governed by so many conjuring tricks, with collusions and conspiracies, fake news and endless sleights of the economic and political hand. And yet, contends Andy Merrifield, as our modern lives become ever more mist-enveloped, the works of Marx can help us penetrate the fog. In Marx, Dead and Alive—a book that begins and ends beside Marx’s recently violated London graveside—Merrifield makes a spirited case for a critical thinker who can still offer people a route toward personal and social authenticity. Bolstering his argument with fascinating examples of literature and history, from Shakespeare and Beckett, to the Luddites and the Black Panthers, Merrifield demonstrates how Marx can reveal our individual lives to us within a collective perspective—and within a historical continuum. Who we are now hinges on who we once were—and who we might become. This, at a time when our value-system is undergoing core “post-truth” meltdown.
Representing Capital, Fredric Jameson’s first book-length engagement with Marx’s magnum opus, is a unique work of scholarship that records the progression of Marx’s thought as if it were a musical score. The textual landscape that emerges is the setting for paradoxes and contradictions that struggle toward resolution, giving rise to new antinomies and a new forward movement. These immense segments overlap each other to combine and develop on new levels in the same way that capital itself does, stumbling against obstacles that it overcomes by progressive expansions, which are in themselves so many leaps into the unknown.
Emphasizing the Romantic heritage and modernist legacy of Karl Marx's writings, Peter Osborne presents Marx's thought as a developing investigation into what it means, concretely, for humans to be practical historical beings. Drawing upon passages from a wide range of Marx's writings, and showing the links between them, Osborne refutes the myth of Marx as a reductively economistic thinker. What Marx meant by 'materialism', 'communism' and the 'critique of political economy' was much richer and more original, philosophically, than is generally recognized. With the renewed globalization of capitalism since 1989, Osborne argues, Marx's analyses of the consequences of commodification are more relevant today than ever before. Extracts are taken from the full breadth of Marx's writings, from his student Notebooks on Epicurean Philosophy, via the Economic and Philosophical Manuscripts and The Communist Manifesto to Capital.
An accessible companion to Karl Marx's essential Capital With the recent revival of Karl Marx's theory, a general interest in reading Capital has also increased. But Capital—Marx’s foundational nineteenth-century work on political economy—is by no means considered an easily understood text. Central concepts, such as abstract labor, the value-form, or the fetishism of commodities, can seem opaque to us as first-time readers, and the prospect of comprehending Marx’s thought can be truly daunting. Until, that is, we pick up Michael Heinrich’s How to Read Marx's Capital. Paragraph by paragraph, Heinrich provides extensive commentary and lucid explanations of questions and quandaries that arise when encountering Marx’s original text. Suddenly, such seemingly gnarly chapters as “The Labor Process and the Valorization Process” and “Money or the Circulation of Capital” become refreshingly clear, as Heinrich explains just what we need to keep in mind when reading such a complex text. Deploying multiple appendices referring to other pertinent writings by Marx, Heinrich reveals what is relevant about Capital, and why we need to engage with it today. How to Read Marx's Capital provides an illuminating and indispensable guide to sorting through cultural detritus of a world whose political and economic systems are simultaneously imploding and exploding.
Capital Volume I is essential reading on many undergraduate courses, but the structure and style of the book can be confusing for students, leading them to abandon the text. This book is a clear guide to reading Marx's classic text, which explains the reasoning behind the book's structure and provides help with the more technical aspects that non-economists may find taxing.Students are urged to think for themselves and engage with Marx's powerful methods of argument and explanation. Shapiro shows that Capital is key to understanding critical theory and cultural production.This highly focused book will prove invaluable to students of politics, cultural studies and literary theory.
A spirit is haunting contemporary thought – the spirit of Hegel. All the powers of academia have entered into a holy alliance to exorcize this spirit: Vitalists and Eschatologists, Transcendental Pragmatists and Speculative Realists, Historical Materialists and even ‘liberal Hegelians’. Which of these groups has not been denounced as metaphysically Hegelian by its opponents? And which has not hurled back the branding reproach of Hegelian metaphysics in its turn? Progressives, liberals and reactionaries alike receive this condemnation. In light of this situation, it is high time that true Hegelians should openly admit their allegiance and, without obfuscation, express the importance and validity of Hegelianism to the contemporary intellectual scene. To this end, a small group of Hegelians of different nationalities have assembled to sketch the following book – a book which addresses a number of pressing issues that a contemporary reading of Hegel allows a new perspective on: our relation to the future, our relation to nature and our relation to the absolute.
Employing the insights of recent cultural critics, Reading Marx Writing uses the eight notebooks (the Grundrisse) Marx worked on in 1857-58 to examine his literary, political, and scientific imagination and the fictional writers he admired. By exploring the Grundrisse, the project or plan that Marx did not carry through, the author speculates on the limits and possibilities of Marx's interpretive approach for addressing current issues in philosophy and hermeneutics, critical sociology and political economy, and aesthetics and literary criticism. The study employs certain literary works - notably a scene from Goethe's Faust and several stories from Balzac's Comedie humaine - as looking-glasses or sounding boards for Marx's political and scientific concerns and to connect themes emerging from the cultural economy of the nineteenth century. These literary works are treated less as dramatic illustrations of Marx's life or depictions of his scientific insights than as interpretive frameworks or social fictions which give shape to both Marx's text and the writings of others working in his wake. Through an innovative blend of German critical theory (Lukacs, Marcuse, and Habermas), French post-structuralism (Althusser, Lyotard, and Baudrillard), and Anglo-American cultural criticism (Jameson, Mitchell, and O'Neill), the author develops a unique method for articulating the play of image, text, and even music within Marx's human scientific discourse.