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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
The dawn of print was a major turning point in the early modern world. It rescued ancient learning from obscurity, transformed knowledge of the natural and physical world, and brought the thrill of book ownership to the masses. But, as Andrew Pettegree reveals in this work of great historical merit, the story of the post-Gutenberg world was rather more complicated than we have often come to believe. The Book in the Renaissance reconstructs the first 150 years of the world of print, exploring the complex web of religious, economic, and cultural concerns surrounding the printed word. From its very beginnings, the printed book had to straddle financial and religious imperatives, as well as the very different requirements and constraints of the many countries who embraced it, and, as Pettegree argues, the process was far from a runaway success. More than ideas, the success or failure of books depended upon patrons and markets, precarious strategies and the thwarting of piracy, and the ebb and flow of popular demand. Owing to his state-of-the-art and highly detailed research, Pettegree crafts an authoritative, lucid, and truly pioneering work of cultural history about a major development in the evolution of European society.
Ada Palmer explores how Renaissance poets and philologists, not scientists, rescued Lucretius and his atomism theory. This heterodoxy circulated in the premodern world, not on the conspicuous stage of heresy trials and public debates but in the classrooms, libraries, studies, and bookshops where quiet scholars met transformative ideas.
As the transition between the Middle Ages and modern times, the Renaissance is perhaps the most distinguished age since that of Classic Greece. Moreover, the consciousness of our time was largely formed by those who were given freedom to express themselves by the rebirth of the arts and sciences of the Renaissance. The Renaissance Reader allows the men and women of that turbulent time of change to speak in their own voices--sane and insane, brilliant and mundane, inspired and possessed, oblivious and decisive. Organized chronologically and covering the fourteenth through the seventieth centuries, the book provides readers with the literary and artist; social, religious, and political; and scientific and philosophic texts that shaped Renaissance thinking from the death of Dante in 1321 to the deaths of Cervantes and Shakespeare in 1616. Selections include such familiar texts as Sir Thomas Malory's Le Morte Darthur, Baldassare Castiglione's The Book of the Courtier, and Miguel de Cervantes' Don Quixote. The book also contains works by many less familiar writers, including such prominent Renaissance women as Christine de Pizan, Isabella d'Este, and Catherine Zell. With the inclusion of the works of such brilliant artists as Giotto, de Vinci, Durer, Michelangelo, Raphael, Brueghel, and others, The Renaissance Reader brings the age to life with all its vibrance and excitement.
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.
A rendition of a traditional African American spiritual.
An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.
Being a kid can really stink. And no one knows this better than Greg Heffley, who finds himself thrust into high school where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. Luckily Greg has his best friend and sidekick, Rowley. But when Rowley's popularity starts to rise, it kicks off a chain of events that will test their friendship in hilarious fashion. '[This] 'novel in cartoons' should keep readers in stitches, eagerly anticipating Gregs further adventures.' Publishers Weekly
GREG HEFFLEY AND SPORTS JUST DON'T MIX. After a disastrous competition at school, Greg decides that he's officially retired from ANY kind of sport! That is, until his mom persuades him to give it one more go and makes Greg reluctantly agree to sign up for basketball. Tryouts are a MESS, and Greg is sure he won't make the cut. But he unexpectedly lands a spot on the worst team. As Greg and his new teammates start the season, their chances of winning even a single game look slim. But in sports, anything can happen. When everything is on the line and the ball is in Greg's hands, will he rise to the occasion? Or will he blow his big shot?
The Renaissance was a time of cultural rebirth. Readers will learn all about Renaissance life and Renaissance education in this engaging title that explores how artists created masterpieces and explored subjects like music, architecture, Renaissance religion, and new artistic movements like naturalism. The intriguing facts and beautiful images allow readers to see examples of Renaissance art from great artists like Michelangelo and Leonardo da Vinci. The easy-to-read text, accessible glossary, and helpful index work together to create a captivating reading experience.