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A compelling and authoritative reading of Hemingway's final collection of short stories Written in 1933 and one of Hemingway's lesser-known books, Winner Take Nothing was his third and final collection of short stories. These stories are about loners and losers and misfits and ne'er-do-wells. Its characters are ill, tortured, maligned, and frustrated by Hemingway's world. Like the characters it depicts, Winner Take Nothing is likewise a misfit in Hemingway's career, a volume of short stories that, as of this writing, is not even in print. Its more popular predecessors, In Our Time (1925) and Men without Women (1927), are held up as iconic collections in the American short story tradition. The grotesqueries of these 14 stories are outcasts in Hemingway's corpus and have been neglected virtually from the beginning. Editors Cirino and Vandagriff recover an underrated work that still reflects contemporary concerns. Through line-by-line annotations and accompanying commentary, this book weaves together the biographical, historical, and cultural threads of one of Hemingway's more overlooked works, thus providing much needed guidance for Hemingway scholars and general readers alike. Included in this Collection: Introduction--Mark Cirino and Susan Vandagriff "After the Storm"--Kirk Curnutt "A Clean Well-Lighted Place"--Alberto Lena "The Light of the World"--Bryan Giemza "God Rest You Merry, Gentlemen"--Suzanne del Gizzo "The Sea Change"--Carl Eby "A Way You'll Never Be"--Mark Cirino "The Mother of a Queen"--Krista Quesenberry "One Reader Writes"--Robert W. Trogdon "Homage to Switzerland"--Boris Vejdovsky "A Day's Wait"--Verna Kale "A Natural History of the Dead"--Ryan Hediger "Wine of Wyoming"--Susan Vandagriff "The Gambler, the Nun, and the Radio"--Nicole J. Camastra "Fathers and Sons"--Donald A. Daiker
Fourteen of some of Hemingway’s finest short stories that examine life’s different stages through Hemingway’s unique perspective. Ernest Hemingway's Winner Take Nothing contains fourteen stories of varying length. Some of them have appeared in magazines but the majority have not been published before. The characters and backgrounds are widely varied. Some stories included are “A Clean, Well-Lighted Place,” a story about one man’s night in a café; “Homage to Switzerland” concerns various conversations at a Swiss railway-station restaurant; “The Gambler, the Nun, and the Radio” is laid in the accident ward of a hospital in Western United States; and so on. Ernest Hemingway made his literary start as a short-story writer. He has always excelled in that medium, and this volume reveals him at his best.
Ernest Hemingway's first new book of fiction, since the publication of A Farewell to Arms, contains fourteen stories of varying length. Some of them have appeared in magazines but the majority have not been published before. The characters and backgrounds are widely varied. "A Clean, Well-Lighted Place" is about an old Spanish Beggar. "Homage to Switzerland" concerns various conversations at a Swiss railway-station restaurant. "The Gambler, the Nun, and the Radio" is laid in the accident ward of a hospital in Western United States, and so on. Ernest Hemingway made his literary start as a short-story writer. He has always excelled in that medium, and this volume reveals him at his best.
Ernest Hemingway's first new book of fiction, since the publication of A Farewell to Arms, contains fourteen stories of varying length. Some of them have appeared in magazines but the majority have not been published before. The characters and backgrounds are widely varied. "A Clean, Well-Lighted Place" is about an old Spanish Beggar. "Homage to Switzerland" concerns various conversations at a Swiss railway-station restaurant. "The Gambler, the Nun, and the Radio" is laid in the accident ward of a hospital in Western United States, and so on. Ernest Hemingway made his literary start as a short-story writer. He has always excelled in that medium, and this volume reveals him at his best. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience
Winner Take Nothing is a 1933 collection of short stories by Ernest Hemingway. Hemingway's third and final collection of stories, it was published four years after A Farewell to Arms (1929), and a year after his non-fiction book about bullfighting, Death in the Afternoon (1932). The volume included the following stories: "After the Storm" "A Clean, Well-Lighted Place" "The Light of the World" "God Rest You Merry, Gentlemen" "The Sea Change" "A Way You'll Never Be" "The Mother of a Queen" "One Reader Writes" "Homage to Switzerland" "A Day's Wait" "A Natural History of the Dead" "Wine of Wyoming" "The Gambler, the Nun, and the Radio" "Fathers and Sons"
First published in 1927, Men Without Women represents some of Hemingway's most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often-uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heart-wrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.
Ernest Hemingway (1899-1961), born in Oak Park, Illinois, started his career as a writer in a newspaper office in Kansas City at the age of seventeen. After the United States entered the First World War, he joined a volunteer ambulance unit in the Italian army. Serving at the front, he was wounded, was decorated by the Italian Government, and spent considerable time in hospitals. After his return to the United States, he became a reporter for Canadian and American newspapers and was soon sent back to Europe to cover such events as the Greek Revolution.During the twenties, Hemingway became a member of the group of expatriate Americans in Paris, which he described in his first important work, The Sun Also Rises (1926). Equally successful was A Farewell to Arms (1929), the study of an American ambulance officer's disillusionment in the war and his role as a deserter. Hemingway used his experiences as a reporter during the civil war in Spain as the background for his most ambitious novel, For Whom the Bell Tolls (1940). Among his later works, the most outstanding is the short novel, The Old Man and the Sea (1952), the story of an old fisherman's journey, his long and lonely struggle with a fish and the sea, and his victory in defeat.Hemingway - himself a great sportsman - liked to portray soldiers, hunters, bullfighters - tough, at times primitive people whose courage and honesty are set against the brutal ways of modern society, and who in this confrontation lose hope and faith. His straightforward prose, his spare dialogue, and his predilection for understatement are particularly effective in his short stories, some of which are collected in Men Without Women (1927) and The Fifth Column and the First Forty-Nine Stories (1938). Hemingway died in Idaho in 1961.
Featuring Hemingway's only full-length play, The Fifth Column and Four Stories of the Spanish Civil War brilliantly evokes the tumultuous Spain of the 1930s. These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it. He provides unique insight into how the city itself and the people within it functioned during this time of war. Through love, hate, fear, and brutality, Hemingway explores the complexities that times of war contain in his famed powerful prose.
In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”
DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.