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Focusing on the first four images of the Other mobilized in Descartes’ Meditations—namely, the blind, the mad, the dreamy, and the bad—Reading Descartes Otherwise casts light on what have heretofore been the phenomenological shadows of “Cartesian rationality.” In doing so, it discovers dynamic signs of spectral alterity lodged both at the core and on the edges of modern Cartesian subjectivity. Calling for a Copernican reorientation of the very notion “Cartesianism,” the book’s series of close, creatively critical readings of Descartes’ signature images brings the dramatic forces, moments, and scenes of the cogito into our own contemporary moment. The author patiently unravels the knotted skeins of ambiguity that have been spun within philosophical modernity out of such clichés as “Descartes, the abstract modern subject” and “Descartes, the father of modern philosophy”—a figure who is at once everywhere and nowhere. In the process, she revitalizes and reframes the legacy of Cartesian modernity, in a way more mindful of its proto-phenomenological traces.
Focusing on the first four images of the other that mobilize René Descartes' Meditations, viz., the blind, the mad, the dreamy and the bad, Reading Descartes Otherwise spotlights the phenomenological shadows of "Cartesian rationality," dynamic signs of spectral alterity lodged at the core and the edge of modern Cartesian subjectivity.
This title casts light on what have heretofore been the phenomenological shadows of 'Cartesian rationality.' In doing so, it discovers dynamic signs of spectral alterity lodged both at the core and on the edges of modern Cartesian subjectivity. Calling for a Copernican reorientation of the very notion 'Cartesianism, ' the book's series of close, creatively critical readings of Descartes' signature images brings the dramatic forces, moments, and scenes of the cogito into our own contemporary moment.
'I realized it was necessary to demolish everything and start again right from the foundations, if I wanted to establish anything in the sciences that was stable and likely to last.' Ren Descartes Revered as the 'father of modern philosophy', Descartes is one of the most influential philosophers of all time, but his ideas are also highly controversial and have been subjected to intense criticism by present-day philosophers. John Cottingham examines Descartes's remarkable attempt to construct a new basis for scientific understanding, his famous first principle, 'I am thinking, therefore I exist,' and his notorious and often misunderstood account of the relation between mind and body. He also tackles fascinating and lesser-known aspects of Descartes's philosophy, including his views on language, human and animal nature, the role of the emotions in the good life, and the place of God in science and ethics. Extracts are taken from the whole range of Descartes's writings, including the Discourse on the Method, Meditations on First Philosophy, Principles of Philosophy and his last book, the Passions of the Soul, as well as extracts from his philosophical letters.
Of all the works of the man claimed by many as the father of modern philosophy, the MEDITATIONS, first published in 1641, must surely be Rene Descartes' masterpiece. This volume consists of not only a new translation of the original Latin text and the expanded objections and replies, but also includes selected correspondence and other metaphysical writings from the period 1641-49.
A central theme unifying the essays in this volume on the work of Descartes is the interconnection between Descartes' philosophical and scientific interests, and the extent to which these two sides of the Cartesian programme illuminate each other.
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These provocative essays take a modern look at the 17th-century thinker's dream, examining the influences of mathematics on society, particularly in light of technological advances. They survey the conditions that elicit the application of mathematic principles; the applications' effectiveness; and how applied mathematics transform perceptions of reality. 1987 edition.
Between Two Worlds is an authoritative commentary on--and powerful reinterpretation of--the founding work of modern philosophy, Descartes's Meditations. Philosophers have tended to read Descartes's seminal work in an occasional way, examining its treatment of individual topics while ignoring other parts of the text. In contrast, John Carriero provides a sustained, systematic reading of the whole text, giving a detailed account of the positions against which Descartes was reacting, and revealing anew the unity, meaning, and originality of the Meditations. Carriero finds in the Meditations a nearly continuous argument against Thomistic Aristotelian ways of thinking about cognition, and shows more clearly than ever before how Descartes bridged the old world of scholasticism and the new one of mechanistic naturalism. Rather than casting Descartes's project primarily in terms of skepticism, knowledge, and certainty, Carriero focuses on fundamental disagreements between Descartes and the scholastics over the nature of understanding, the relation between the senses and the intellect, the nature of the human being, and how and to what extent God is cognized by human beings. Against this background, Carriero shows, Descartes developed his own conceptions of mind, body, and the relation between them, creating a coherent, philosophically rich project in the Meditations and setting the agenda for a century of rationalist metaphysics.
This study traces the development of the metaphysics of the material world in early modern thought. It starts with the scholastic innovator Suárez, proceeds to a consideration of Suárez's connections to Descartes, and ends with an examination of Spinoza's fundamental re-conceptualization of the Cartesian material world.