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The works of Pulitzer Prize-winning author Cormac McCarthy can be described as dark, mysterious, and violent. His unique writing style and Southern Gothic, post-apocalyptic brand of literature defy classification and make for a challenging and thought-provoking read. This text closely examines McCarthy’s recurring styles, symbols, and themes through excerpts from his books as well as critical analysis. Students will learn how to read and interpret McCarthy’s complex works while they come to a greater understanding of one of America’s most powerful writers.
A roadmap to the dark and mythic topography of McCarthy's fiction Named by Harold Bloom as one of the most significant American novelists of our time, Cormac McCarthy has been honored with the National Book Award and the National Book Critics Circle Award for All the Pretty Horses, the James Tait Black Memorial Prize and the Pulitzer Prize for The Road, and the coveted MacArthur Fellowship. Steven Frye offers a comprehensive treatment of McCarthy's fiction to date, dealing with the author's aesthetic and thematic concerns, his philosophical and religious influences, and his participation in Western literary traditions. Frye provides extensive readings of each novel, charting the trajectory of McCarthy's development as a writer who invigorates literary culture both past and present through a blend of participation, influence, and aesthetic transformation. Understanding Cormac McCarthy explores the early works of the Tennessee period in the context of the "romance" genre, the southern gothic and grotesque, as well as the carnivalesque. A chapter is devoted to Blood Meridian, a novel that marks McCarthy's transition to the West and his full recognition as a major force in American letters. In the final two chapters, Frye explores McCarthy's Border Trilogy and his later works— specifically No Country for Old Men and The Road—addressing the manner in which McCarthy's preoccupation with violence and human depravity exists alongside a perpetual search for meaning, purpose, and value. Frye provides scholars, students, and general readers alike with a clearly argued foundational examination of McCarthy's novels in their historical and literary contexts as an ideal roadmap illuminating the author's work as it charts the dark and mythic topography of the American frontier.
Henry Childs is just seventeen when he falls into a love affair so intense it nearly destroys him. To escape the wrath of the young girl’s father, Henry joins the Marines, arriving in Korea on the eve of the brutal battle of the Chosin Reservoir—the defining moment of the Korean War. There he confronts an enemy force far beyond the scope of his imagining, but the challenges he meets upon his return home, scarred and haunted, are greater by far. From the steamy streets of New Orleans to the bone-chilling Korean landscape, award-winning author Robert Olmstead takes us into one of the most physically challenging battles in history and, with just as much intensity, into an electrifying, all-consuming love affair.
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Faulkner and Hurston is a collection of literary criticism from the 2016 Faulkner/Hemingway Conference at Southeast Missouri State University. Faulkner and Hemingway is Volume Six in Southeast's Faulkner Conference Series.
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity
This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers.
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road, here is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there—a brilliantly imagined collection of eccentrics, criminals, and squatters—he rises above the physical and human squalor with detachment, humor, and dignity. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that McCarthy himself references in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy's published works, the unpublished screenplay Whales and Men, and McCarthy's correspondence. For each work, Crews identifies the authors, artists, or other cultural figures that McCarthy references; gives the source of the reference in McCarthy's papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy's literary influences—impossible to undertake before the opening of the archive—vastly expands our understanding of how one of America's foremost authors has engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.
Not control his amorous and pugilistic inclinations and so left for the West. According to his "Confession," he seduced countless women in the U.S. and Mexico, never missed a fandango, fought gallantly against Mexican guerrillas, and rode with the 1st Dragoons into the Battle of Buena Vista. His remarkable story is pure melodrama; but Goetzmann has proven by his painstaking research that much of it is true. In extensive annotation, the editor has been able to separate.