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In Reading Ancient Egyptian Poetry, Richard Parkinson explores how ancient Egyptian poems have been read and perceived across the ages. Presents an innovative and theoretically-informed account of how the most famous ancient Egyptian poems have been read over 4,000 years From a leading expert in the interpretation of ancient Egyptian literature Explores the original experience of ordinary Egyptians enjoying the poems as well as their interpretation during the Middle Kingdom and up to modern times Draws on recent discoveries in the British Museum archives to reconstruct the contexts of the poems
Selections include poetry from pyramid texts, morning hymns, instructions in wisdom, meditations, exhortations to schoolboys, love songs, poems to the king, and more. Also included are an outline of Egyptian history, an introduction to Egyptian literature, and extensive footnotes and commentary on the material presented.
Presents annotated translations of papyrus writings and tomb inscriptions from the middle and late periods of ancient Egypt.
"This anthology contains all the substantial surviving works from the golden age of Ancient Egyptian fictional literature (c.1940-1640 B.C.). Composed by an anonymous author in the form of a funerary autobiography, the Tale tells how the courtier Sinuhe flees Egypt at the death of his king. His adventures bring wealth and happiness, but his failure to find meaningful life abroad is only redeemed by the new king's sympathy, and he finally returns to the security of his homeland. Other works from the Middle Kingdom include a poetic dialogue between a man and his soul on the problem of suffering and death, a teaching about the nature of wisdom which is bitterly spoken by the ghost of the assassinated King Amenemhat I, and a series of light-hearted tales of wonder from the court of the builder of the Great Pyramid."--Jacket.
[Poetry and Culture in Middle Kingdom Egypt] certainly represents a landmark. It is the first monograph devoted to an integral study and interpretation of the entire corpus of literature preserved from the Egyptian Middle Kingdom.'Joachim Quack, Professor of Egyptology, University of Heidelberg.
This anthology contains all the substantial surviving works from the golden age of Ancient Egyptian fictional literature (c.1940-1640 B.C.). Composed by an anonymous author in the form of a funerary autobiography, the Tale tells how the courtier Sinuhe flees Egypt at the death of his king. His adventures bring wealth and happiness, but his failure to find meaningful life abroad is only redeemed by the new king's sympathy, and he finally returns to the security of his homeland. Other works from the Middle Kingdom include a poetic dialogue between a man and his soul on the problem of suffering and death, a teaching about the nature of wisdom which is bitterly spoken by the ghost of the assassinated King Amenemhat I, and a series of light-hearted tales of wonder from the court of the builder of the Great Pyramid."--Jacket
Originally published in 1927, this text contains a translation of Adolf Erman’s work into English. Erman’s original intention was to bring the songs, stories and poems that have survived from ancient Egypt to the masses of the modern world. The literature of the Egyptian world provides a real insight into the day-to-day life of one of the oldest societies known to man and this translation ensures that these insights are afforded to an English audience. This title will be of interest to students of History, Classics and Literature.
This is the first comprehensive anthology in English of ancient Egyptian lyric poetry.
"First published in 1973 - and followed by Volume II in 1976 and Volume III in 1980 - this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world's earliest civilizations. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. It features a new foreword by Joseph G. Manning"--Publisher's description.
The Middle Kingdom (c.1940-1640 BC) was a golden age of Ancient Egyptian writing. This pioneering book is the first comprehensive study of this literary legacy. The status of literature is controversial in many ancient civilizations, and Middle Kingdom poems have often been regarded as propaganda for the ruling dynasty. This study radically reassesses their cultural role, drawing on recent studies of the individual texts, some by the author, and on general developments in literary criticism, to argue that they were entertainments that voiced potentially dissident views while also being integral to elite culture. The book explores literatures status as a differentiated form of discourse, suggesting what social practices made its role possible and offering an innovative model for the readers engagement with these subtle and complex ancient works. The book also surveys the social and ideological context of literature and proposes readings of the main tales, discourses, and teachings. The conclusion sets the readings in a broad context, while an appendix surveys the entire range of surviving texts.