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Once upon a time.A story came to be. A brotherhood, born in legend, the Doogy Rev brothers come together on paper for the first time, igniting the page with their hot ink that gushes and spews from their pen.Is it not therefore near complusory to gratify oneself by eagerly lapping up their excretions? Murder and the twisted souls of two bored young men, lain bare - brutalized and now realised............Or................What happens when two lads decide to plan a murder to relieve the tedium, then start a cult to relieve the tedium of planning a murder, then just commit the murder themselves when they realize their cult couldn't organize a wank in their own pockets...
In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21st Century works that have had an impact on the Irish and global cinema and literary landscape. A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland’s struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation’s growth pains and travails. Whereas Irish literature had long stood as the nation’s foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland’s key form of cultural expression. The proliferation of successful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.
A rural Irish village is transfixed when anonymous lottery winner offers to fund the development of a long-delayed community centre. But the gathering of characters who are thrown together by this quirk of fortune reveal old sores that had never healed in the life of this Galway village.
Aaron Kuntz challenges qualitative researchers to reconceptualize methodological work away from the technocratic toward an intervention for progressive social change. Inviting creativity and vision, and featuring studies that have incorporated these characteristics, he insists that the responsible methodologist become a force akin to parrhesia, Foucault’s risky truth-tellers.