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William Shakespeare is credited with inventing how many words?* Answering Shakespeare trivia comes with the job description for library director Lindsey Norris. But when the Briar Creek Community Theater mounts their newest production of the Bard, she has no intention of leaving the stacks for the stage. Unfortunately a villain is waiting in the wings… Former Broadway actress Violet La Rue is holding auditions for A Midsummer Night’s Dream—and everyone from the sour spinster librarian Ms. Cole to Lindsey’s youthful library pages are trying out for parts. Brought in to play the mischievous Puck is the flirtatious professional actor Robbie Vine, who seems to have eyes for Lindsey. Before her blush has faded, the Bard’s dream turns into a nightmare—when one of the cast is poisoned. Now Lindsey and her crafternooners must take center stage to unmask the culprit before the final curtain call… *Over 17,000
When horrible things begin to happen after Charlotte Torres finds an old tarot card with a creepy message to pass it along, she wants to get rid of it, but doesn't want to pass the curse to someone else.
The Fool and the Heretic is a deeply personal story told by two respected scientists who hold opposing views on the topic of origins, share a common faith in Jesus Christ, and began a sometimes-painful journey to explore how they can remain in Christian fellowship when each thinks the other is harming the church. To some in the church, anyone who accepts the theory of evolution has rejected biblical teaching and is therefore thought of as a heretic. To many outside the church as well as a growing number of evangelicals, anyone who accepts the view that God created the earth in six days a few thousand years ago must be poorly educated and ignorant--a fool. Todd Wood and Darrel Falk know what it's like to be thought of, respectively, as a fool and a heretic. This book shares their pain in wearing those labels, but more important, provides a model for how faithful Christians can hold opposing views on deeply divisive issues yet grow deeper in their relationship to each other and to God.
This gritty bestselling memoir by the singer Mark Lanegan of Screaming Trees, Queens of the Stone Age, and Soulsavers documents his years as a singer and drug addict in Seattle in the '80s and '90s. When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just "an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll." Little did he know that within less than a decade he would rise to fame as the frontman of the Screaming Trees and then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music. In Sing Backwards and Weep, Lanegan takes readers back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and dripping with drugs. He tracks the tumultuous rise and fall of the Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favorites that scored a hit number five single on Billboard's alternative charts and landed a notorious performance on Late Night with David Letterman, where Lanegan appeared sporting a fresh black eye from a brawl the night before. This book also dives into Lanegan's personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends. From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive underlining beneath one of the most romanticized decades in rock history-from a survivor who lived to tell the tale. Gritty, gripping, and unflinchingly raw, Sing Backwards and Weep is a book about more thanjust an extraordinary singer who watched hisdreams catch fire and incinerate the groundbeneath his feet. It's about a man who learnedhow to drag himself from the wreckage, dust offthe ashes, and keep living and creating. "Mark Lanegan—primitive, brutal, and apocalyptic. What's not to love?" —Nick Cave, author of The Sick Bag Song and The Death of Bunny Munro
very great player knows that success in poker is part luck, part math, and part subterfuge. While the math of poker has been refined over the past 20 years, the ability to read other players and keep your own "tells" in check has mostly been learned by trial and error. But now, Joe Navarro, a former FBI counterintelligence officer specializing in nonverbal communication and behavior analysis—or, to put it simply, a man who can tell when someone's lying—offers foolproof techniques, illustrated with amazing examples from poker pro Phil Hellmuth, that will help you decode and interpret your opponents' body language and other silent tip-offs while concealing your own. You'll become a human lie detector, ready to call every bluff—and the most feared player in the room.
"Two small boys stand on a rubbish heap and look into the future. One boy is excited, he is beginning school; the other, his brother, is an apprentice carpetner. Together, they will serve their country--the teacher and the craftsman. But this is Kenya and times are against them. In the forests, the Mau Mau are waging war against the white government, and two brothers, Njoroge and Kamau, and the rest of their family, need to decide where their loyalties lie. For the practical man, the choice is simple, but for Njoroge, the scholar, the dream of progress through learning is a hard one to give up"--P. [4] of cover.
This beautiful and moving poem, by an unknown author, was left by a soldier killed in Ulster "to all my loved ones". This special edition, sensitively illustrated with delicate drawings by Paul Saunders, is intended as a lasting keepsake for those mourning a loved one.
Bloodier than Fried Green Tomatoes! Funnier than The Texas Chainsaw Massacre! Welcome to Gil's All Night Diner, where zombie attacks are a regular occurrence and you never know what might be lurking in the freezer . . . Duke and Earl are just passing through Rockwood county in their pick-up truck when they stop at the Diner for a quick bite to eat. They aren't planning to stick around-until Loretta, the eatery's owner, offers them $100 to take care of her zombie problem. Given that Duke is a werewolf and Earl's a vampire, this looks right up their alley. But the shambling dead are just the tip of a particularly spiky iceberg. Seems someone's out to drive Loretta from the Diner, and more than willing to raise a little Hell on Earth if that's what it takes. Before Duke and Earl get to the bottom of the Diner's troubles, they'll run into such otherworldly complications as undead cattle, an amorous ghost, a jailbait sorceress, and the terrifying occult power of pig-latin. And maybe--just maybe--the End of the World, too. Gory, sexy, and flat-out hilarious, Gil's All Fright Diner will tickle your funnybone--before ripping it out of its socket! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Can an object really be cursed to give someone bad luck? There’s only one way to find out… When a tattered, old tarot card falls out of Charlotte Torres’s library book, she doesn’t think much of it. It doesn’t even bother her that there’s a message written on the back: “Pass this card along or you’ll be sorry!” But when horrible things start happening—things that seem like bad luck, but frighten Charlotte the most—she begins to believe in the power of the card and its message. She wants to get rid of it, but she doesn’t want to pass it along and doom someone else to its curse. Will she be able to figure out a way to destroy the card for good? Or will the card destroy her life first? This mystical tale of misfortune is rated a Level 4 on the Creep-o-Meter.
"Icouldn't imagine a finer or livelier guide through the world of opera. . . . [Levine] distills a lifetime of passion and insight into this immenselyenjoyable survey, and with the right comic touch to make you wonder how operaever seemed intimidating." —Thomas May, author of Decoding Wagner Despitethe popular success of the Metropolitan Opera’s “Live in HD” series, opera’s grandworld of soaring sopranos and breathtaking baritones—of tragic Rigoletto, triumphal Sigmund, and desperate Orfeo, of faithful Figaro, heartbroken Pagliacci,and lusty Don Giovanni—remains wrapped in an aura of impenetrable esotericism.Piercing this veil of opera’s perceived inaccessibility, acclaimed classicalmusic critic Robert Levine extends a witty and insightfulinvitation to enjoy opera in Weep, Shudder, Die, offering a newgeneration of aficionados a priceless way to access to music’s greatest achievement.