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Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.
Charmaine A. Nelson analyzes not only how, where, why and by whom black female subjects have been represented in Western art, but also what the social and cultural impacts of the colonial legacy of racialized western representation have been. She poses critical questions about the contexts of production, the problems of representation, the pathways of circulation and the consequences of consumption.
This book presents a critical analysis of the images of China portrayed in British television documentaries between 1980 and 2000. The examination is contextualized within the profound transformations of the post-reform China and global political structures in the last two decades of the 20th century. Using an innovative analytical framework based on Vladimir Propp, the book focuses on how different images of China are constructed through an effective use of TV narrative strategies. In particular it details how various strands of (Western) modernity underpin major discourses about China. The book will be valuable to the understanding of how China was perceived in the West during one of the most dramatic moments in modern history.
Explores how élite broadsheet newspapers are implicated in the production and reproduction of anti-Muslim racism in Britain.
This book provides a critical investigation into the discursive processes through which the North Atlantic Treaty Organisation (NATO) reproduced a geopolitical order after the end of the Cold War and the demise of its constitutive enemy, the Soviet Union.
This innovative collection addresses a challenging issue in contemporary feminist theory and practice: whether - and how - we should represent members of groups to which we do not ourselves belong. The discussions identify key concerns related to representation and difference. Contributors draw on personal experiences of speaking for' and about' Others in their research, professional practice, writing or political activism. Problems of representing Others with ethnic or cultural backgrounds different from one's own are highlighted, and the discussions extend to representations of children, prostitutes, infertile women, fat' women, gay men with HIV/AIDS and people with disabilities.
Everyone knows the name Buffalo Bill, but few these days know what he did or, in some cases, didn't do. Was he a Pony Express rider? Did he serve Custer at the Battle of Little Big Horn? Did he scalp countless Native Americans, or did he defend their rights? This, the first significant biography of Buffalo Bill Cody for younger readers in many years, explains it all. With copious archival illustrations and a handsome design, Presenting Buffalo Bill makes the great showman come alive for new generations. Extensive back matter, bibliography, and source notes complete the package. This title has Common Core connections.
Economic and political relations with Iran were a primary concern for the German Democratic Republic leadership and dominated the GDR's press. This is the first book to analyse the representation of Iran in the media, from the GDR's formation in 1949 until 1989, the last complete year before its demise. Covering key events, such as the overthrow of the Mossadegh government in 1953, the White Revolution, the Islamic Revolution of 1979, and the Iran-Iraq war, the author reveals that only in periods where the two countries enjoyed less amicable or poor relations, was the press free to critically report events in Iran and openly support the cause of the country's communist party, the Tudeh. The book explores the use of the press as a tool for ideological education and propaganda. It also examines how the state's official Marxist-Leninist ideology, the GDR's international competition with West Germany, and cultural prejudices and stereotypes impacted reporting so powerfully.
Memoirs of diasporic Iranian-American authors are a unique and culturally powerful way in which Iran, its politics and people are understood in the USA and the rest of the world. This book offers an analysis of the processes of production, promotion, and reception of these representations of post-revolutionary Iran. The book provides new perspectives on famous examples of the genre such as Betty Mahmoody's Not Without My Daughter, Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books and Persepolis by Marjane Satrapi. Hossein Nazari places these texts in their social and political contexts, tracing their origins within the trope of the America captivity narrative as well as teasing out and critiquing neo-Orientalist tendencies within. The book analyzes the structural means by which stereotypes about Islam and women in the Islamic Republic in these narratives are privileged by news media and the creative industries, while also charting a growing number of 'counterhegemonic' memoirs which challenge these narratives by representing more nuanced accounts of life in Iran after 1979.