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The liturgy in celebrating its faith in the living, creative Word, message and work of God incarnate should adapt its message of hope to a continuing change in the human condition. In our times, there are many voices maintaining that this means a re-invention, not merely a reform or a renewal, of the liturgy. The author of The Spirit of the Liturgy, published in 1920, Romano Guardini, and one of the leaders in the ongoing liturgical movement, sent this message to a liturgical congress which he was billed to address a short time before he died in 1964: 'Instead of talking about renewal, ought we not to consider how best to clelebrate the sacred mysteries so that modern man can grasp their meaning through his own approach to truth'. A few years later, soon after the Second Council of the Vatican, Yves Congar, theologian turned Christian anthropologist, made the same point but witha greater emphasis, with the liturgy seemingly in a deeper impasse: 'adaptation of the liturgy is no longer the issue: re-invention is called for in the changed circumstances of the times'.
In 1879, the late medieval poem now known as The Lay Folks' Mass Book - a guide to the Mass -- was edited for the Early English Text Society by Canon Thomas Frederick Simmons. It remains the standard edition of what, to modern tastes, can seem a simple work of conventional Middle English devotion. Yet, as this book shows, the poem had a remarkable afterlife. The authors demonstrate how Simmons' interest in and presentation of the text was related profoundly to contemporary concerns and heated debates about worship in the Church of England, at a time when Anglian clergymen could be imprisoned for their ritual practices. Simmons, educated at Oxford during the height of the Oxford Movement, was recognised by contemporaries as a leading authority on liturgy, a topic that troubled prime ministers as well as archbishops, and the authors bring out the ways in which Simmons himself used his medievalist researches as the basis for what was to be the most important attempt at Prayer Book revision between the Reformation and the twentieth century.
Offering helpful suggestions on how to avoid the common problem of restricting liturgy to words being spoken in the front of the church, "Creating Uncommon Worship" is filled with ideas on how to enrich the liturgy by creating a context of action, movement, and symbolic expression involving the whole assembly.
Anglicanism world-wide faces huge problems in the post-Empire era. Churches that were originally founded as colonial and missionary outposts by Great Britain and the United States have now become autonomous Anglican provinces; and what used to be a predominantly white, Anglo-Saxon group of churches in the northern hemisphere has become a truly global community, most of whose members live in Africa, Asia, Latin America, and the Pacific. Using the experience of the Anglican Church in Australia, Bruce Kaye tracks the modern story of Australian Anglicanism and reconsiders key elements of the New Testament, the English Reformation, and the ongoing theological tradition that relate to this story.
This book takes an interdisciplinary approach to a societal challenge that both affects and is affected by the church in multi-racial, multi-cultural, and otherwise pluralistic communities. In certain contexts, around the world there are pertinent examples of the struggles that come with learning to live together in the midst of diversity and plurality, such as the post-apartheid Republic of South Africa. However, these (more often than not racial and cultural) struggles could be eased by developing worship services that are more relevant and inclusive. This, in turn, should instil a sense of belief and a way of inclusive thinking, culminating in more inclusive living. The approach developed in this book stems from the aphorism lex orandi, lex credendi, lex (con)vivendi--or "as we pray, so we believe, so we live (together)."
In clear language, Fr. Jackson reveals the rich theological meaning behind the art, architecture, words and gestures of the Extraordinary Form of the Roman Rite, the Rite of St. Gregory the Great. Immerse yourself in this simple guide to fully appreciate all that is the Traditional Latin Mass. This comprehensive book will help Catholics to appreciate ever more deeply the profound beauty expressed in the Mass.
The richness of recent research on women's worship gives witness to the scholarly interest in its contemporary practice, reflection, and construction. On the other hand, feminist scholarship has had little impact on liturgical historiography. In Women's Ways of Worship Teresa Berger reconstructs liturgical history from the perspectives of women. She shows that the invisibility of women in the traditional liturgical narrative draws into question the credibility of that narrative, especially at a time when research into women's history has unearthed much material relevant to women's liturgical lives. Berger focuses on thirteen key interpretative principles that guide the reconstruction of women at worship - from a re-configuration of the canon of sources and a re-Visioning of liturgical periodization to re-interpretation of anthropological basics and of liturgical texts. On the basis of these principles, she analyzes liturgical dynamics in two time periods crucial to the history of women at worship: the early centuries of the Christian Church and the twentieth-century liturgical renewal. Within the twentieth-century liturgical renewal, Berger focuses on two specific foci of renewal: the classical liturgical movement of the first half of the century, and - as a case of history-in-the- making" - the women's liturgical movement of the present day. Women's Ways of Worship narrates both past and present liturgical developments from the perspectives of women's lives, heeding such dynamics as the genderization of liturgical space, women- specific liturgical taboos, gender-specific devotional practices, and the emergence of feminist liturgies. An epilogue confronts the question of a future liturgy "beyond gender." Convinced that reconstructing the history of women at worship will offer a new Vision of the place of the women's liturgical movement within liturgical history as a whole, Berger puts this movement on a continuum of women at worship, which is a continuum of struggle against the historic marginalization of women in most liturgical contexts. As this struggle has come to the forefront today, Women's Ways of Worship provides a context for change, with women themselves being agents of both the questioning and the transformation. Chapters are "Reconstructing Women's Ways of Worship: In Search of Methodological Principles," "Liturgical History Re-Constructed (I): Early Christian Women at Worship," "Liturgical History Re- Constructed (II): Women in the Twentieth-Century Liturgical Movement," and "Liturgical History in the Making: The Women's Liturgical Movement." Teresa Berger is associate professor of Ecumenical Theology at the Divinity School of Duke University, Durham, North Carolina. She is the author of numerous books and contributor to a variety of journals including Worship, published by The Liturgical Press. "
The story of a revolution in music and technology, told through a century of recordings of the music of Johann Sebastian Bach In Reinventing Bach, his remarkable second book, Paul Elie tells the electrifying story of how musicians of genius have made Bach's music new in our time, at once restoring Bach as a universally revered composer and revolutionizing the ways that music figures into our lives. As a musician in eighteenth-century Germany, Bach was on the technological frontier—restoring organs, inventing instruments, and perfecting the tuning system still in use today. Two centuries later, pioneering musicians began to take advantage of breakthroughs in audio recording to make Bach's music the sound of modern transcendence. The sainted organist Albert Schweitzer played to a mobile recording unit set up at London's Church of All Hallows in order to spread Bach's organ works to the world beyond the churches. Pablo Casals, recording at Abbey Road Studios, made Bach's cello suites existentialism for the living room; Leopold Stokowski and Walt Disney, with Fantasia, made Bach the sound of children's playtime and Hollywood grandeur alike. Glenn Gould's Goldberg Variations opened and closed the LP era and made Bach the byword for postwar cool; and Yo-Yo Ma has brought Bach into the digital present, where computers and smartphones put the sound of Bach all around us. In this book we see these musicians and dozens of others searching, experimenting, and collaborating with one another in the service of Bach, who emerges as the very image of the spiritualized, technically savvy artist. Reinventing Bach is a gorgeously written story of music, invention, and human passion—and a story with special relevance in our time, for it shows that great things can happen when high art meets new technology.
Explores the purposes and possibilities of the worship experience in ways that inspire people to make worship at their church all that it can be.
During the past thirty years the American religious landscape has undergone a dramatic change. More and more churches meet in converted warehouses, many have ministers who've never attended a seminary, and congregations are singing songs whose melodies might be heard in bars or nightclubs. Donald E. Miller's provocative examination of these "new paradigm churches"—sometimes called megachurches or postdenominational churches shows how they are reinventing the way Christianity is experienced in the United States today. Drawing on over five years of research and hundreds of interviews, Miller explores three of the movements that have created new paradigm churches: Calvary Chapel, Vineyard Christian Fellowship, and Hope Chapel. Together, these groups have over one thousand congregations and are growing rapidly, attracting large numbers of worshipers who have felt alienated from institutional religion. While attempting to reconnect with first-century Christianity, these churches meet in nonreligious structures and use the medium of contemporary twentieth-century America to spread their message through contemporary forms of worship, Christian rock music, and a variety of support and interest groups. In the first book to examine postdenominational churches in depth, Miller argues that these churches are involved in a second Reformation, one that challenges the bureaucracy and rigidity of mainstream Christianity. The religion of the new millennium, says Miller, will connect people to the sacred by reinventing traditional worship and redefining the institutional forms associated with denominational Christian churches. Nothing less than a transformation of religion in the United States may be taking place, and Miller convincingly demonstrates how "postmodern traditionalists" are at the forefront of this change. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. During the past thirty years the American religious landscape has undergone a dramatic change. More and more churches meet in converted warehouses, many have ministers who've never attended a seminary, and congregations are singing songs whose melodies mi