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This volume presents an exploration of the role of embodied cognition in creating personal, imaginative renditions of hair, that also distally relate to the symbolic significance of the fairytale character Rapunzel’s hair (in terms of physical life, romantic life, spiritual life, and psychic life, respectively). Integral to this relation, is the author’s idea of “fancifold”, which is a quality or state of the imagination that can produce unique neuropsychological elements of enchantment and disenchantment entwined. This book will be of interest to scholars and other researchers concerned with how cognition (including psychology and the brain, psychology and literature, psychology and art, philosophy of mind, and metaphor) might relate specifically to understanding the subjective experience of hair.
A Kirkus Best Book of the Year Stamped from the Beginning meets You Can't Touch My Hair in this timely and resonant essay collection from Guardian contributor and prominent BBC race correspondent Emma Dabiri, exploring the ways in which black hair has been appropriated and stigmatized throughout history, with ruminations on body politics, race, pop culture, and Dabiri’s own journey to loving her hair. Emma Dabiri can tell you the first time she chemically straightened her hair. She can describe the smell, the atmosphere of the salon, and her mix of emotions when she saw her normally kinky tresses fall down her shoulders. For as long as Emma can remember, her hair has been a source of insecurity, shame, and—from strangers and family alike—discrimination. And she is not alone. Despite increasingly liberal world views, black hair continues to be erased, appropriated, and stigmatized to the point of taboo. Through her personal and historical journey, Dabiri gleans insights into the way racism is coded in society’s perception of black hair—and how it is often used as an avenue for discrimination. Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, and into today's Natural Hair Movement, exploring everything from women's solidarity and friendship, to the criminalization of dreadlocks, to the dubious provenance of Kim Kardashian's braids. Through the lens of hair texture, Dabiri leads us on a historical and cultural investigation of the global history of racism—and her own personal journey of self-love and finally, acceptance. Deeply researched and powerfully resonant, Twisted proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.
Want to create hairstyles like Disney’s most popular princesses? Whether your hair is long or somewhat shorter, curly or straight, the step-by-step instructions in the beautifully photographed book, Disney Princess Hairstyles: 11 Amazing Princess Hairstyles With Step by Step Images, will make it possible for you to recreate the gorgeous looks of eleven of Disney’s beloved princesses!
BEAUTIFUL BRAIDS FOR ANY OCCASION Your hair is your best accessory. Learn how to dress it up with these creative, exciting styles! • Looped Accent Braid • Pull-Through Ponytail • Corset Braid • Four-Strand Braid • Mixed Crown Braid • Uneven Center Braid • And more!
OF COURSE you think I was a horrible old witch, locking fair haired Rapunzel in that tall, tall tower. You don't know the other side of the story. Well, let me tell you.
The first book to explore the role of hair in women's lives and what it reveals about their identities, intimate relationships, and work lives Hair is one of the first things other people notice about us--and is one of the primary ways we declare our identity to others. Both in our personal relationships and in relationships with the larger world, hair sends an immediate signal that conveys messages about our gender, age, social class, and more. In Rapunzel's Daughters, Rose Weitz first surveys the history of women's hair, from the covered hair of the Middle Ages to the two-foot-high, wildly ornamented styles of pre-Revolutionary France to the purple dyes worn by some modern teens. In the remainder of the book, Weitz, a prominent sociologist, explores--through interviews with dozens of girls and women across the country--what hair means today, both to young girls and to women; what part it plays in adolescent (and adult) struggles with identity; how it can create conflicts in the workplace; and how women face the changes in their hair that illness and aging can bring. Rapunzel's Daughters is a work of deep scholarship as well as an eye-opening and personal look at a surprisingly complex-and fascinating-subject.
The second volume of Sondheim's collected lyrics is both a remarkable glimpse into the brilliant mind of a legend, and a continuation of the acclaimed and best-selling Finishing the Hat. Picking up where he left off in Finishing the Hat, Sondheim gives us all the lyrics, along with excluded songs and early drafts, of the Pulitzer Prize–winning Sunday in the Park with George, Into the Woods, Assassins and Passion. Here, too, is an in-depth look at the evolution of Wise Guys, which subsequently was transformed into Bounce and eventually became Road Show. Sondheim takes us through his contributions to both television and film, some of which may surprise you, and covers plenty of never-before-seen material from unproduced projects as well. There are abundant anecdotes about his many collaborations, and readers are treated to rare personal material in this volume, as Sondheim includes songs culled from commissions, parodies and personal special occasions—such as a hilarious song for Leonard Bernstein’s seventieth birthday. As he did in the previous volume, Sondheim richly annotates his lyrics with invaluable advice on songwriting, discussions of theater history and the state of the industry today, and exacting dissections of his work, both the successes and the failures. Filled with even more behind-the-scenes photographs and illustrations from Sondheim’s original manuscripts, Look, I Made a Hat is fascinating, devourable and essential reading for any fan of the theater or this great man’s work.
Join Ms. Booksy, Cool School's wonderfully magical and whimsical storyteller as she jumps into the story and tells the tale of Rapunzel! Cool School style! Can Rapunzel escape the tower? Does she meet a Prince and defeat the evil witch? Will she cut her beautiful hair? Let's find out! Ready? Wiggle, Snap, StoryTime!
Rapunzel escapes her tower-prison all on her own, only to discover a world beyond what she'd ever known before. Determined to rescue her real mother and to seek revenge on her kidnapper would-be mother, Rapunzel and her very long braids team up with Jack (of Beanstalk fame) and together they perform daring deeds and rescues all over the western landscape, eventually winning the justice they so well deserve.
This book explores the influence of fairytale details and imagery on adult cognition. It presents an exploration of possible changes in an individual’s schematic representations that reflect certain artistic re-interpretations of the Sleeping Beauty fairytale, including works of performance art, fiction, and film. Integral to this cognitive change is what the author describes as being In-A-Boudoir state of mind, in which daydreams and fantasies may soothe an individual enough to facilitate new understandings of beauty, love, and fate. This book will be of interest to scholars and other researchers concerned with how cognition (including psychology and the brain, psychology and literature, psychology and art, philosophy of the mind, and metaphor) might relate specifically to understanding the subjective experience of daydreaming.