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Recentering the Sufi Shrine is a study of ritual, Sufi eschatology, and vernacular theopoetics of pilgrimage to Sufi shrines in the Indus region of Pakistan. The book examines the distinction between two different ritual contestations over pilgrimage to Sufi tombs: (1) an exposition of Ṭariqa-i Muhammadiyya’s millenarian Scripturalist reform of Sufism, and (2) Bulleh Shah’s (d. 1767) vernacular Sufism, a hard-hitting Sufi-poet of textual ("bookish") knowledge of religious scholars. This is the first work examining the legal theology of ritual intervention in using scripture to regulate the resurrected bodies of saints, on the one hand, and the ritual metaphysics of presence in understanding the significance and meaning of Sufi shrines, on the other.
Die Reihe Islamkundliche Untersuchungen wurde 1969 im Klaus Schwarz Verlag begründet und hat sich zu einem der wichtigsten Publikationsorgane der Islamwissenschaft in Deutschland entwickelt. Die über 330 Bände widmen sich der Geschichte, Kultur und den Gesellschaften Nordafrikas, des Nahen und Mittleren Ostens sowie Zentral-, Süd- und Südost-Asiens.
Introduction: Thinking about religious space : an introduction to approaches / Jeanne Halgren Kilde -- Conceptualizing space and place : genealogies of change in the study of religion / Juan E. Campo -- Hermeneutics of space : sacred space / Michael J. Crosbie -- Urbanism and religious space / Paul-François Tremlett -- Shared space, or mixed? / Robert M. Hayden -- Decommissioning and reuse of liturgical architectures : historical processes and temporal dimensions / Andrea Longhi -- The impermanence of religious space : three approaches to change in the American religioscape / Jeanne Halgren Kilde -- Planetary identities : globalization, climate change and meaning-making practices / Whitney A. Bauman -- Whose place is it? Layers of community and meaning in the land of Shinto and power spots / Caleb Carter -- Religious place/space in premodern China / Wei-Cheng Lin -- National treasures vs. alien species : religious spaces, raccoons, and national identity in contemporary Japan / Barbara R. Ambros -- Visualizing Himalayan Buddhist sacred sites in 3D/VR : pedagogy and partnership / Lauren Leve and Bradley Erickson -- Form and function in the ancient synagogue : evidence from the second to seventh centuries in Palestine and the diaspora / Marilyn J. Chiat -- A little bit of evil : Masjid Kufa in Early Twelver Shi'ism / Najam Haider -- Mediated spaces of collective ritual : sacred selfies at the Hajj / Nadia Caidi and Mariam Karim -- (In)visible priorities : epigraphic power and identity at a Jordanian state mosque / David Simonowitz -- Exploration of religious spaces in Western Africa : combining approaches to understand spaces / Daniel Dei -- Religious spaces as tourist sites in Ghana / Alice Matilda Nsiah -- Sacred space in 19th century Cape Town : mosque, city, landscape and a radical empiricism of the spatial / Ozayr Saloojee -- Mapping the spiritual Baptist universe : black Atlantic cosmography and the spatiality of spirit in Trinidad and Tobago / Brendan Jamal Thornton -- The spaces of Roman religion and Christianity in late antiquity / Béatrice Caseau Chevallier -- Presence and performance : Orthodox spaces of the Eastern Roman Empire / Amy Papalexandrou -- Remnants of Israel : Jewish spaces and landscapes in medieval and early modern Europe / Jessica Renee Streit and Barry L. Stiefel -- the religious landscape and its architecture in contemporary Europe / Esteban Fernández-Cobián -- Pre-Columbian and indigenous religious spaces in Mesoamerica / Brent K.S. Woodfill -- Protestant architecture in Latin America / Rodrigo Vidal Rojas -- Roman Catholic sacred space / Leonard Norman Primiano -- Protestant spaces in North America / David R. Bains -- Eastern Orthodox spaces in America / Nicholas Denysenko -- Diasporic sacred spaces : the case of boundary making at an American Sufi shrine / Merin Shobhana Xavier -- Women's mosques : spaces to rethink gender and religious authority / Irum Shiekh -- Sites of miracles and other holy places : the Santuario de Chimayó as case study / Brett Hendrickson -- Situating the dead : cemeteries as material, symbolic, and relational space / Avril Madrell and Brenda Mathijssen -- Fundament and abyss : public religion at the Berlin Holocaust Memorial / David Lê.
The Sunni saint cult and shrine of Ahmad-i Jam has endured for 900 years. The shrine and its Sufi shaykhs secured patronage from Mongols, Kartids, Tamerlane, and Timurids. The cult and shrine-complex started sliding into decline when Iran's shahs took the Shiʿi path in 1501, but are today enjoying a renaissance under the (Shiʿi) Islamic Republic of Iran. The shrine's eclectic architectural ensemble has been renovated with private and public funds, and expertise from Iran's Cultural Heritage Organization. Two seminaries (madrasa) that teach Sunni curricula to males and females were added. Sunni and Shiʿi pilgrims visit to venerate their saint. Jami mystics still practice ʿirfan ('gnosticism'). Analyzed are Ahmad-i Jam's biography and hagiography; marketing to sultans of Ahmad as the 'Guardian of Kings'; history and politics of the shrine's catchment area; acquisition of patronage by shrine and shaykhs; Sufi doctrines and practices of Jami mystics, including its Timurid-era Naqshbandi Sufis.
The Muslim shrine is at the crossroad of many processes involving society and culture. It is the place where a saint – often a Sufi - is buried, and it works as a main social factor, with the power of integrating or rejecting people and groups, and as a mirror reflecting the intricacies of a society. The book discusses the role of popular Islam in structuring individual and collective identities in contemporary South Asia. It identifies similarities and differences between the worship of saints and the pattern of religious attendance to tombs and mausoleums in South Asian Sufism and Shi`ism. Inspired by new advances in the field of ritual and pilgrimage studies, the book demonstrates that religious gatherings are spaces of negotiation and redefinitions of religious identity and of the notion of sainthood. Drawing from a large corpus of vernacular and colonial sources, as well as the register of popular literature and ethnographic observation, the authors describe how religious identities are co-constructed through the management of rituals, and are constantly renegotiated through discourses and religious practices. By enabling students, researchers and academics to critically understand the complexity of religious places within the world of popular and devotional Islam, this geographical re-mapping of Muslim religious gatherings in contemporary South Asia contributes to a new understanding of South Asian and Islamic Studies.
"This book brings into dialogue two major fields of scholarship that are rarely studied together: sacred kingship and sainthood in Islam. In doing so, it offers an original perspective on both. In historical terms, the foucs here is on the Mughal empire in sixteenth-century India and its antecedents and parallels in Timurid Central Asia and Safavid Iran."--Introduction, p. [1].
Lisa Ross's ethereal photographs of Islamic holy sites were created over the course of a decade on journeys to China's Xinjiang region in Central Asia, historically a cultural crossroads but an area to which artists and researchers have generally been denied access since its annexation in 1949. These monumental images show shrines created during pilgrimages, many of which have been maintained continuously over several centuries; visitation to the tombs of saints is a central aspect of daily life in Uyghur Islam, and its pilgrims ask for intercession for physical, mental, and spiritual ailments. The shrines, adorned with small devotional offerings that mark a prayer or visit, are poignant representations of collective memory and a pacifistic faith, and endure despite vulnerability to natural forces of sand, heat, and powerful winds. Their simplicity and austerity as captured by Ross invoke ideas of spirituality, eternity, and transcendence. Three essays—by a historian of Central Asian Islam, a Uyghur folklorist, and the curator of an accompanying exhibition at the Rubin Museum of Art—situate the photographic content in context. This volume emerges at a critical time, as modernization and new policies for development of China's far west bring about rapid, extreme, and irrevocable change; the region is its largest source of untapped natural gas, oil, and minerals. Many of the sites in Ross's work are threatened by political and economic pressures—her images are valuable, therefore, not only for their intrinsic beauty, but as an important record of a rich and vibrant culture.
Sufism is often described as ‘the mystical branch of Islam’. Giving some more attention to this underexposed spiritual side, it is often proposed, could help us to ease certain contemporary societal tensions. One finger then points toward the rigorous religious aggression of fundamentalism as ‘the problem’, while another points toward the soft beauty of mysticism as ‘the solution’. Yet, no matter how well-intended the contemporary focus on Sufism might often be, in the end, it repeatedly portrays a lack of comprehension when it comes to Islamic mysticism. The typical descriptions are full of mistakes, and the conclusions they lead to need much nuance. Those misunderstandings do not simply stem from innocent ignorance. They are misunderstandings with more profound origins and implications. They’re closely tied to enormous blind spots in the contemporary view of religion and deeply entwined with pressing political issues. In fact, the way we deal with mysticism in general and with Sufism in particular actually kindles many contemporary conflicts. This book thus seeks to add the necessary nuances, correct the misunderstandings and unveil the contemporary ‘politics of mysticism’. It seeks to clarify how the growing interest in what is called ‘Sufism’ is connected to both the contemporary demonization of Islam and the modern destruction of profound spirituality in the East as well as the West.
In nineteenth-century Punjab, a cultural tug-of-war ensued as both Sufi mystics and British officials aimed to engage the local artisans as a means of realizing their ideological ambitions. When it came to influence and impact, the Sufi shrines had a huge advantage over the colonial art institutions, such as the Mayo School of Arts in Lahore. The mystically-inspired shrines, built as a statement of Muslim ruling ambitions, were better suited to the task of appealing to local art traditions. By contrast the colonial institutions, rooted in the Positivist Romanticism of the Victorian West, found assimilation to be more of a challenge. In questioning their relative success and failures at influencing local culture, the book explores the extent to which political control translates into cultural influence. Folktales, Sufi shrines, colonial architecture, institutional education methods and museum exhibitions all provide a wealth of sources for revealing the complex dynamic between the Punjabi artisans, the Sufi community and the colonial British. In this unique look at a little-explored aspect of India's history, Hussain Ahmad Khan explores this evidence in order to illuminate this web of cultural influences. Examining the Sufi-artisan relationship within the various contexts of political revolt, the decline of the Mughals and the struggle of the Sufis to establish an Islamic state, this book argues that Sufi shrines were initially constructed with the aim of affirming a distinct 'Muslim' identity. At the same time, art institutions established by colonial officials attempted to promote eclectic architecture representing the 'British Indian empire', as well as to revive the pre-colonial traditions with which they had previously seemed out of touch. This important book sheds new light on the dynamics of power and culture in the British Empire.
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