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Seven projects by RCR arquitectes, 2017 Pritzker Prize winner, which are seven folded posters inside a folder with a textbook. A container of images, architecture, and poetry that are the reflection of a presentation at the Centre Pompidou in Paris. There is no doubt that the buildings produced by RCR Arquitectes encourage experience: to cross, to land, to take the time, to observe, to feel. Everyone at their own pace and according to their abilities, keep awake. The architecture of RCR Arquitectes prepares us for an encounter with people, with nature, light, history, hidden geometries, the flow of time, the space that surrounds us. Ultimately it is about preparing ourselves to listen. Recently RCR has created an open architecture laboratory "La Vila" to help universities around the world with creative research and transversality. The book includes a folder with 7 posters and a textbook with 64 pages Bilingual edition in English & French
Structures and Architecture. A Viable Urban Perspective? contains extended abstracts of the research papers and prototype submissions presented at the Fifth International Conference on Structures and Architecture (ICSA2022, Aalborg, Denmark, 6-8 July 2022). The book (578 pages) also includes a USB with the full texts of the papers (1448 pages). The contributions on creative and scientific aspects in the conception and construction of structures as architecture, and on the role of advanced digital-, industrial- and craft -based technologies in this matter represent a critical blend of scientific, technical, and practical novelties in both fields. Hence, as part of the proceedings series Structures and Architecture, the volume adds to a continuous exploration and development of the synergetic potentials of the fields of Structures and Architecture. With each volume further challenging the conditions, problems, and potentials related to the art, practice, and theory of teaching, researching, designing, and building structures as vehicles towards a viable architecture of the urban environment. The volumes of the series appear once every three years, in tandem with the conferences organized by the International Association of Structures and Architecture and are intended for a global readership of researchers, practitioners, and students, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers, planners, urban designers, anthropologists, economists, sociologists, artists, product manufacturers, and other professionals involved in the design and realization of architectural, structural, and infrastructural projects.
As far back as the earliest Greek temples, color has been an integral part of architecture but also one of its least understood elements. Color theory is rarely taught in architecture schools, leaving architects to puzzle out the hows and whys of which colors to select and how they interact, complement, or clash. Color for Architects is profusely illustrated and provides a clear, concise primer on color for designers of every kind. This latest volume in our Architecture Briefs series combines the theoretical and practical, providing the basics on which to build a fuller mastery of this essential component of design. A wealth of built examples, exercises, and activities allows students to apply their learning of color to real-world situations.
Seven projects by RCR arquitectes, 2017 Pritzker Prize winner, which are seven folded posters inside a folder with a textbook. A container of images, architecture, and poetry that are the reflection of a presentation at the Centre Pompidou in Paris. There is no doubt that the buildings produced by RCR Arquitectes encourage experience: to cross, to land, to take the time, to observe, to feel. Everyone at their own pace and according to their abilities, keep awake. The architecture of RCR Arquitectes prepares us for an encounter with people, with nature, light, history, hidden geometries, the flow of time, the space that surrounds us. Ultimately it is about preparing ourselves to listen. Recently RCR has created an open architecture laboratory "La Vila" to help universities around the world with creative research and transversality. The book includes a folder with 7 posters and a textbook with 64 pages Bilingual edition in English & French
Tectonics is an old, ontological concept which simultaneously claims to cover the aesthetics/meaning and the technological/technical in architecture. However, since the advent of ‘modernity’, the relationship between architecture and building technology has been problematic. Some of these problems, which are reflected in the theories of architecture and tectonics, relate to the separation of the technology/technical dimension from the aesthetic/artistic, rendering one of them dominant over the other. This book explores the tectonic affects in architecture because these do not separate building technology and aesthetics or meaning. Affects are preconscious aesthetic feelings which can cause meanings if we start thinking about these affects. The book claims that tectonic affects can generate aesthetic value and meaning. It adopts a practical position towards architectural aesthetics and meaning, and concentrates on tectonic affects.
A survey of the design landscape, guiding the reader through the array of movements, styles & trends, & identifying leading designers, as well as future design classics. This work places the modern scene in a historic framework & explores cultural & economic forces shaping design.
Providing a source of vision for the revitalisation of ground and envelope as spatial elements that can inform the search for embedded locally specific architectures, this book collects essays and projects that each contributes a particular element to what might constitute an integrated and richly nuanced approach to spatial organisation. Projects include: Paulo Mendes da Rocha; Brazilian Pavilion, Osaka World Expo 1970, Osaka, Japan RCR Arquitectes: Marquee at Les Cols Restaurant, Olot, Girona, Spain Weiss / Manfredi; Seattle Art Museum: Olympic Sculpture Park, Seattle, Washington, USA Peter Eisenman; City of Culture of Galicia, Santiago de Compostela, Spain Plasma Studio and Groundlab; Xi’an Horticultural Expo, Longgang, China Foreign Office Architects; Yokohama International Ferry Terminal, Yokohama, Japan Nekton Design; Turf City, Reykjavik, Iceland Alvaro Siza; Swimming Pool, Leça da Palmeira, Portugal Eduardo Souto de Moura; Braga Municipal Stadium, Braga Portugal MVRDV; Villa VPRO, Hilversum, Netherlands Bernard Tschumi; Le Fresnoy Art Centre, Tourcoing, France OCEAN; World Centre for Human Concerns, New York City, USA R&Sie(n); Spidernethewood, Nîmes, France Toyo Ito; Serpentine Pavilion, London, England Enric Miralles and Carme Pinós; Olympic Archery Range, Barcelona, Spain Kengo Kuma; GC Prostho Museum Research Centre, Aichi Prefecture, Japan Cloud 9; MediaTic, Barcelona, Spain Diller, Scofidio and Renfro; Blur Building, Yverdon-les-Bains, Switzerland, Swiss National Expo With an abundance of built and un-built key projects available, it is now possible to outline the contours of a new discourse. This book initiates a new beginning in this direction so that architecture can partake in the creation of heterogeneous space and culturally, socially and environmentally sustainable built environments.
Collaborations in Architecture and Engineering focuses on team-building and problem-solving between architects and engineers to prepare you for working together in practice. It provides an overview and foundation for interdisciplinary collaboration so that you can create innovative proposals for optimization, performance, and aesthetic goals. It also shows you how to solve real-world problems and how to engage creatively with technological challenges so that you can be a productive member of any team. The authors, an architect and an engineer, share guidelines learned from their experiences and observations on how to insure productive communication, engage in interdisciplinary discussions, and establish common goals and values. Throughout the book are many case study examples of architect and engineer collaborations––such as those between SANAA and Mutsuro Sasaki, Foster + Partners and Buro Happold, Steven Holl and Guy Nordenson, and SHoP Architects and ARUP. The book also includes a discussion about integrated project delivery (IPD) contracts and administration, so you'll be ready for better integration.