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This book is about Raymond Federman and his incredible textual obsession with Samuel Beckett. Federman was a scholar of Beckett, postmodern theorist, a self-translator and avant-garde novelist. Born in Paris in 1928, all of his immediate family perished in the Holocaust. Federman escaped thanks to his mother, who hid him in a closet. After the war, he migrated to America and devoted his life to scholarship and creative writing. In both, he devoted his life to Beckett. Federman’s creative and theoretical writings contaminate and pervert each other just as, in his novels, French contaminates English and fiction perverts reality. His work is centered on the details of his survival, enacting a perpetual return to the closet, as previous studies have demonstrated. By examining Beckettian (and by extension Joycean) intertextuality in the novels of Raymond Federman, this study traces the contours of a second closet.
Samuel Beckett (1906-1989). Irish dramatist and poet. His use of the stage and dramatic narrative and symbolism has revolutionalized drama in England.
In 1963, renowned Franco-American author Raymond Federman - then a young academic, just fresh from defending his PhD - met Samuel Beckett in Paris. The meeting was to change his life. 'Sam' became both a great friend and a great source of inspiration to Federman throughout his writing career. Intensely moving and intensely funny by turns, this unique book is both a memoir of a friendship, and a typically Federman-esque tribute to Beckett and his work. The Sam Book brings together memories, anecdotes, extracts from articles and talks, and other pieces of writing that derive their inspiration directly from Beckett's work.
In this, his fifth novel in English (and its first paperback edition), the acclaimed French-born writer and poet, Raymond Federman, has given us the bittersweet tale of Moinous and Sucette who fall in love "across a smile" in Washington Square. Smiles on Washington Square is a charming and complex novel. With the masterful ease of a tightrope walker, Federman plays with our sense of time and space as he creates, with extraordinary compassion, a tale that makes us see our own vulnerability and worthiness. Stylistically, his links to Beckett are evident in the stripped down prose, the remarkable symbolism and word games, and in his focus on the downtrodden and inarticulate cast-aways of an industrialized world. Ultimately, Smiles on Washington Square is a book that teaches us there is no easy story, no safe entrance, no line of action not fraught with obstacles and humiliation; but finally, in the face of the inevitable disappointment of the human condition, Federman shows us how sweet possibility is.
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
This book examines how, beginning in the 1960s up to the present, a new type of fiction was created in America, but also in Europe and Latin America, in response to the cultural, social, and political turmoil of the time. The author has coined the term “Surfiction” for this New Fiction. Written in an informal, provocative style, by an internationally known practitioner, these essays examine the cultural, social, and political conditions that forced serious writers to reflect (often within the work itself) on the act of writing fiction in the modern world. The entire book can be read as a manifesto for the present and future of the new fiction. This book is the first in the SUNY series in Postmodern Culture, edited by Joseph Natoli.
PHOTOS FROM many of Beckett's play productions, his childhood home and family in Dublin, and hand-corrected manuscript pages complement an incisive biography by Beckett scholar Gerry Dukes, providing a unique introduction to the life and work of one of the most innovative writers of the twentieth century. Copyright © Libri GmbH. All rights reserved.