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An essential new perspective on Nicholas Ray--legendary Hollywood director of Rebel Without a Cause--by his daughter and namesake Nicca, who examines her father's genius and demons, unraveling myths to illuminate who he really was, what drove him to create, and who, now, is Nicca Ray?
Kirkus Reviews Best Children's Book Here is the riveting dual biography of two little-known but extraordinary African-American Union soldiers in Civil War history—George E. Stephens and James Henry Gooding. Stephens and Gooding not only served in the Massachusetts 54th Infantry, the well-known black regiment, but were also war correspondents who published eyewitness reports of the battlefields. Their dispatches told the truth of their lives at camp, their intense training, and the dangers and tragedies on the battlefield. Like the other thousands of black soldiers in the regiment, they not only fought against the Confederacy and the inhumanity of slavery, but also against injustice in their own army. The regiment’s protest against unfair pay resulted in America’s first major civil rights victory—equal pay for African American soldiers. This fresh perspective on the Civil War includes an author’s note, timeline, bibliography, index and source notes.
(Applause Books). By the established comedy conventions of their era, Bob Elliott and Ray Goulding were true game changers. Never playing to the balcony, Bob and Ray instead entertained each other. Because they believed in their nuanced characters and absurd premises, their audience did, too. Their parodies broadcasting about broadcasting existed in their own special universe. A complete absence of show-biz slickness set them apart from the very institution they were mocking, yet were still a part of. They resisted being called comedians and never considered themselves "an act." Bob and Ray, Keener Than Most Persons traces the origins and development of the pair's unique sensibility that defined their dozens of local and network radio and TV series, later motion picture roles, Carnegie Hall performances, and hit Broadway show Bob and Ray The Two and Only . Together for 43 years (longer than Laurel and Hardy, Burns and Allen, Abbott and Costello, and Martin and Lewis), the twosome deflected all intrusions into the personalities behind their many masks and the dynamics of their relationship, and rarely elaborated on their career trajectory or methodology. Now, with the full cooperation of Bob Elliott and of Ray Goulding's widow, Liz, together with insights from numerous colleagues, their craft and the culture that made them so relevant is explored in depth.
A humorous picture book about the adventures of a light bulb who embarks on an enlightening journey, from the acclaimed author-illustrator of Petra. At the end of the hall, near the staircase, is a closet. In that closet lives Ray, who is a light bulb. Ray spends most of his time in darkness, which is pretty boring if you don't know how to fill it. So boring that Ray usually slips into a dreamless sleep . . . Everything changes one day when Ray is migrated into a portable lantern and taken on the trip of a lifetime. He wakes up in a much larger closet (the outside), surrounded by incredible things - too many to count! Everything is super big, and Ray has never felt so small. And in the morning, Ray makes an incredible discovery which will change his life forever. Meet Ray, a charming new character from the imaginative mind of Marianna Coppo, the creator of Petra!
“A shorthand epic of extraordinary power . . . A novel of brilliant particulars and dizzying juxtapositions” from the acclaimed southern author of Geronimo Rex (Newsweek). Nominated for the American Book Award, Ray is the bizarre, hilarious, and consistently adventurous story of a life on the edge. Dr. Ray—a womanizer, small-town drunk, vigilante, poet, adoring husband—is a man trying to make sense of life in the twentieth century. In flight from the death he dealt flying over Vietnam, Dr. Ray struggles with those bound to him by need, sickness, lunacy, by blood and by love. “This novel hangs in the memory like a fishhook. It will haunt you long after you have finally put it down. Barry Hannah is a talent to reckon with, and I can only hope that Ray finds an audience it deserves.” —Harry Crews, The Washington Post Book World
"Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surrealism, the function of the "token woman" in artistic canons, and the role of the New York City Ballet in the development of mid-century modernism, and situates her central figures in relation to such colleagues and contemporaries as O'Hara, T. S. Eliot, Clement Greenberg, Walter Benjamin, and Lincoln Kirstein. Moore, Cornell, and Ashbery are connected by acquaintance and affinity-and above all, by the possession of what Moore calls "criminal ingenuity," a talent for situating themselves on the fault lines that fissure the realms of art, sexuality, and politics. As we consider their lives and works, Levy shows, the seemingly specialized question of the source and meaning of the struggle for power between art forms inexorably opens out to broader questions about social and artistic institutions and forces: the academy and the museum, professionalism and the market, and that institution of institutions, marriage.
Nadat een man van zijn zus heeft gehoord dat hun extreem corpulente vader is overleden, overdenkt hij hun moeizame relatie die werd gekenmerkt door geestelijke, lichamelijke en emotionele mishandeling.
A powerful poem about Ona Judge's life and her self-emancipation from George Washington’s household. Ona Judge was enslaved by the Washingtons, and served the President's wife, Martha. Ona was widely known for her excellent skills as a seamstress, and was raised alongside Washington’s grandchildren. Indeed, she was frequently mistaken for his granddaughter. This poetic biography follows her childhood and adolescence until she decides to run away. Author Ray Anthony Shepard welcomes meaningful and necessary conversation among young readers about the horrors of slavery and the experience of house servants through call-and-response style lines. Illustrator Keith Mallett’s rich paintings include fabric collage and add further feeling and majesty to Ona’s daring escape. With extensive backmatter, this poem may serve as a new introduction to American slavery and Ona Judge's legacy.
Banning the Bomb, Smashing the Patriarchy offers a look inside the antinuclear movement and its recent successful campaign to ban the bomb. From scrappy organizing to winning the Nobel Peace Prize in 2017 and achieving a landmark UN treaty banning nuclear weapons, this book narrates the journey of the International Campaign to Abolish Nuclear Weapons (ICAN) and developments in feminist disarmament activism. Acheson explains the process through which diplomats, activists, and nuclear survivors worked together to elevate the horrific humanitarian and environmental impacts of nuclear weapons, develop new international law categorically prohibiting the bomb, challenge the nuclear orthodoxy, and strengthen norms for disarmament and peace. Told from the perspective of a queer feminist antimilitarist organizer who was involved from the start of the process through to the treaty’s adoption, the book utilizes interviews with dozens of participants, as well as critical theoretical perspectives about transnational advocacy networks, discourse change, and intersectional feminist action. It is meant to provide useful insights for anyone trying to make change amidst structures of power and politics.