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Der Architekturhistoriker Sigfried Giedion gilt als ein Wegbereiter der Moderne, sein 1941 unter dem Titel Space, Time, Architecture erstmals erschienenes Werk ist längst zu einem Klassiker der Architekturtheorie avanciert. Giedion skizziert darin die Vorgeschichte und die Entwicklung des in den Zwanzigerjahren so bedeutungsvollen neuen Bauens und veranschaulicht dessen weltweite Auswirkungen. In der Vielfalt oft widersprüchlicher Tendenzen suchte er die geheime Synthese, in der sich eine neue Tradition ankündigte, ohne dass sie zunächst zu einer bewussten und handlungsbestimmenden Realität wurde. Giedion wurde so zu dem Historiker, der das Entstehen dieser neuen Tradition in der Architektur sowie ihre Beziehungen zu Handwerk, Kunst und Wissenschaft sichtbar machte und so immer noch zur Transparenz des gegenwärtigen Zustands beiträgt. Das Nachwort des Architekturkritikers Reto Geiser erläutert die Aktualität dieses in alle Weltsprachen übersetzten Standardwerks.
Warum bloss Italien? Im 20. und frühen 21. Jahrhundert bieten sich andere Länder und Kulturen als weitaus unverbrauchtere Inspirationsräume, Immaginationsarsenale an. Gleichwohl bleibt Italien für reisende Architektinnen und Architekten weiterhin eine Quelle der Inspiration. Allerdings in einem anderen Kontext, in einer grösseren Zersplitterung der Ursachen und entsprechend auch der Erfahrungen und des Nachhalls. Verstärkt in den Blick gerät das Italien abseits gewohnter Routen und damit das Nicht-Selbstverständliche. Die Beiträge dieses Bandes umreissen das Phänomen der modernen, postmodernen und gegenwärtigen Italienreise. Sie zeichnen dabei ein vielfältiges, widersprüchliches und unerwartetes Bild eines Landes wie auch des Architekturgeschehens dieser Zeit.
A central pillar of contemporary communication research is the analysis of filmed interactions between people. The techniques employed in such analysis first took on a recognizably modern form in the 1970s, but their roots go back to the earliest days of motion picture technology in the late nineteenth century. This book presents original essays accompanied by written responses which together create a dialogue exploring early efforts at audio-visual sequence analysis and their common goal to capture the "whole" of the communicative situation. The first three chapters of this volume look at the film-based research of Gestalt psychologists in Berlin as well as psychologists in the orbit of Karl and Charlotte Bühler in Vienna in the first decades of the twentieth century. Most of these figures – along with many other Central European scholars of this era – were driven into exile in the United States after the rise of National Socialism in the 1930s. This scientific migration led to the cross-pollination of communication studies in America, an outcome visible in the leading project in interaction research of the mid-twentieth century, the Natural History of an Interview. The following two chapters examine this project in its historical context. The volume closes with a critical edition of a treasure from the archives: the transcript of a speech delivered by Ray Birdwhistell, a key participant in the Natural History of an Interview project and founder of kinesics.
Sigurd Lewerentz (1885-1975) was initially educated as mechanical engineer in Gothenburg. Yet it was his architectural apprenticeship in Munich 1909-10 that set him on his path as an architect, opening his own office in Stockholm in 1911. Although his built work is relatively small, Lewerentz is revered as one of Sweden's most eminent architects. Cemeteries and sacred buildings became a core part of Lewerentz's oeuvre, including Stockholm's South Cemetery (1914-17), Malmo Eastern Cemetery (1916), St. Mark's Church, Bjorkhagen (1956), and Petri Church, Klippan (1963). In association with Gunnar Asplund, he was also the main architect for the Stockholm International Exhibition (1930), and in collaboration with Erik Lallerstedt and David Hellden he created a masterpiece of functionalist architecture, the Malmo City Theatre (1935). Sigurd Lewerentz, Architect is a reprint of the first ever monograph on his work, originally published in English 1987 and long out of print. It tells the story of Lewerentz's life and presents his entire work in text and many photographs, drawings and plans.
This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.