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For the first time ever, an active practitioner describes the history, folklore, and remedies of Southern and Appalachian Folk Medicine in this groundbreaking guide for curious herbalists. This book is the first to describe the history, folklore, assessment methods, and remedies of Southern and Appalachian Folk Medicine—the only system of folk medicine, other than Native American, that developed in the United States. One of the system's last active practitioners, Phyllis D. Light has studied and worked with herbs, foods, and other healing techniques for more than thirty years. In everyday language, she explains how Southern and Appalachian Folk Medicine was passed down orally through the generations by herbalists and healers who cared for people in their communities with the natural tools on hand. Drawing from Greek, Native American, African, and British sources, this uniquely American folk medicine combines what is useful and practical from many traditions to create an energetic system that is coherent and valuable today.
It was around 1980 or 1982 that I had a dream or night vision of my standing in the pulpit of the Primitive Baptist Church of Gifford, Florida. In this dream or night vision, I was holding a book in my right hand. The title on the cover page of this book was "Bestsong." The next day, I shared this dream with my wife Helen and said to her, "I got to write a book." A few years later, my wife and I were walking through a parking lot in Fort Pierce, Florida, around two o'clock in the afternoon. A doctor friend of mine and a prophet I had never met was introduced to my wife and me. In shaking my hand, he said to me, "I am a prophet of God, and God said or says to you write that book." My wife Helen laughed and said, "I think you better start writing that book, bud." About two or three weeks later, I had another dream or night vision. In this one, I was standing and looking in front of a jukebox, looking down at a turning or spinning black record. It had the face of a hideous, giggling man in it. As this record played, rays were shooting out from this record. These rays would strike the young listeners in the head. I noticed that as these rays struck the heads of these young people, they would stiffen like they had become zombies. They would walk away from the jukebox and straightaway, go out and perform those evils they had heard coming from these records and the jukebox. A "Bestsong" can be God-inspired or Demon-inspired. A "Bestsong" can be the Almighty God from Heaven, or it can be to the god of this world, Satan. This book is a revelation from God our Father and the Lord, Jesus Christ, our soon-coming King. The ultimate goal of this book is to glorify God and to make one wise unto salvation. Read and be blessed.
Yes! You can do anything you put your mind to as long as it is not immoral or illegal. Try to make a new friend every day!
Winner of the 2020 Chicago Folklore Prize CHOICE Outstanding Academic Title for 2020 Despite predictions that commercial mass culture would displace customs of the past, traditions firmly abound, often characterized as folklore. In The Practice of Folklore: Essays toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior. Thinking with practice, particularly in a digital world, forces redefinitions of folklore and a reorientation toward interpreting everyday life. More than performance or enactment in social theory, practice connects localized culture with the vernacular idea that “this is the way we do things around here.” Practice refers to the way those things are analyzed as part of, rather than apart from, theory, thus inviting the study of studying. “The way we do things” invokes the social basis of “doing” in practice as cultural and instrumental. Building on previous studies of tradition in relation to creativity, Bronner presents an overview of practice theory and the ways it might be used in folklore and folklife studies. Demonstrating the application of this theory in folkloristic studies, Bronner offers four provocative case studies of psychocultural meanings that arise from traditional frames of action and address issues of our times: referring to the boogieman; connecting “wild child” beliefs to school shootings; deciphering the offensive chants of sports fans; and explicating male bravado in bawdy singing. Turning his analysis to the analysts of tradition, Bronner uses practice theory to evaluate the agenda of folklorists in shaping perceptions of tradition-centered “folk societies” such as the Amish. He further unpacks the culturally based rationale of public folklore programming. He interprets the evolving idea of folk museums in a digital world and assesses how the folklorists' terms and actions affect how people think about tradition.
This volume is the first of a planned series of casebooks to be published by the Cormac McCarthy Society. It is an expanded and updated version of the fourth volume of The Cormac McCarthy Journal, originally released in 2006 to celebrate the 25th anniversary of the novel. The original edition consisted of papers and lectures given at the conference, held by the Society in Knoxville in October 2004. The current edition includes the entire content of its predecessor volume, and we have added intriguing essays, anecdotes and firsthand accounts of Knoxville during the historical period covered by Suttree to flesh it out.
Everyone has a story to tell, a legacy to leave to both living family and future generations. In his memoir, A Boy from Barnhart: Times Remembered, author Herb Taylor shares his life story and legacy, from his coming of age on large ranches and small towns in West Texas to his subsequent career as a professional army officer. Taylor writes of life and its realities during the drought years of the 1950s. He chronicles the people, places, ideas, and incidents he encountered during a twenty-eight year army career, as well as his struggle with a lifelong alcohol addiction and the death of his childhood sweetheart after a thirty-five year marriage. He writes of the good times and the not so good, the ordinary and the unusual, in a casual, personal, and informative way that captures the times and his life experiences. Equal parts genealogy, history, travelogue, and memoir, Taylors memories are the emotional account of a life well-lived, as well as an interesting and intricate record of times gone by.
From the acclaimed author of such novels as "Blood and Grits" and "Childhood" comes a wildly weird and breathtakingly original visit to the rural South that reveals the exotic subculture that erupts in all its glory at the Rattlesnake Roundup in Mystic, Georgia. "No number of adjectives in the thesaurus can do full justice to the dazzlingly bizarre nature of Crews' creations".--"Washington Post Book World".
Talkin' to Myself: Blues Lyrics, 1921-1942 is a compendium of lyrics by the great blues recording artists of the classic blues era. It includes over 2000 songs, transcribed directly from the original recordings, making it by far the most comprehensive and accurate collection of blues lyrics available.
Most of these stories are true. Some are fabrications. "The Gun Show" is one. It is a loose interpretation of an event. If you are familiar with the event, you will understand the satire. The stories, such as "The Great Possum Slayer", tell of a hunting adventure. We are all guilty of doing something to a friend in the name of fun. "The night Before Christmas" describes a practical joke that turned out better than planned! Several stories, as an example, "BB'S & Bumblebees", reflect on our desire to imitate our parents. Several of the stories convey a safety message. "The Hazards of Plastic Bullets", is an example that shows what can happen in the blink of an eye when we choose to disregard a simple safety statement. Some of the stories deal with older people and a time not so long ago. These people believed that you took care of your problem. You will notice in these stories, the problem would have gone away or been taken care of long before law enforcement could arrive. With our modern communications we can now summon the Calvary in an instant. It has not been too long ago that this was not the case in a lot of areas of our great nation. "The Letter", is an adaptation of a letter I want read at my funeral. Surprise, fear, courage, fortitude and a child's belief that they are bullet proof are all expressed in stories in this book. A book of this nature easily causes us to reflect on our lives and events that have slipped into our fading memory. If this book reminds a single individual of any similar events in their past, makes them a safer individual, or makes them laugh it will have succeed in its purpose beyond expectations.
After her marriage in 1976, Mary Kay Schippers left the family farm to move to the city, embark on a career and raise a family with her high school sweetheart. In 1995, after her aging parents moved to town and decided to sell some land that had been owned and farmed by their family for over a century, Mary Kay and her husband stepped in and bought the land. As the fourth generation to own that land, she was determined to preserve the legacy for her sons and future generations. But it wasn’t until 2008 that Mary Kay felt an unmistakeable urge to return to her farming roots on a full-time basis. The Return to the Family Farm explores the many ups and downs of leaving the city behind and returning to one’s rural roots. It continues the family and farm history found in A Year on the Family Farm and Another Year on the Family Farm. With its lilting storytelling style and abundant humor, The Return to the Family Farm is sure to warm the hearts of young and old alike.