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Rats, Cats, Rogues, and Heroes reveals China's history and culture through the eyes of ordinary men and women using an interdisciplinary perspective that incorporates history, anthropology, folk studies, and literature to examine the sociocultural and symbolic worlds of gangsters, sorcerers, and prostitutes in late imperial and modern China.
This handbook examines key aspects of the development of the global history of warfare and the changing patterns of warfare over time. Although scholarship has long eschewed a chronological narrative of the evolution of warfare that privileges the Western experience, global histories of warfare have had difficulty avoiding an overemphasis on the West. The present volume is a collection of themes rather than a history per se; it provides important perspectives on the emergence of warfare as a global historical experience from the ancient past to the present day. Drawing together numerous experts, it tells a broader, more inclusive story of the global, human experience with wars and warfare. The 35 cahtpers are organised in eight thematic parts: Part I: Origins of Warfare Part II: Polities and Armed Forces in the Pre-Modern Era Part III: Steppe Nomads of Eurasia Part IV: Naval Warfare and Piracy in the Pre-Industrial World Part V: The Impact of Gunpowder Part VI: Transition from Industrial to Total War Part VII: Wars of Decolonisation and Cold War Part VIII: Postmodern/New Wars These Parts offer an overview of the global experience of warfare to help readers understand how the wars and the militaries we see today have been shaped by historical developments across the globe. This handbook will be of great interest to students of military history, naval history, strategic studies and world history in general.
Interweaving intimate case histories with first-hand scientific research, this book examines how testosterone, the principal male hormone, has been maligned and misunderstood, and reveals its role in human evolution and its effect upon human and animal behavior.
Based on the "Outer regions" as created by Karen Kuykendall in her paintings (The cat people) and her famous Tarot cards.
Tracing the history and adaptation of one of China's foundational texts
In the tumultuous negotiations of the Sino-British Joint Declaration of 1984, the United Kingdom willingly signed over Hong Kong's reigns to the People's Republic of China, but with the presupposition that the PRC would faithfully implement the principle of 'one country, two systems' for the following fifty years. Yet since the handover in 1997, the PRC has failed to allow Hong Kong a higher degree of autonomy. 'One Country, Two Systems' in Crisis elucidates how China's intervention has curtailed Hong Kong's civil liberties; how freedom of speech is at the mercy of the government; and how deception has turned the 'Pearl of the Orient' into the rubber stamp of the Chinese Communist Party.
The Muleteers -- Families -- The revolutionaries -- The excluded -- Mining -- The technocrat -- Corporations, the state, and ethnic difference.
Scholars have become increasingly interested in how modern national consciousness comes into being through fictional narratives. Literature is of particular importance to this process, for it is responsible for tracing the nations evolution through glorious tales of its history. In nineteenth-century Britain, the legends of King Arthur and Robin Hood played an important role in construction of contemporary national identity. These two legends provide excellent windows through which to view British culture, because they provide very different perspectives. King Arthur and Robin Hood have traditionally been diametrically opposed in terms of their ideological orientation. The former is a king, a man at the pinnacle of the social and political hierarchy, whereas the latter is an outlaw, and is therefore completely outside conventional hierarchical structures. The fact that two such different figures could simultaneously function as British national heroes suggests that nineteenth-century British nationalism did not represent a single set of values and ideas, but rather that it was forced to assimilate a variety of competing points of view.