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From the New Yorker “20 Under 40” author of Atmospheric Disturbances comes a brain-twisting adventure story of a girl named Fred on a quest through a world of fantastical creatures, strange logic, and a powerful prejudice against growing up. Fred and her math-teacher mom are always on the move, and Fred is getting sick of it. She’s about to have yet another birthday in a new place without friends. On the eve of turning thirteen, Fred sees something strange in the living room: her mother, dressed for a party, standing in front of an enormous paper lantern—which she steps into and disappears. Fred follows her and finds herself in the Land of Impossibility—a loopily illogical place where time is outlawed, words carry dire consequences, and her unlikely allies are a depressed white elephant and a pugnacious mongoose mother of seventeen. With her new friends, Fred sets off in search of her mom, braving dungeons, Insult Fish, Fearsome Ferlings, and a mad Rat Queen. To succeed, the trio must find the solution to an ageless riddle. Gorgeously illustrated and reminiscent of The Phantom Tollbooth and The Wonderful Wizard of Oz, Rivka Galchen’s Rat Rule 79 is an instant classic for curious readers of all ages.
From the New Yorker “20 Under 40” author of Atmospheric Disturbances comes a brain-twisting adventure story of a girl named Fred on a quest through a world of fantastical creatures, strange logic, and a powerful prejudice against growing up. Fred and her math-teacher mom are always on the move, and Fred is getting sick of it. She’s about to have yet another birthday in a new place without friends. On the eve of turning thirteen, Fred sees something strange in the living room: her mother, dressed for a party, standing in front of an enormous paper lantern—which she steps into and disappears. Fred follows her and finds herself in the Land of Impossibility—a loopily illogical place where time is outlawed, words carry dire consequences, and her unlikely allies are a depressed white elephant and a pugnacious mongoose mother of seventeen. With her new friends, Fred sets off in search of her mom, braving dungeons, Insult Fish, Fearsome Ferlings, and a mad Rat Queen. To succeed, the trio must find the solution to an ageless riddle. Gorgeously illustrated and reminiscent of The Phantom Tollbooth and The Wonderful Wizard of Oz, Rivka Galchen’s Rat Rule 79 is an instant classic for curious readers of all ages. Praise for Rat Rule 79 “Rat Rule 79 is the adventure I didn’t know I wanted until it started, just like it’s the book you don’t yet know you’re going to love. We have been waiting for this book our entire lives.” —Lemony Snicket, author of A Series of Unfortunate Events “Rat Rule 79 is an impossibly perfect book: a Mobius strip where the love loops continuously between mothers’ daughters and daughters’ mothers, law and disorder, the lost and the found. Fred is a heroine for the ages—a twelve-year old savant of mathematical and emotional truths and a connoisseur of peanut butter and pickle sandwiches, Fred is smart enough to navigate irrational lands, demands, and numbers, and brave enough to love the strangest strangers. Rat Rule 79 belongs on a shelf of classics with The Phantom Tollbooth, Mrs. Frisby and the Rats of NIMH, and The Last Unicorn. How can it be that Galchen's epic, so utterly, enchantingly new, also gave me the happiest deja vu while reading? How can the Dark, Dark Woods be such an illuminating place? These and other paradoxes fill Galchen's astonishing, hilarious, mind-and-heart-expanding book. As I read, I thought, ‘I can't wait to share this with my daughter, son, mother, brother, sister, best friend…’ a number set that eventually swelled to include: everyone.” —Karen Russell, author of Swamplandia "I love this book. It’s a wonder. I wish I’d had Rat Rule 79 when I was a boy. I’d have been obsessed with Fred and her adventures and reread her funny sweet story a hundred times, always finding something new.” —James Gleick, author of The Information and Isaac Newton “Lewis Carroll, Norton Juster, Tove Jansson, Russell Hoban; like them, Rivka Galchen has written a book for children and adults that occupies its own delightful and preposterous space. Rat Rule 79 feels like it has simply been waiting to fall into our laps.” —Jonathan Lethem, author of Motherless Brooklyn and Chronic City “Fred is a little bit Alice, a little bit Dorothy, but wholly original and smart, smart, smart. This is exactly how I like my wordplay. Can't decide if I'm more enamored with the Insult Fish or the Elephant in the Room. Prime mother-daughter book club fodder.” —Summer Dawn Laurie, Books Inc. (Berkeley, CA) “Clever and fully entertaining, this humorous middle grade is perfect for parents AND young readers. I love the wordplay, the puzzles and the omnipresent narrator offering asides to the reader. Highly recommend!” —Sarah Bagby, Watermark Books (Wichita, KS) “Is there anything Rivka Galchen can't do?! Rat Rule 79 is that book I always longed for as young reader, full of adventure, quirky characters, and short chapters. Speaking of which, the chapter headings alone are worth the price of admission and good for a few chuckles. The storytelling by Rivka Galchen is enough to keep you riveted, but the gorgeous full-page illustrations by Elena Megalos really bring the book to eye-popping life. I dare you to read the first forty chapters and not get hooked.” —Javier Ramirez, The Book Table (Oak Park, IL) “One of the most ingenious children’s books I’ve seen in ages. Full of intelligence, warmth, and wit. A page-turner in its own right!” —Gary Shteyngart, author of Super Sad True Love Story “A smart, witty through-the-looking-glass journey about a thousand unusual, interesting things and all the big important ones, too: home, friendship, holding on, letting go, and growing up.” —Nicole Krauss, author of The History of Love and Great House “Rat Rule 79 is a labyrinth of beauty, curiosity, and all things strange. Galchen effortlessly captures the chaos of being a thirteen-year-old girl; Fred is wild, half feral, both lost and found. I needed this book when I was a girl. I need this book as an adult. I will need this book when I am one hundred and thirteen.” —Laura Graveline, Brazos Bookstore (Houston, TX) "Rivka Galchen's Rat Rule 79 is clever and strange and so very much fun, but what makes Rat Rule 79 so remarkable is the warmth and wisdom that exudes from its pages. A subversive Wizard of Oz for kids too smart for their own good, it's sure to become many a young readers' favorite book for years to come." —David Gonzalez, Skylight Books (Los Angeles, CA)
“We walked toward the part of the library where the air smelled as if it had been interred for years….. Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon.” Thirteen-year-old Juan’s favorite things in the world are koalas, eating roast chicken, and the summer-time. This summer, though, is off to a terrible start. First, Juan’s parents separate and his dad goes to Paris. Then, as if that wasn’t horrible enough, Juan is sent away to his strange Uncle Tito’s house for the entire break! Uncle Tito is really odd: he has zigzag eyebrows; drinks ten cups of smoky tea a day; and lives inside a huge, mysterious library. One day, while Juan is exploring the library, he notices something inexplicable and rushes to tell Uncle Tito. “The books moved!” His uncle drinks all his tea in one gulp and, sputtering, lets his nephew in on a secret: Juan is a Princeps Reader––which means books respond magically to him––and he’s the only person capable of finding the elusive, never-before-read Wild Book. Juan teams up with his new friend Catalina and his little sister, and together they delve through books that scuttle from one shelf to the next, topple over unexpectedly, or even disappear altogether to find The Wild Book and discover its secret. But will they find it before the wicked, story-stealing Pirate Book does?
Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which award-winning author Rivka Galchen’s writing is known, Everyone Knows Your Mother Is a Witch is a tale for our time—the story of how a community becomes implicated in collective aggression and hysterical fear. The year is 1619, in the German duchy of Württemberg. Plague is spreading. The Thirty Years War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katherina Kepler is accused of being a witch. An illiterate widow, Katherina is known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It’s enough to make anyone jealous, and Katherina has done herself no favors by being out and about and in everyone’s business. So when the deranged and insipid Ursula Reinbold (or as Katherina calls her, the Werewolf) accuses Katherina of offering her a bitter, witchy drink that has made her ill, Katherina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katherina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets. Provocative and entertaining, Galchen’s bold new novel touchingly illuminates a society, and a family, undone by superstition, the state, and the mortal convulsions of history.
A collection of twenty stories by North American writers under the age of forty who the editors of the New Yorker felt were, or soon would be, standouts in contemporary fiction.
At once a moving love story, a dark comedy, a psychological thriller, and a deeply disturbing portrait of a fracturing mind, this highly inventive debut explores the mysterious nature of human relationships.
Why does the West rule? In this magnum opus, eminent Stanford polymath Ian Morris answers this provocative question, drawing on 50,000 years of history, archeology, and the methods of social science, to make sense of when, how, and why the paths of development differed in the East and West — and what this portends for the 21st century. There are two broad schools of thought on why the West rules. Proponents of "Long-Term Lock-In" theories such as Jared Diamond suggest that from time immemorial, some critical factor — geography, climate, or culture perhaps — made East and West unalterably different, and determined that the industrial revolution would happen in the West and push it further ahead of the East. But the East led the West between 500 and 1600, so this development can't have been inevitable; and so proponents of "Short-Term Accident" theories argue that Western rule was a temporary aberration that is now coming to an end, with Japan, China, and India resuming their rightful places on the world stage. However, as the West led for 9,000 of the previous 10,000 years, it wasn't just a temporary aberration. So, if we want to know why the West rules, we need a whole new theory. Ian Morris, boldly entering the turf of Jared Diamond and Niall Ferguson, provides the broader approach that is necessary, combining the textual historian's focus on context, the anthropological archaeologist's awareness of the deep past, and the social scientist's comparative methods to make sense of the past, present, and future — in a way no one has ever done before.
A New York Times bestselling author—and “a mythmaker for the millennium, a wiseacre wiseman” (New York Times Book Review)—delivers a surreal and elaborate quest that takes readers from Tokyo to the remote mountains of northern Japan, where the unnamed protagonist has a surprising confrontation with his demons. An advertising executive receives a postcard from a friend and casually appropriates the image for an advertisement. What he doesn’t realize is that included in the scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man who offers a menacing ultimatum: find the sheep or face dire consequences.
An eye-opening investigation of the growing phenomenon of "Relos," the professionals for whom relocation is a way of life Drive through the newest subdivisions of Atlanta, Dallas, or Denver, and you'll notice an unusual similarity in the layout of the houses, the models of the cars, the pastimes of the stay-at-home moms. But this is not your grandparents' suburbia, "the little houses made of ticky-tacky"—these houses go for half a million dollars and up, and no one stays longer than three or four years. You have entered the land of Relos, the mid-level executives for a growing number of American companies, whose livelihoods depend on their willingness to uproot their families in pursuit of professional success. Together they constitute a new social class, well-off but insecure, well traveled but insular. Peter T. Kilborn, a longtime reporter for The New York Times, takes us inside the lives of American Relos, showing how their distinctive pressures and values affect not only their own families and communities but also the country as a whole. As Relo culture becomes the norm for these workers, more and more Americans—no matter their jobs or the economy's booms and busts—will call Relovilles "home."
“This country's leading hell-raiser" (The Nation) shares his impassioned counsel to young radicals on how to effect constructive social change and know “the difference between being a realistic radical and being a rhetorical one.” First published in 1971 and written in the midst of radical political developments whose direction Alinsky was one of the first to question, this volume exhibits his style at its best. Like Thomas Paine before him, Alinsky was able to combine, both in his person and his writing, the intensity of political engagement with an absolute insistence on rational political discourse and adherence to the American democratic tradition.