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This volume represents the first trilateral exploration of medieval scriptural interpretation. During the medieval period the three exegetical traditions of Judaism, Christianity, and Islam produced a vast literature, one of great diversity but also one of numerous cross-cultural similarities.
In 2004, Mayer Gruber?s landmark Rashi?s Commentary on Psalms made one of the 11th-century scholar?s most important works accessible to a larger audience for the first time. The JPS paperback edition of this exceptional volume includes the complete original Hebrew text and acclaimed linguist Mayer Gruber?s contemporary English translation and supercommentary. Fully annotated by Gruber, Rashi?s Commentary on Psalms places Rashi, the most influential Hebrew biblical commentator of all time, in the larger context of biblical exegesis. Gruber identifies Rashi?s sources, pinpoints the exegetical questions to which Rashi responds, defines the nuances of Rashi?s terminology, and guides the reader to use the English translation as a tool to access the original Hebrew text. Gruber?s extensive introduction takes a critical look at Rashi and his enduring legacy.
Drawing on the literary and narrative patterns in Rashbam’s Torah Commentary this book offers a comprehensive rereading of one of the first Northern French pesha?-commentaries and shows Rashbam’s fascinating struggle to compete with the nascent vernacular literature.
Moshe Weinfeld’s contributions to the study of the Bible and its literature, as well as the social and political situation of the Bible in its ancient Near Eastern context, are well known. In this volume, 35 colleagues and students contribute essays organized according to four subjects: (1) Exegetical and Literary Studies on the Bible; (2) Studies on Biblical Hebrew, History, and Geography; (3) Ancient Near Eastern and Amarna Studies; and (4) Studies on Qumran, Post biblical Judaism, and the Jewish Medieval Commentaries. A bibliography and biography of the honoree round out the volume.
Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intellectuals held a positive, liberal understanding of the Second Commandment and did, in fact, articulate a certain Jewish aesthetic. He draws on this insight to consider modern ideas of Jewish art, revealing how they are inextricably linked to diverse notions about modern Jewish identity that are themselves entwined with arguments over Zionism, integration, and anti-Semitism. Through its use of the past to illuminate the present and its analysis of how the present informs our readings of the past, this book establishes a new assessment of Jewish aesthetic theory rooted in historical analysis. Authoritative and original in its identification of authentic Jewish traditions of painting, sculpture, and architecture, this volume will ripple the waters of several disciplines, including Jewish studies, art history, medieval and modern history, and philosophy.
Postcolonial biblical criticism took shape, largely, by critiquing the book of Exodus. Because of the eventual dispossession of Canaanites in the conquest narratives, so goes the thinking, the Hebrews’ God amounts to little more than a dangerous, destructive, and ethnocentric figure. In Hyphenating Moses Federico Alfredo Roth challenges this consensus by providing an alternative reading of its early narratives (1:1-3:15). Redeploying postcolonial theory and themes, Roth presents a reading of these well-known scenes as orbiting around the topic of identity formation, climaxing in the burning bush episode. In the giving of the name, YHWH promotes the virtue of conceiving identity as a malleable reality to be sought after by all parties caught in the dehumanizing discourse of colonial subjugation.