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A biography of the twice-jailed "champion of the people," shameless grafter, and New Deal pioneer describes how Curley helped transform U.S. governance from a politics of deference to a politics of serving human need. 50,000 first printing. $50,000 ad/promo.
You are a runner. You know how hard it is to make time to run. So you go out at 5:30 a.m. . . . in the rain. You remember every strain, sprain, ache, and pain you’ve ever felt. You ran through it then. You’ll run through it now. You have great runs. You have not-so-great runs. You run fast. You run slow. You race for a personal best. You race just for fun. This is your time. This is your run. This is your book. LONG MAY YOU RUN all. things. running. Learn how to win a race even when you finish last; the ten “destination” runs every runner should experience; what to do with your old running shoes; why listening to the right song may help you run faster; and how to run across the United States without leaving home. Featuring can’t-miss races, must-run places, tips, tricks, and words of advice and encouragement from some of the top runners today, including: Brian Sell, Bart Yasso, Colleen De Reuck, Nathan Brannen, Jeff Galloway, Suzy Favor Hamilton, Don Kardong, and many more!
Rascal is nearly home. He's desperate to find his owner Joel again - but then he's caught and trapped in an animal shelter! Time is running out for Rascal ... can he and Joe's find each other before it's too late?
Rascal is only a baby when young Sterling brings him home. He and the mischievous raccoon are best friends for a perfect year of adventure—until the spring day when everything suddenly changes. A Newbery Honor Book
Peter Sagal, the host of NPR’s Wait Wait...Don’t Tell Me! and a popular columnist for Runner’s World, shares “commentary and reflection about running with a deeply felt personal story, this book is winning, smart, honest, and affecting. Whether you are a runner or not, it will move you” (Susan Orlean). On the verge of turning forty, Peter Sagal—brainiac Harvard grad, short bald Jew with a disposition towards heft, and a sedentary star of public radio—started running seriously. And much to his own surprise, he kept going, faster and further, running fourteen marathons and logging tens of thousands of miles on roads, sidewalks, paths, and trails all over the United States and the world, including the 2013 Boston Marathon, where he crossed the finish line moments before the bombings. In The Incomplete Book of Running, Sagal reflects on the trails, tracks, and routes he’s traveled, from the humorous absurdity of running charity races in his underwear—in St. Louis, in February—or attempting to “quiet his colon” on runs around his neighborhood—to the experience of running as a guide to visually impaired runners, and the triumphant post-bombing running of the Boston Marathon in 2014. With humor and humanity, Sagal also writes about the emotional experience of running, body image, the similarities between endurance sports and sadomasochism, the legacy of running as passed down from parent to child, and the odd but extraordinary bonds created between strangers and friends. The result is “a brilliant book about running…What Peter runs toward is strength, understanding, endurance, acceptance, faith, hope, and charity” (P.J. O’Rourke).
The central volume in Ivan Doig's acclaimed Montana trilogy, Dancing at the Rascal Fair is an authentic saga of the American experience at the turn of this century and a passionate, portrayal of the immigrants who dared to try new lives in the imposing Rocky Mountains. Ivan Doig's supple tale of landseekers unfolds into a fateful contest of the heart between Anna Ramsay and Angus McCaskill, walled apart by their obligations as they and their stormy kith and kin vie to tame the brutal, beautiful Two Medicine country.
A modern Lassie meets The Littlest Hobo in the perfect adventure series for young children. Rascal is tired, hungry and far from home when he comes across three puppies abandoned near a dangerous river. Rascal knows he must get them to safety and find their mother quickly, but his search leads him into the hands of a cruel and nasty villain. Will Rascal ever see his beloved human Joel again?
It was the age of Jim Crow, riddled with racial violence and unrest. But in the world of Our Gang, black and white children happily played and made mischief together. They even had their own black and white version of the KKK, the Cluck Cluck Klams—and the public loved it. The story of race and Our Gang, or The Little Rascals, is rife with the contradictions and aspirations of the sharply conflicted, changing American society that was its theater. Exposing these connections for the first time, Julia Lee shows us how much this series, from the first silent shorts in 1922 to its television revival in the 1950s, reveals about black and white American culture—on either side of the silver screen. Behind the scenes, we find unconventional men like Hal Roach and his gag writers, whose Rascals tapped into powerful American myths about race and childhood. We meet the four black stars of the series—Ernie “Sunshine Sammy” Morrison, Allen “Farina” Hoskins, Matthew “Stymie” Beard, and Billie “Buckwheat” Thomas—the gang within the Gang, whose personal histories Lee pursues through the passing years and shifting political landscape. In their checkered lives, and in the tumultuous life of the series, we discover an unexplored story of America, the messy, multiracial nation that found in Our Gang a comic avatar, a slapstick version of democracy itself.
A seductive novel of southern lyricism. Monte Schulz's prose novel opens in the spring of 1929, as the 19-year-old consumptive farm boy Alvin Pendergast attends an ill-fated dance marathon he's too sickly to participate in. After a year of his life has been stolen by a sanitarium, Alvin knows he's relapsing, and dreads not only the drudgery of his family's homestead, but a return to the hospital. In this state of mind, an invitation for a late-night slice of pie is too seductive to pass up and before he knows it, Alvin crosses the Mississippi River and finds himself working for a slick con artist named Chester Burke. Alvin is no match for Chester, who's not merely a con man, but a gangster from Chicago, following the bootleg liquor trade through the small towns of America's middle border. With Alvin in tow, Chester's insouciant disregard for life serves him well as he embarks upon a series of bank robberies and senseless murders. All summer long, Chester assumes the role of a dark angel on Judgment day, cleansing the scrolls of those whose sad fortune had drawn them across his path. Too ill to flee, too morally weak to object, Alvin resigns himself to what seems like certain doom somewhere down the road. Fortunately, Alvin finds another companion on his journey, a lonely, eccentric, and grandiloquent dwarf named Rascal, whose own infirmity binds his and the farm boy's destiny together. Drawn deeper and deeper into Chester's murderous frolic, they come across a curious assortment of characters, from small town businessmen and religious kooks to wayward girls and dance contestants, spiritualists and sideshow freaks. Caught between Chester's villainy and Alvin's own physical deterioration, the young farm boy must make a decision: stick with Chester, who would surely kill him at the slightest hint of betrayal, or muster the courage to stake his life on faith in Rascal's clever plan to save them both. Tired of being afraid, Alvin finally grasps the need not only to outwit the gangster but to find another road to travel. What he discovers about the meaning of home offers a solution to escape and freedom. This Side of Jordan is a thoroughly American novel told in the voice of a lost generation hurtling toward the Great Depression, and evokes a long ago America of crowded Main Streets and tourist camps, miles of cornfields, rural church¬es, and musty parlors. It ends on the fairgrounds of a traveling wagon circus that beckons gangster, farm boy, and dwarf toward a startling resolution, and a hard-fought absolution for the two young, frightened collaborators. The narrative of this novel has the momentum of a freight train, but told in the seductive, rhythmic tradition of Southern lyricism reminiscent of Flannery O'Connor and Truman Capote, and filled with vivid, outsized literary characters. If Jim Thompson and Carson McCullers went on a collaborative bender by kidnapping Holden Caulfield, Perry Smith, and Ignatius J. Reilly, they'd have come up with something like This Side of Jordan.
Some things are easier to demonstrate than they are to explain: easier caught than taught. The concept of a unique type of person, affectionately called a Rascal in this book, is a prime example. In the book, we will consider the characteristics of Rascals, noting their greatness and analyzing their behaviors. As we do so, it will be most illustrative to simply observe some representative individuals as a way to shine light on the whole concept. What you may notice while reviewing this gallery of Rascals is the large range of background, circumstances, age, gender, and race they collectively represent which have nothing to do with the concept. Being a Rascal is an outpouring of who a person is on the inside. It is a spirit of willfulness and strength, a dynamic force that drives one forward toward a unique path and contribution. It is authenticity in courageous display. It is life lived on purpose and for a purpose.