Download Free Rasa Or Knowledge Of The Self Book in PDF and EPUB Free Download. You can read online Rasa Or Knowledge Of The Self and write the review.

René Daumal (b. 1908) is best known for his novel Mt. Analogue, unfinished at his death, in 1944 (other works in English include A Night of Serious Drinking and The Power of the Word). Daumal was an autodidact, ie. a non-academic, Sanskritist. Following youthful explorations, with poet Gilbert Le Conte (Black Mirror) and initial instruction in Sanskrit from René Guernon, he embarked on a solitary study, surpassed his teacher and eventually formulated his own Sanskrit dictionary. He translated essential texts on Sanskrit composition, poetry in Sanskrit, including the famous hymn concerning SOMA and the first chapter of the Bharatya Natya Sastra, the world's first treatise on the dramatic arts written circa 4th century. Writing numerous essays on Sanskrit poetics his deeply felt intention was to present these texts and the spiritual etymology of the sub-continent in a form accessible to the 'common man', the artists and new societies of the 20th century. As secretary to Uday Shankar, he wrote the first reviews of Indian music and dance in the West (Paris, circa 1935) and accompanied Uday Shankar's troupe, which included Ravi Shankar as a 12 year old dancer to NYC. During the 2nd. World War, exiled in the South of France, with his wife Vera who was Jewish, he furthered his literary work, completing essays, translations, reviews while maintaining, with others so exiled. a profound epistolary exchange (see Letters 1930-1944), until his death from tuberculosis, shortly before the alien landing. RASA, a 'cult classic' edited by Claudio Rugafori, secretary of the Daumal archives and translated by American poet and musician, Louise Landes Levi, has earned its reputation.This is its 3rd. edition, prior editions being New Directions, 1982 and Shivastan 2003 and 2006.
An examination of Hindu artistic theory and culture discusses Indian poetry, music and dance and is accompanied by translations from Sanskrit literature
This groundbreaking book underlines the primordial richness of language by focusing upon the spiritual qualities in poetry which serve to bridge the human and the Divine.
First published in 1983, Perception, Learning and the Self is a collection of essays demonstrating the incompleteness of the information-processing model in cognitive psychology and the connection between epistemic factors and social conditions in the making of the self. It is suggested that any framework employed to view cognition must be an essentially social one, in which knowers are seen as selves who are agents with feelings and attitudes. Professor Hamlyn argues that, by failing to acknowledge this social element, the information-processing model presents an overly simplistic view of the systems that underlie cognition, and thus is liable to distort what is at stake. Professor Hamlyn considers the contributions of a number of major psychologists to this area of study, including James Gibson, Jean Piaget and Sigmund Freud. This book will be of interest to students of philosophy and psychology.
Anandavardhana and the metaphysics of literature -- Abhinavagupta and the theology of literature -- Abhinavagupta's literary theory -- Mahimabhaṭṭa on literary knowing -- The will of objects -- Mahimabhaṭṭa on literary being : the pragmatic use of illusion.
India’s global proximities derive in good measure from its struggle against British imperialism. In its efforts to become a nation, India turned modern in its own unusual way. At the heart of this metamorphosis was a "colourful cosmopolitanism," the unique manner in which India made the world its neighbourhood. The most creative thinkers and leaders of that period reimagined diverse horizons. They collaborated not only in widespread anti-colonial struggles but also in articulating the vision of alter-globalization, universalism, and cosmopolitanism. This book, in revealing this dimension, offers new and original interpretations of figures such as Kant, Tagore, Heidegger, Gandhi, Aurobindo, Gebser, Kosambi, Narayan, Ezekiel, and Spivak. It also analyses cultural and aesthetic phenomena, from the rasa theory to Bollywood cinema, explaining how Indian ideas, texts, and cultural expressions interacted with a wider world and contributed to the making of modern India.
How can we improve our sense of wellbeing? What explains the current wellbeing boom? What does wellbeing mean to you? The Psychology of Wellbeing offers readers tools to navigate their own wellbeing and understand what makes a ‘good life’. Using self-reflection and storytelling, it explores how trust affects psychological and emotional wellbeing, considers how stress and inequality impact our psychological wellbeing, and how trends such as positive psychology influence our understanding of happiness. In a world where the ‘wellness economy’ is big business, The Psychology of Wellbeing shows how we can question and make sense of information sources, and sheds light on the wellness, self-care and self-help industry.
The hero’s quest for the extraordinary – an ever-recurring theme in literature – reflects the urge of every heart at its noblest to discover the full possibilities of life. Anyone dissatisfied with the scant potential of mundane existence is naturally stimulated by the prospect of finding, even vicariously, a world of greater liberty. There should be some better place for the soul. Why should happiness be so elusive, and why should confusion and resentment always shroud the mind’s eye, making it unable to see clearly what is in front of it? Srila Sanatana Gosvami’s Brhad-bhagavatamrta, written in Sanskrit nearly five hundred years ago, is a gemlike example of the quest genre, but different from the sort commonly encountered in fable and fiction. Narada and Gopa-kumara, the respective heroes of this book’s two parts, are searching for a key to fulfillment much subtler than wealth, influence, mundane love, the Fountain of Youth, or even the Holy Grail. Narada has vast experience of the cosmos; Gopa-kumara is illiterate and naive; yet they share the same vision of what is most valuable. What both want is not to conquer or exploit on any level, but to explore the mystery of selfless service. As Narada already knows, and Gopa-kumara will gradually learn, the superior mode of life they seek is personal and defined by the interplay of those who take part in it, rather than by material laws of nature. In Part Two of Sri Brhad-Bhagavatamrta, the book’s hero, Gopa-kumara, an illiterate, naive cowherd living near Govardhana Hill in Vrindavan, is inspired by a mysterious bhakta to start on a spiritual quest. His journey takes him in this volume all the way from his home to Vaikuntha-Ayodhya, and from sraddha to almost-perfect prema. Gopa-kumara’s adventure is different from the hero’s journeys we read about in less spiritual literature, because he explores the material universe not with his sights set on mundane wealth or power or romance but the sweetness of confidential, selfless, devotional service to his dearest Lord and friend, Sri Krishna. It is this focus that takes him beyond all temporal dimensions into the spiritual world beyond.
The Bhagavata Purana is one of the most important, central and popular scriptures of Hinduism. A medieval Sanskrit text, its influence as a religious book has been comparable only to that of the great Hindu epics, the Ramayana and the Mahabharata. Ithamar Theodor here offers the first analysis for twenty years of the Bhagavata Purana (often called the Fifth Veda ) and its different layers of meaning. He addresses its lyrical meditations on the activities of Krishna (avatar of Lord Vishnu), the central place it affords to the doctrine of bhakti (religious devotion) and its treatment of older Vedic traditions of knowledge. At the same time he places this subtle, poetical book within the context of the wider Hindu scriptures and the other Puranas, including the similar but less grand and significant Vishnu Purana. The author argues that the Bhagavata Purana is a unique work which represents the meeting place of two great orthodox Hindu traditions, the Vedic-Upanishadic and the Aesthetic. As such, it is one of India s greatest theological treatises. This book illuminates its character and continuing significance."
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.