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Rarity is a quality by which things flowers, leaves, light, sound fleetingly appear and disappear, leaving in their wake a resonance of something we just thought we had glimpsed. Each of the nine chapters in this book pursues such intimations of rarity in poetic ideas, images, and silences.
Rarity is a quality by which things flowers, leaves, light, sound fleetingly appear and disappear, leaving in their wake a resonance of something we just thought we had glimpsed. Each of the nine chapters in this book pursues such intimations of rarity in poetic ideas, images, and silences.
Winner of the National Book Award in 1991 “This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.” —Daniel L. Guillory, Library Journal
The Bird is Her Reason There are some bodies that emerge into desire as a god rises from the sea, emotion and memory hang like dripping clothes—this want is like entering that heated red on the mouth of a Delacroix lion, stalwart, always that red which makes my teeth ache and my skin feel a hand that has never touched me, the tree groaning outside becomes a man who knocks on my bedroom window, edge of red on gold fur, the horse, the wild flip of its head, the rake of claws across its back, the unfocussed, swallowed eye. Rare High Meadow of Which I Might Dream is a book haunted by the afterlife of medieval theology and literature yet grounded in distinctly modern quandaries of desire. Connie Voisine’s female speakers reverberate with notes of Marie de France’s tragic heroines, but whereas Marie’s poems are places where women’s longings quickly bloom and die in captivity—in towers and dungeons—Voisine uses narrative to suspend the movement of storytelling. For Voisine, poems are occasions for philosophical wanderings, extended lyrics that revolve around the binding and unbinding of desire, with lonely speakers struggling with the impetus of wanting as well as the necessity of a love affair’s end. With fluency, intelligence, and deeply felt emotional acuity, Rare High Meadow of Which I Might Dream navigates the heady intersection of obsessive love and searing loss. Praise for Cathedral of the North “Voisine’s poetry is wholly unsentimental, tactile, and filled with unexpected beauty. She is political in the best sense. . . . A dazzling, brave, and surprising first book.”—Denise Duhamel, Ploughshares
Gathers poems that combine an examination of contemporary society with views of the natural world and human relationships.
In the ancient Scottish ballad "Tam Lin," headstrong Janet defies Tam Lin to walk in her own land of Carterhaugh . . . and then must battle the Queen of Faery for possession of her lover’s body and soul. In this version of "Tam Lin," masterfully crafted by Pamela Dean, Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. Set against the backdrop of the early 1970s, imbued with wit, poetry, romance, and magic, Tam Lin has become a cult classic—and once you begin reading, you’ll know why. This reissue features an updated introduction by the book’s original editor, the acclaimed Terri Windling.
This impressive debut has established Hera Lindsay Bird as a good girl with many beneficial thoughts and feelings. With themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is, juxtaposing many classical and modern breezes. Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert. This is at once an intelligent and compelling fantasy of tenderness, heartbreaking and charged with trees without once sacrificing the forest.
A powerful new collection from poet, essayist, and frequent New Yorker contributor Lia Purpura Lia Purpura has won national acclaim as both a poet and an essayist. The exquisitely rendered poems in this, her fourth collection, reach back to an early affinity for proverbs and riddles and the proto-poetry found in those forms. Taking on epic subjects—time and memory, metamorphosis and indeterminacy, the complicated nature of beauty, wordless states of being—each poem explores a bright, crisp, singular moment of awareness or shock or revelation. Purpura reminds us that short poems, never merely brief nor fragmentary, can transcend their size, like small dogs, espresso, a drop of mercury.