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The Belgian photonovel is the missing link in the amazing history of the photonovel, a comics-inspired form of visual narrative that combines elements from very different genres and media, ranging from literary melodrama, cinema, and of course comics. This monograph discloses the specific Belgian contribution to the genre, in close connection with the singularities of the Belgian women’s and general magazines where these photonovels appeared. If the photonovel is generally considered a typically French or Italian genre, this study demonstrates the importance of a different tradition, which appropriated the foreign models in a very original way. Belgian photonovels are distinct, not only because they tell other kinds of stories, but also because they interact with other types of magazines in ways that are very different from the mainstream forms of the genre in Italy and France. Finally, this lavishly illustrated study is also the first in scrutinizing the technical aspects of magazine printing techniques in the development of the photonovel.
Deals with issue of sound in audio-visual images
"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.
This comprehensive and in-depth study delves into the life and works of the most famous director who has ever lived, Steven Spielberg. Spielberg is the medium’s defining artist—the embodiment of the Hollywood ideal: the commercial potential of film married to its creative possibilities. He’s widely popular, but he’s also a stylist, and far darker than he is given credit for. Often, it is this very darkness that speaks to us. But, it’s also his incredible knack for telling stories with lightness that speaks to millions, by mixing the extraordinary with the ordinary. His leading characters, even Indiana Jones, are marked by their vulnerability, their mistakes, their yearning. It's the human touch. There are so many parts to Spielberg's story: the suburban background that supplied the films with a biographical streak; the collaborations (with George Lucas and the Movie Brats in general, with composer John Williams, producer Kathleen Kennedy, editor Michael Khan, stars Richard Dreyfus, Harrison Ford, and Tom Hanks, and mogul and mentor Sid Sheinberg). The myths that bloomed from the making of these films.The nightmare shoot and stubborn shark behind Jaws. The strange ambitions of Close Encounters. Dive bombing with 1941. Inventing Indiana Jones. Re-inventing the blockbuster with Jurassic Park. Venturing into history’s darkest shadows with Schindler’s List. Transforming a genre with Saving Private Ryan. The muscular, unpredictable, confrontational Spielberg of Minority Report, Munich, and Lincoln. And then there is his family. How his films, even late in his career—lionized, untouchable—went in search of approval from his parents. Just as he has craved the approval of his peers. That fateful Oscar took so long in coming... Defining, appreciating, contextualizing, and understanding the films of Spielberg is a tall order. Their simplicity is deceptive. You have to cut through the glow, the adoration, the simple joy that comes with their embrace, and get to the thrust of the filmmaking. Sourcing the inspirations, locating the critical nuance, the nurtured performance, and the recurrent theme—so many of his films have become timeless—this book celebrates all this and more.
From the New York Times bestselling author of Little Brother, Cory Doctorow, comes Pirate Cinema, a new tale of a brilliant hacker runaway who finds himself standing up to tyranny. Trent McCauley is sixteen, brilliant, and obsessed with one thing: making movies on his computer by reassembling footage from popular films he downloads from the net. In the dystopian near-future Britain where Trent is growing up, this is more illegal than ever; the punishment for being caught three times is that your entire household's access to the internet is cut off for a year, with no appeal. Trent's too clever for that too happen. Except it does, and it nearly destroys his family. Shamed and shattered, Trent runs away to London, where he slowly learns the ways of staying alive on the streets. This brings him in touch with a demimonde of artists and activists who are trying to fight a new bill that will criminalize even more harmless internet creativity, making felons of millions of British citizens at a stroke. Things look bad. Parliament is in power of a few wealthy media conglomerates. But the powers-that-be haven't entirely reckoned with the power of a gripping movie to change people's minds.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.