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"The only attribution I have seen concerning the illustrations ... is to the Bolognese engraver Edoardo Fialet."--Introd.
This is the most thorough work ever about historical swordsmanship. It is both a general reference and an instructional guide for advanced and beginning sword enthusiasts, students of military history and martial artists. Includes rare historical info and 100 original drawings.
The most detailed and comprehensive treatise on swordsmanship ever written, Gerard Thibault's Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world's only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture-as well as a practical manual of a martial art that can still be studied and practiced today.
Featuring more than 40 beautiful illustrations, this stunning work presents one of the world’s most influential fencing treatises. Ridolfo Capo Ferro was a legend in his own lifetime. His intricate instructions were emulated throughout a Europe bewitched by this grace and style and are a window into his mastery of swordsmanship. This updated edition includes a new introduction and a revised glossary with many technical terms now translated. Additionally, a modernized translation makes it easier for the reader to understand Capo Ferro's intention. Capo Ferro begins by examining the rapier in detail – its component parts and their suitability – before discussing the actual use. He details the timing and distance needed to control your adversary, while looking at defensive aspects such as the guards, parries and the importance of quick footwork. He also covers using the rapier with auxiliary weapons such as the dagger, cloak and shield. Presented by fencing master Jared Kirby, this handsome volume is a vital historical record and essential reading for any historical swordfighter, student of martial arts or military historian.
This sixteenth-century German guide to sword fighting and combat training is a crucial source for understanding medieval swordplay techniques. Following his translation of Joachim Meyer’s The Art of Combat, Jeffrey L. Forgeng was alerted to an earlier version of Meyer’s text, discovered in Lund University Library in Sweden. The manuscript, produced in Strasbourg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier. The manuscript’s theoretical discussion of guards sheds significant light on this key feature of the historical practice, not just in relation to Meyer but in relation to medieval combat systems in general. The Art of Sword Combat also offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period and critical to modern reconstructions of the practice. Forgeng’s translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology and other essential information for understanding and contextualizing the work.
The Italian school of swordsmanship was highly influential amongst the major courts of Europe and produced scholarly writings that are still reprinted and studied today. The rapier was the weapon of choice in the Renaissance at the peak of the duelling era; heavier than its modern counterparts, capable both of thrusting and cutting, it was often used along with a dagger, shield, or cloak. Devon Boorman sets out the foundation for the art of the rapier through a clear modern approach. Beginning with the basics of body mechanics, through the techniques of movement, and the aspects of timing and blade control that made the Italian school so revered. Guidance on training and development of the techniques presented here are valuable and informative for practitioners of nearly any hand-to-hand weapons tradition.
Stories told at our family gatherings were interesting, fascinating, and amazing. Before these stories vanish from memory, I feel the need to set them down for the generations to come. Interwoven here are family traditions, Homespun yarns, facts, and history of our family. These ordinary people lived the trying days of wars, illness, the loss of loved ones, and the Great Depression. Nevertheless, they endured to the end.
Long before "fencing" was associate with white jackets, light-weight foils and the Olympic games,the rapier was a tool of life and death. Heavier than its modern counterparts, capable both of thrusting and cutting, it was often used along with a dagger, shield, or cloak. The rapier was the weapon of choice in the Renaissance at the peak of the duelling era. The Italian school of swordsmanship was highly influential amongst the major courts of Europe and produced scholarly writings that are still reprinted and studied today. The system of Italian fencing is efficient, athletic, and strategic. In these pages Devon Boorman lays out the foundation for the art of the rapier through a clear modern approach. Starting first with healthy and powerful body mechanics, you will then progress through the techniques of movement, attack, and defence. From there, you will learn the aspects of timing and blade control that made the Italian school so revered. These skills are then tied together into a clear strategic framework, along with guidance on effectively training and conditioning tactical responses into your body to achieve long-term mastery. Not only is Italian Rapier a beautiful martial art in its own right, but the techniques and theory presented here are valuable and informative for practitioners of nearly any hand-to-hand weapons tradition.