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This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.
Preliminary Material -- Texts in Context: Nineteenth-Century Settler Culture -- “Bold, unfettered rhapsodies”: Nineteenth-Century Versifications of Indigenous Orature -- “We owe them all that we possess”: 'Savage' Songs and Laments -- “Unlocking the fountains of the heart”: Settler Verse and the Politics of Sympathy -- Indigenous Romeos and Juliets: Romantic Verse Melodramas -- “In their strange customs versed”: Ethnographic Verse Epics -- Conclusion -- Appendix -- Works Cited -- Index.
Reprint of the original, first published in 1872.
This study treats the Victorian Antipodes as a compelling site of romance and satire for middle-class writers who went to New Zealand between 1840 and 1872. Blythe's research fits with the rising study of settler colonialism and highlights the intersection of late-Victorian ideas and post-colonial theories.
The proceedings or notices of the member institutes of the society form part of the section "Proceedings" in each volume; lists of members are included in v. 1-41, 43-60, 64-
Includes proceedings of member institutes of the Society and of the Society's Science Congress through v. 84, 1956/57.