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One of the most resilient and popular contemporary British portraitists makes his own selection of anti-fashion shoots, digitally-manipulated advertising work, and infanous portraits of David Bowie, Bono, Richard E. Grant, Madonna and Kate Moss.
Ian Rankin is considered by many to be Scotland's greatest living crime fiction author. Most well known for his Inspector Rebus series--which has earned critical acclaim as well as scores of fans worldwide--Rankin is a prolific author whose other works include spy thrillers, nonfiction books and articles, short stories, novels, graphic novels, audio recordings, television/film, and plays. This companion--the first to provide a complete look at all of his writings--includes alphabetized entries on Rankin's works, characters, and themes; a biography; a chronology; maps of Rebus' Edinburgh; and an annotated bibliography. A champion of both Edinburgh and Scotland, Rankin continues to combine engaging entertainment with socio-political commentary showing Edinburgh as a microcosm of Scotland, and Scotland as a microcosm of the world. His writing investigates questions of Scottish identity, British history, masculinity, and contemporary culture while providing mystery readers with complex, suspenseful plots, realistic character development, and a unique mix of American hard-boiled and procedural styles with Scottish dialects and sensibilities.
Rebecca Browning Rankin was a politician in the best sense of the word. She supervised the New York Municipal Reference Library for 32 years until her retirement in 1952. Serving in many key policy-making positions, both on mayoral committees and in professional organizations, Rankin was an excellent lobbyist for the role of information in educating the electorate. She published over fifty articles and books on aspects of city government and libraries, and delivered weekly radio speeches on WNYC from 1928 to 1938. Her career as a librarian, author and radio commentator demonstrates the use of research in the formation of public policy decisions and provides a unique perspective on politics in New York. Rankin also served as president of several library organizations including the Special Libraries Association, which she led to national status during her tenure. During the Depression, she established the Association's employment service and worked with Mayor Fiorello La Guardia and other library officials to provide pensions for public librarians in New York City. Rankin and La Guardia shared the belief that government should carry out the will of the people and care for their needs, and the two worked together to make this a reality. Quotations from primary sources in the archives of the New York Public Library and the City of New York give the book a strong narrative style. Focusing on Rankin's efforts to document New York City's past as its unofficial historian, the book examines the city's political history during the first half of the twentieth century and illuminates the relationship of the local government with one of its great cultural institutions, the New York Public Library.
New Book Design showcases the most interesting, influential, and accomplished book designs from the last ten years.It features over 100 titles published around the world, each chosen for their outstanding design qualities, from the publications of large mainstream publishers to those of small independent companies -- and even those from individual artists. Included in its pages are lavishly produced books with unconventional formats and unusual print techniques as well as less flamboyant publications produced for various different markets. A wide variety of books are featured, from paperback novels to architectural monographs, from text-based to profusely-illustrated books. Divided into four main sections -- "Packaging," "Navigation," "Layout," and "Specification" -- the book examines each facet of book design: cover design; contents and structure; image usage; grids; typography; paper; printing; and binding. Clear photography captures each featured book, and interviews with prominent book designers, art directors, and publishers provide extra insight. New Book Design is sure to provide a rich source of inspiration to book designers and bibliophiles alike.
The goal of this book is to prove that Latin is not a dead language by demonstrating how prevalent and strong it still is in modern Western culture. In order to do so, the author, an English philologist with a long experience as a Latin educator, catalogues, explains and interprets Latin quotations and references in a multitude of twentieth- and twenty-first-century literary works by—primarily—mainstream authors (from Aldous Huxley to Saul Bellow to John Irving), crime/mystery writers (from Raymond Chandler to Elizabeth George to Dennis Lehane) and frontier/western novelists (from Emerson Hough to Larry McMurtry). The three areas of fiction constituting the main scope of the book indicate the author’s major interest and preference, as well as the subject matter of his extensive research, both prior and current—the former related to his already published books. The writers offering the most impressive contributions to the thesis are featured in the three parts of the main body; those with lesser input are listed in the Appendix. The prospective readers of the book include all Latin students and educators at the secondary and college levels worldwide.