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Ranger Nader's an ordinary 8th grader; or so he thinks. Then, he inherits a magical axe from his Lebanese grandmother and learns he's this generation's "Guardian of the Cedars." Eons ago, Gilgamesh, a sun-struck demi-god, used this very same axe to clear-cut Lebanon's famous Cedar Forest. The resulting Great Flood nearly wiped out all life. Now, the evil king has returned to finish what he started. With the help of his sister, two cousins, and the axe of course, Ranger has to stop him.
After John Reid is ambushed and left for dead by the evil Butch Cavendish and his gang, he is rescued by Tonto—a Comanche Indian warrior—who transforms John from a man of the law into a man of legend. Now known as The Lone Ranger, John forms an unlikely duo with Tonto to save the railroad and to stop Cavendish and his band of outlaws before it's too late!
This Special Graduation Edition is filled with inspirational affirmations that chronicle all of the many wonderful potential futures that lie before us. It is perfect for inspiration seekers and graduates young and old.
The bond between two sisters is unbreakable and their love for family is strong. Tag along with them each day of the week as they go every-day places and spend quality time together.
When fifteen-year-old Will is rejected by battleschool, he becomes the reluctant apprentice to the mysterious Ranger Halt, and winds up protecting the kingdom from danger.
Elaborate pop-ups feature some wonderfully creepy creatures that just might dominate the ecosystem and be essential to our planet’s survival in an eerily realistic future world. Whether or not we know it, the sixth global extinction is already under way, propelled not by a meteor but by human activity on Earth. Take a long step forward into the year 4847 with the help of stunning pop-ups portraying eight fantastical creatures, along with spreads and flaps presenting details about each one. Paper engineer Shawn Sheehy envisions the aftermath of extinction as a flourishing ecosystem centered around fictional creatures that could evolve from existing organisms. Promising high appeal for science-fiction fans of all ages — and plenty of food for discussion — this evolutionary extravaganza offers a time line of the six extinction events in Earth’s history, a “field guide” to each creature, a diagram of species relationships, a habitat map of the (imagined) ruins of Chicago, and an illuminating author’s note.
A series of climate catastrophes descends on Sleepy Valley, and Marley and Brianne must struggle to save their town and the world as they know it. Through their struggles, they find their voices and purposes for living. The Big Melt challenges us all to confront what is rapidly becoming the greatest threat of the 21st century.
An illustrated Halloween poem for children dealing with the fear and confusion caused by the covid-19 pandemic lockdown. A father tries to explain to his children why Halloween and trick-or-treating was canceled. Amid the sadness and regret of the children, a new plan for celebrating is formed. A last-minute backyard party is thrown and everyone dresses up in their costumes. Everyone has a grand time until bedtime comes.
From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses: * haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier * the eroticism of period costume in films such as The Piano and The Age of Innocence * clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction * generic male chic in Goodfellas, Reservoir Dogs, and Leon * pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City * drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.