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This book "Rang-e-Ulfat" is a soulful anthology , which reveals the Colour of love, the different emotions and feelings confront the love with people of difference and in distance... This book in a collaboration with numerous dazzling writers from various section through the world, those writers made efforts to make this book into a soulful one and yes this turned into a best one ever, writers poured their thoughts in various genre like Quotes , Poems , Epistle form and Stories etc.. In Each page you'll fall for the words again.. Compiler of the book successfully completed this book with a hope that people can truly understand the pure meaning of love, it's not about commitment but it's all about sparing time , Respect and motivating each other on standing by thier sides in the wave of each good and bad.... This book display the colours of love over the words..As now most says Love is nothing but a betrayal, failure and painful... But here writers prove the definition of love is simply yet beautiful.... The compiler of this book wanna prove that ; Every love is not just a flow of wind , she wanna define love as full of enthusiasm, happenings, and if success is not also a destination but the way lead a beautiful and learnable ending...
The author has strived-through Rang e Hina to put into words the things we experience as the staggering tsunami of time washes over us, dousing us in sensation until we are drenched to the bone in life's profound complexities, submerging us in wisdom and ambition until our minds are left swimming in the depths of what is and what could have been. She wishes this book to be a product of the empathy for the pain the people around her feel, the empathy that she keeps close to her heart when she writes. Poetry, in the perspective of the author, is a beautiful way to communicate one's thoughts to people’s hearts, and to thwart it as just being a play on words with the intention of receiving accolades of applause is utterly wrong. The author wishes with all her heart that her words dutifully portrayed her thoughts and feelings and hoped that her core message of love and empathy in every form reaches the hearts of every reader.
This book is a companion volume to author's earlier book, "Masterpieces of Urdu Ghazal" which contained English translations of 108 ghazals selected from nine major poets. The present volume contains 129 ghazals representing 20 outstanding Urdu poets. Thus, this anthology, taken together with The Masterpieces, may rightly claim to be a fully representative collection of Urdu ghazals in English translation. The ghazals are carefully selected and explained in English for the average readers as well as Urdu Connoisseurs. The book contains brief biographical notes and introductory essays on the ghazals.
Mirza Ghalib, Indias most loved poet, lived at a time of great political and cultural transformation when the established order, the mighty Mughal Empire, was falling apart around midnineteenth century and the new regime spearheaded by the East India Company was not yet fully in place. There are multiple lenses that can be used to look at Ghalibs work. At the surface, he is a romantic poet par excellence. But if we dig deeper, Ghalib is much more than a romantic poet. He expressed ideas that came from conflicting philosophical traditions, namely the concept of shunyata (nonexistence) that is a core belief in Buddhist philosophy and the concept of Maya that is at the center of Vedantic philosophy. This book contains lyrical free verse English translation of 235 ghazals contained in Ghalibs Urdu Divan, popularly known as Divan-e Ghalib. One reason that makes the second revised and expanded edition of the book unique and extremely valuable is the addition of original Urdu text in an easy-to-read Romanized format. According to distinguished literary critic and leading Ghalib scholar Professor Gopi Chand Narang, Ghalib was never so close to the reader as he is now with this work. Surinder has succeeded in his creative transformation of Mirzas ghazals into poetic English where others have failed.
An ode to the majestic life of the late Lata Mangeshkar, Lata: A Life in Music celebrates art in its totality and tells the life story of India's most loved vocal artists. The result of Yatindra Mishra's decade-long dialogue with the great singer, it also explores the lesser-known aspects of the great artist, introducing the readers to Lata Mangeshkar as an intellectual and cultural exponent and providing a rare glimpse into the person behind the revered enigma. At the confluence of cinema, music and literature, this is the most definitive biography of the voice of the nation that also documents sociocultural changes from the late British era through post-Independent India right up to the twenty-first century. This is the story of the various myths, mysteries, truths and contradictions which make a human an icon and also make an icon incredibly humane.
Meta-metaphoricity in Ghalib, Gandhi & the Gita.
Tears of Blood contains poetic renderings of selected Urdu verse of Mirza Muhammad Asadullah Khan Ghalib (1797-1869). These sixty-two ghazals and ninety other shers in English translation, present to the reader the amazing richness and beauty of Ghalibs poetry. Acknowledged by many as the King of Urdu Ghazal, Ghalib belonged to a period when the Mughal Empire was crumbling and the British ultimately established their paramountcy all over India. His ghazals mirror the vulnerability of Man, his grief and sense of loss, his unfulfilled longings, and his souls yearning for Eternal Beauty and Love. The strains of Sufi thought are clearly discernible in his poetry. Though a Muslim, he was liberal in his outlook towards other religions but ridiculed all ritualism and sectarianism of the priestly class. His poetry is, indeed, timeless and he remains the most oft-quoted poet of Urdu language and literature. His popularity may also be gauged by the fact that almost all prominent singers in India and Pakistan have sung his ghazals at one time or the other. As Ghalib himself proudly proclaimed: These verses that I write, descend from some Unseen Power; The sound that my quill releases, is an angels whisper.
Language is a Developmental, social and cultural phenomenon. When Urdu started its literary journey, writing also treasured it and today we are proud of the great collection of Urdu books. Urdu lovers have also done a remarkable job in writing books on various topics and in conveying the standard writings to the Urdu circles by giving them solid ink. This book although written in English, is one such masterpiece by Krishna S. Dhir. However, it clearly reflects the love of the writer for the Urdu language and its literature. The beginning of this book is an excellent illustration of how the various apabhransha of South Asia interacted with Perso-Arabic and European languages, to give rise to various languages, including Urdu and how they grew up through the time of the Mughals and the British. How all the major religions of the world originated in the Asian continent and the observation of Sufis are highlighted in the second chapter of this book. The role of social and economic institutions and traditions in the evolution of Urdu has been shed light upon. Krishna S. Dhir has painstakingly elaborated upon the protest literature and extensively quoted Mir, Ghalib, Daagh Dehlvi, Sahir Ludhianvi, Faiz Ahmad, Ahmad Fraz and other poets to prove how Urdu poetry has been used to protest against siege, raids, imprisonment, imperialism and colonisation, and to express love and peace. Finally, the writer explores how Urdu is deployed by the diaspora that uses it.