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"This is a collection of 16 stories of sacrifice, valour, might, deceit and righteousness gives a panaromic view of the rich cultural heritage of the state, Gujarat" --Back cover.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-07-1947 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 106 VOLUME NUMBER: Vol. XII, No. 15 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 17-18, 23, 25, 27, 29, 32-91 ARTICLE: 1. At The University: Culture or Research? 2. Fighting the Insect Pests AUTHOR: 1. Dr. Mohan Singh 2. K. R. Sontakay KEYWORDS: 1. Punjab University, Asiatic cultural heritage, The purpose of university 2. Grain insects and rats, Ethylene dichloride-carbon tetrachloride, Gammexane smoke, Zinc phosphide, Pest, Fumigating Document ID: INL-1947 (J-D) Vol-II (03)
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
On the life and works of Chandravadan Chimanlal Mehta, b. 1901, Gujarati author.
With reference to Indian cinema.