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The ?igveda is the first book of humankind and the most sacred scripture of Hinduism. It also happens to be the most ill-understood book of our times. Despite the extensive study by academic and religious scholars, the purpose and meaning of the ?igveda and many ancient Hindu scriptures remain unclear. In this pathbreaking book, the discovery of the ?igveda as a book of ancient cosmology is described, and related to the seals of ancient Indus Valley Civilization, thereby challenging our perception of humanity."The Vedas have always been lauded as containing the secrets of cosmogenesis. Raja Roy in his remarkable book shows how this is true not only from the yogic vison but according to the latest insights of modern physics. The book takes the reader on a vast panoramic journey through the universe of matter, mind and human history as well."David Frawley (Vamadeva Shastri), Director, American Institute of Vedic Studies"Roy presents a new framework for the understanding of the Vedic hymns from the point of view of physics and then he draws parallels with recent theories on the nature of the universe. We celebrate the new path he has hewn through the bush of old scholarship."Professor Subhash Kak, Oklahoma State University
Why, Salmond asks, would nineteenth-century Hindus who come from an iconic religious tradition voice a kind of invective one might expect from Hebrew prophets, Muslim iconoclasts, or Calvinists? Rammohun was a wealthy Bengali, intimately associated with the British Raj and familiar with European languages, religion, and currents of thought. Dayananda was an itinerant Gujarati ascetic who did not speak English and was not integrated into the culture of the colonizers. Salmond’s examination of Dayananda after Rammohun complicates the easy assumption that nineteenth-century Hindu iconoclasm is simply a case of borrowing an attitude from Muslim or Protestant traditions. Salmond examines the origins of these reformers’ ideas by considering the process of diffusion and independent invention—that is, whether ideas are borrowed from other cultures, or arise spontaneously and without influence from external sources. Examining their writings from multiple perspectives, Salmond suggests that Hindu iconoclasm was a complex movement whose attitudes may have arisen from independent invention and were then reinforced by diffusion. Although idolatry became the symbolic marker of their reformist programs, Rammohun’s and Dayananda’s agendas were broader than the elimination of image-worship. These Hindu reformers perceived a link between image-rejection in religion and the unification and modernization of society, part of a process that Max Weber called the “disenchantment of the world.” Focusing on idolatry in nineteenth-century India, Hindu Iconoclasts investigates the encounter of civilizations, an encounter that continues to resonate today.
A bold retelling of the origins of contemporary Hinduism, and an argument against the long-established notion of religious reform. By the early eighteenth century, the Mughal Empire was in decline, and the East India Company was making inroads into the subcontinent. A century later Christian missionaries, Hindu teachers, Muslim saints, and Sikh rebels formed the colorful religious fabric of colonial India. Focusing on two early nineteenth-century Hindu communities, the Brahmo Samaj and the Swaminarayan Sampraday, and their charismatic figureheads—the “cosmopolitan” Rammohun Roy and the “parochial” Swami Narayan—Brian Hatcher explores how urban and rural people thought about faith, ritual, and gods. Along the way he sketches a radical new view of the origins of contemporary Hinduism and overturns the idea of religious reform. Hinduism Before Reform challenges the rigid structure of revelation-schism-reform-sect prevalent in much history of religion. Reform, in particular, plays an important role in how we think about influential Hindu movements and religious history at large. Through the lens of reform, one doctrine is inevitably backward-looking while another represents modernity. From this comparison flows a host of simplistic conclusions. Instead of presuming a clear dichotomy between backward and modern, Hatcher is interested in how religious authority is acquired and projected. Hinduism Before Reform asks how religious history would look if we eschewed the obfuscating binary of progress and tradition. There is another way to conceptualize the origins and significance of these two Hindu movements, one that does not trap them within the teleology of a predetermined modernity.
Heathen, Hindoo, Hindu is a groundbreaking analysis of American representations of religion in India before the turn of the twentieth century. Before Americans wrote about "Hinduism," they wrote about "heathenism," "the religion of the Hindoos," and "Brahmanism." Americans used the heathen, Hindoo, and Hindu as an other against which they represented themselves. The questions of American identity, classification, representation and the definition of "religion" that animated descriptions of heathens, Hindoos, and Hindus in the past still animate American debates today.
Raja Rammohun Roy (1774—1833) was a great champion of liberty and civil rights in colonial India. He was also a true cosmopolitan who envisioned a world without borders. A tireless crusader for religious and social reform, Rammohun attempted a progressive reinterpretation of Hinduism and tried to improve the lot of socially marginalized groups such as women. Yet, in spite of his lofty public presence, Rammohun was a hugely controversial figure. He shocked the Hindu orthodoxy by his support to the abolition of Sati, offended evangelists by separating the moral message of Christ from the purely theological, and was often dragged into legal disputes over family property. By the time of his death in Bristol, he was as much resented as respected, both at home and abroad. Using relatively unexplored sources, this elegant and accessible new biography by Amiya P. Sen paints a fascinating portrait of one of the legendary makers of modern India.
Spiritual Despots by historian of religion J. Barton Scott zeroes in on the quaint term "priestcraft" to track anticlerical polemics in Britain and South Asia during the colonial period. Scott's aim is to show how anticlerical rhetoric spread through the colonies alongside ideas about modern secular subjectivity. Through close readings of texts in English, Hindi, and Gujarati, he shows in compelling detail how the critique of priestly conspiracy gave rise to a new ideal of the self-disciplining subject and a vision of modern Hinduism that was based on unmediated personal experience and self-regulation rather than priestly tutelary power. Spiritual Despots offers a new perspective on what some scholars have called "Protestant Hinduism," and, more broadly, contributes to the emerging field of "post-secular" studies by shedding light on the colonial genealogy of secular subjectivity.
This Book Argues That Raja Rammohan Ray`S Intellectual And Spiritual Roots Have Been Misunderstood Even By Those Who Have Been Lavish In Their Praise. This Book Argues That Ray Set The Agenda For Modern India In His Vision Of A Self-Determining, Modern, Pluralistic Society Founded Upon The Upanishadic Principles Of Freedom Of Sadhana And One Rule Of Law For All.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. The Emergence of Modern Hinduism argues for the importance of regional, vernacular innovation in processes of Hindu modernization. Scholars usually trace the emergence of modern Hinduism to cosmopolitan reform movements, producing accounts that overemphasize the centrality of elite religion and the influence of Western ideas and models. In this study, the author considers religious change on the margins of colonialism by looking at an important local figure, the Tamil Shaiva poet and mystic Ramalinga Swami (1823–1874). Weiss narrates a history of Hindu modernization that demonstrates the transformative role of Hindu ideas, models, and institutions, making this text essential for scholarly audiences of South Asian history, religious studies, Hindu studies, and South Asian studies.