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ವಸುಧೇಂದ್ರರ ಸುಲಲಿತ ಪ್ರಬಂಧಗಳು. A Kannada book by Chanda Pustaka ಛಂದ ಪುಸ್ತಕ
ಹಲವು ವಿಭಿನ್ನ ಬಗೆಯ ವಿಷಯಗಳ ಕುರಿತ ವಸುಧೇಂದ್ರರ ಸುಲಲಿತ ಪ್ರಬಂಧಗಳು. A Kannada book from Chanda Pustaka / ಛಂದ ಪುಸ್ತಕ
ತಾಯಿ ಮತ್ತು ಮಗನ ನಡುವಿನ ಸೂಕ್ಷ್ಮ ಒಡನಾಟದ ಹೃದ್ಯ ಬರಹಗಳು. ಈ ಪುಸ್ತಕಕ್ಕೆ ರಾಜ್ಯ ಸಾಹಿತ್ಯ ಅಕಾಡೆಮಿಯ ಪುಸ್ತಕ ಬಹುಮಾನ ಬಂದಿದೆ. A Kannada book by Chanda Pustaka ಛಂದ ಪುಸ್ತಕ
This is the biography of Professor N. Kasturi, the chosen biographer of Bhagawan Sri Sathya Sai Baba. This book is his autobiography, his story, his journey to the feet of the Lord, Bhagawan Sri Sathya Sai Baba. In his own words, "Each of us has to live the volume of biography, which we bring with us, as often as we are born, page after page, chapter after chapter, howsoever punctuated with dots and dashes, interrogations and exclamations, commas and colons, until the sentence ends ultimately with a Full Stop. But, luckily, I have as my inseparable companion and counsel, Bhagawan Himself; He dots the i’s and crosses the t’s as I live the lines on every page. He has made the Book of Life, my biography – momentous and meaningful for me. I must, however, confess that I do not deserve this book on me, by me. There are, I know, millions, who are absorbing the Love of the Living Loving God much deeper, who can, therefore, stand forth as messengers of His Love. They can lead the unloved and the unloving with surer and firmer steps, to the Presence of the Redeemer, the Comforter, the Saviour, the Avatar, the Sai. Nevertheless, when Bhagawan manifested a faint, favourable interest, when someone ventured to whisper to me in His Presence, that a bunch of my reminiscences may be welcomed by many, I was promoted by that smile to embark on this audacious adventure. My memory assumed the role of Chief Editor and hence, the chronicle suffers from imperfect chronology. Since the four parts of “Sathyam Sivam Sundram” relate most of that I have yearned to communicate, this book has become a personal testament, often perhaps too personal to be tolerated, for which act of indiscretion, I ask for pardon. Flattery is the food of fools, say those, who are denied that pabulum. I dare not deny my taste, for I have been fooled by flatterers, who threw appellations like poet, scholar, linguist, humourist, philosopher, and even ant-hill sage! Please dear reader, remember that I am struggling my best to eliminate the poison of the ego and sympathise with me, whenever you find the reptile raising its hood between the lines of this book. A few ‘old students’ of my classes at the University, my grandson, his wife, and a few brothers at Prasanthi Nilayam demanded that I should not give up the work and insisted on the completion of the book. As a result, this book, ‘Loving God’ is now placed at the Feet of the Lord and on the palms of those, who live in the Love of the Lord. Jai Sai Ram."
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-04-1949 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 99 VOLUME NUMBER: Vol. XIV, No. 8 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 13-47, 50-91, 93-94 ARTICLE: 1. Fighting Hunger 2. India Stands Firmer Than Ever AUTHOR: 1. Norris E. Dodd 2. Lady Mountbatten KEYWORDS: 1. Food and Agricultural Organization, Food production stressed by Sardar Vallabhbhai Patel , Damage to rice production 2. Mountbatten farewell message to India, Nilokheri and co-operative venture, Rajkumari Amrit Kaur and Rural Health Centre Document ID: INL-1948-49 (D-J) Vol-I (08)
Comprises indexes to the commencing words, melody, beat, composers, and language of the compositions.
For readers of Jhumpa Lahiri and Rohinton Mistry, as well as Lorrie Moore and George Saunders, here are stories on the pathos and comedy of small–town migrants struggling to build a life in the big city, with the dream world of Bollywood never far away. Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory–worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—”no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.
AN ECLECTIC COLLECTION OF STORIES BY ONE OF INDIA'S MOST EXCITING NEW WRITERS From the Karnataka Sahitya Akademi winner Vasudhendra comes a powerful collection of stories that shock, move and amuse by turns. As the characters struggle to find their feet in a fast-changing India, they mirror our unspoken dilemmas, torn loyalties and the loss of innocence. In the extremely popular 'Red Parrot', an innocuous image from childhood returns to haunt a man when he visits his idyllic hometown. In 'Recession', the desire for a child leads a couple down unexpected paths. In other stories, a young woman in love rethinks her future when buried family secrets are suddenly revealed; a boy learns that insomnia may be the symptom of something more ominous; lonely apartment residents discover the thrills and perils of social media. Deftly crafted with gentle wit and a lightness of touch, each gripping story exposes the deepest contradictions of modern life. The fluid translation retains the flavour and nuances of the original Kannada, creating a rich reading experience. FROM THE BOOK 'The dance was called Paper Dance, where couples were asked to dance within the boundaries of a newspaper spread out on the floor. Stepping out of the boundary led to disqualification. As Devika was single, someone from the crowd stepped forward. It was Vinayak Kulakarni. . . . Devika sensed her partner's hesitation. He would forget his steps the moment he touched her. His ears turned red and he refused to look into her eyes. His boisterous friends shouted to him from behind: "Hey, Kulki, come on, get closer." But, the more she boldly held his waist and drew him nearer, the more he would shrink; he held on to her gingerly. Devika egged him on nonstop, eventually helping him break out of his shyness. By the time the newspaper size shrank to the size of a paper towel, they were still in the game and, finally, Devika won. That was when she whispered her mobile number in his ear.'