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In five stories--by Mary Balogh, Melinda McRae, Anita Mills, Mary Jo Putney, and Maura Seger--about devilishly appealing heroes, wicked and wonderful men demonstrate why they are "mad, bad, and dangerous to know." Original.
Simons traces some early Boston scandals, illustrating both the uniqueness of its people and the universalities of human nature.
Six acclaimed authors of outstanding Regency fiction--Donna Bell, Julie Caille, Cathleen Clare, Monique Ellis, Valerie King, and Isobel Linton--deliver a collection of stories featuring outrageous aristocrats who may not be gentlemen--but are the seductive and heart-stopping lovers dreams are made of. Here are the scandalous men of beau monde at their most risque.
Rube [roob] -noun an unsophisticated person from a rural area; hick. Rake [reyk] '-noun a dissolute or profligate person, esp. a man who is licentious. Rogue [rohg] -noun a playfully mischievous person; scamp. Roustabout [roust-uh-bout] -noun a person with no permanent home or regular occupation; also : one who stirs up trouble.
In #1 New York Times bestselling author Johanna Lindsey’s captivating regency romance, an innocent young lady’s first brush with royal court intrigue lands her at the altar alongside one of London’s most notorious rogues. For Lady Rebecca Marshall, a whirlwind of excitement begins when she becomes a maid of honor at the court of Queen Victoria. But when Rebecca unknowingly steps into the rivalry between the Queen’s spymaster and a noblewoman who uses the maids as courtly spies, she is soon entangled in a web of deceit with the charming marquis Rupert St. John. The devastatingly handsome ne’er-do-well is the cousin of Raphael Locke, with whom Rebecca was once infatuated…He’s also a secret agent of the crown who leads a double life. Certain that guileless Rebecca is spying on him, Rupert seduces her—then, forced to wed, he believes she has set a trap of the worst sort in order to marry into his powerful family! But as he comes to know Rebecca’s true heart, his vow of revenge and infidelity becomes a desire to share many passionate nights—only with his beautiful wife.
From the beginnings of big-city police work to the rise of the Mafia, Rogues' Gallery is a colorful and captivating history of crime and punishment in the bustling streets of Old New York. Rogues' Gallery is a sweeping, epic tale of two revolutions, one feeding off the other, that played out on the streets of New York City during an era known as the Gilded Age. For centuries, New York had been a haven of crime. A thief or murderer not caught in the act nearly always got away. But in the early 1870s, an Irish cop by the name of Thomas Byrnes developed new ways to catch criminals. Mug shots and daily lineups helped witnesses point out culprits; the famed rogues' gallery allowed police to track repeat offenders; and the third-degree interrogation method induced recalcitrant crooks to confess. Byrnes worked cases methodically, interviewing witnesses, analyzing crime scenes, and developing theories that helped close the books on previously unsolvable crimes. Yet as policing became ever more specialized and efficient, crime itself began to change. Robberies became bolder and more elaborate, murders grew more ruthless and macabre, and the street gangs of old transformed into hierarchal criminal enterprises, giving birth to organized crime, including the Mafia. As the decades unfolded, corrupt cops and clever criminals at times blurred together, giving way to waves of police reform at the hands of men like Theodore Roosevelt. This is a tale of unforgettable characters: Marm Mandelbaum, a matronly German-immigrant woman who paid off cops and politicians to protect her empire of fencing stolen goods; "Clubber" Williams, a sadistic policeman who wielded a twenty-six-inch club against suspects, whether they were guilty or not; Danny Driscoll, the murderous leader of the Irish Whyos Gang and perhaps the first crime boss of New York; Big Tim Sullivan, the corrupt Tammany Hall politician who shielded the Whyos from the law; the suave Italian Paul Kelly and the thuggish Jewish gang leader Monk Eastman, whose rival crews engaged in brawls and gunfights all over the Lower East Side; and Joe Petrosino, a Sicilian-born detective who brilliantly pursued early Mafioso and Black Hand extortionists until a fateful trip back to his native Italy. Set against the backdrop of New York's Gilded Age, with its extremes of plutocratic wealth, tenement poverty, and rising social unrest, Rogues' Gallery is a fascinating story of the origins of modern policing and organized crime in an eventful era with echoes for our own time.
"Lose yourself in the perfect Romance by a perfect author!" ~ BERTRICE SMALL, New York Times Bestselling Author Originally published as CAROLINE ~The year is 1783, and rakish Alexandre Beauvisage is returning from the Revolutionary War when he discovers Caroline, unconscious in the Connecticut woods. Dressed as a boy, she has no memory of her past. Against his better judgment, he takes the lovely foundling with him to his home in Philadelphia and finds his life increasingly complicated as the fiery attraction between them builds and Caro's dangerous past reaches out to her. CAROLINE is Cynthia Wright's unforgettable debut novel and is on keeper shelves worldwide. The story of a confirmed rake and an innocent, spirited young woman, it is filled with sensual romance, evocative history, memorable characters, and the joy of true love. "The First Lady of Colonial American romance breathes life, passion, and vibrant historical details into every page. Magic, sensitivity, and humor have made RESCUED BY A ROGUE a classic historical romance for more than 3 decades!" ~ Kathe Robin, RT BOOK REVIEWS Rakes & Rebels: The Beauvisage Family: 1 – STOLEN BY A PIRATE: a novella prequel to RESCUED BY A ROGUE (Jean-Philippe & Antonia) 2 – RESCUED BY A ROGUE (Alec & Caro) 3 – TOUCH THE SUN (Lion & Meagan) 4 – SPRING FIRES (Nicholai & Lisette) 5 – HER DANGEROUS VISCOUNT (Grey & Natalya) Rakes & Rebels: The Raveneau Family: 1 – SILVER STORM (André & Devon) 2 - HER HUSBAND, THE RAKE: a novella sequel to SILVER STORM (André & Devon) 3 – SMUGGLER’S MOON (Sebastian & Julia) 4 – THE SECRET OF LOVE (Gabriel & Isabella) 5 - SURRENDER THE STARS (Ryan & Lindsay) 6 - HIS MAKE-BELIEVE BRIDE (Justin & Mouette) 7 - HIS RECKLESS BARGAIN (Nathan & Adrienne) 8 - TEMPEST (Adam & Cathy)
A widow strikes a bargain with a rogue and gets much more than she expected! Alicia Radcliff, Countess of Hawthorne, spent a decade married to a man she didn’t like, let alone love. Now that she’s a wealthy widow and a suitable mourning period has passed, she’s determined to pursue happiness, beginning with finding a lover on her terms. Matthew Ashton, Earl of Slayton, is in desperate need of a miracle. His recent inheritance consisted of a title, holdings that require repairs, and piles of debt. If it weren’t for the need to help his sister make her debut, he’d turn his back on it all. Instead, he’s searching for an heiress to marry. Quickly. Alicia is struck by Matthew’s gentle care of his sister as well as his handsome ruggedness, so different than other lords. A dance with the earl confirms he is the one for her. Intrigued by the lovely widow and her fortune, Matthew proposes only to be shocked when Alicia counters with an offer of her own. A night of passion convinces him that she’s meant to be his. Can he persuade her to change their bargain to one of love? This Wicked Widows novella is tied to The Rogue Chronicles also by Lana Williams. Be sure to check out all the stories in the Wicked Widows series!
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.