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Rajinikanth is, quite simply, the biggest superstar cinema-crazy India has ever seen. His stylized dialogues and screen mannerisms are legion, and his guy-next-door-cum-superhero image has found a hysterically appreciative following among millions of moviegoers. Naman Ramachandran’s marvellous biography recounts Rajini’s career in meticulous detail, tracing his incredible cinematic journey from Apoorva Raagangal (1975) to Kochadaiyaan (2013). Along the way, the book provides rare insights into the Thalaivar’s personal life, from his childhood days to his times of struggle—when he was still Shivaji Rao Gaekwad—and then his eventual stardom: revealing how a legend was born.
Almost all show-world success stories in India appear the same. What sets individuals apart is the approach and the attitude once they reach the top. No one can resist a rags-to-riches story. It is every common man`s dream. But Rajinikanth`s story is irresistible. He continues to be an enigma to both his fans and contemporaries. He is simple Shivaji Rao Gaekwad who, by way of luck and hard work became a superstar, and continues to remain on top notwithstanding the vagaries of time. His starrer Muthu gave him an enviable identity globally, and sky seemed the limit after its unprecedented success in Japan. His latest, Shivaji has further spread his charisma globally. One can love Rajinikanth as millions do, one can hate him, as his detractors do, but the fact also remains no one can ignore him. None can shrug away his presence unless he or she is extremely insensitive to the film world. The book painstakingly seeks to record every nuance of Rajinikanth`s life: the joys and sorrows, the pains and ecstasies, loves and betrayals. It also does not shy away from underlining the two extremes that have remained an intrinsic part of his highly eventful career: the human and the divine. The book tells the essential truth about Rajinikanth that has thus far remained unknown to his vast fan following.
Superstar Rajinikanth defies all conventional analyses-no one has reigned supreme for as long as he has in the world of Indian cinema. With over 150 films under his belt, many of them blockbusters, he still plays the hero at seventy, and the devotion of his legions of fans has not waned during the forty-odd years of his stardom. In a state that saw the Dravidian self-respect movement propagate atheism, fans worship his cut-outs and bathe them with milk and beer, as if he were their god. In a society famous for its pride in its language, it is curious that a Kannadiga whose family hails from Maharashtra, an outsider, should emerge as a 'thalaivar', or leader. With the death of the charismatic J. Jayalalithaa, a former actor, and M. Karunanidhi, who was a scriptwriter for films-leaders of the AIADMK and DMK respectively (the two main Dravidian political parties that have been ruling Tamil Nadu for more than sixty years)-Rajinikanth's fans believed there was a political vacuum that only he could fill. While the actor has been dabbling in politics, by making pronouncements on certain issues, including Jayalalithaa's policies, the Cauvery water sharing problem between Tamil Nadu and Karnataka, bomb attacks in the state and so on, it was only in 2017 that he promised to form his own party and contest all 234 seats in the 2021 assembly elections. For decades, his fans had been awaiting this moment, believing that he could solve all their problems and give them a life free from strife and governance free of corruption. His fan clubs went into high gear to turn themselves into the foundation of their thalaivar's political party, attracting more members and working on the ground all over the state. For three years, every utterance of Rajinikanth's was analysed and debated even more vociferously than anything he has said in the past. Political opponents questioned his experience and pointed out that (even after forty years) he was an outsider who did not understand the undercurrents of Tamil Nadu politics; his detractors criticized the lack of a clear ideology behind his promise of 'spiritual politics'; political analysts who saw that Rajini was close to the BJP anticipated that he might enter into an alliance with them, allowing the right-wing party a foothold in the state. Ultimately, however, the seventy-year-old superstar withdrew from the political arena citing health concerns. The fans were hugely disappointed but understanding. With their continuing support and excitement for the next Rajini-starrer, he remains a giant in the field of entertainment. Rajinikanth: A Life is the best account yet of the man who was born Shivaji Rao Gaekwad-once a coolie and a bus conductor in Bangalore and now virtually a god in Tamil Nadu.
Director, dancer, goodwill advocate for the United Nations: Aishwaryaa Rajinikanth Dhanush is so much more than the daughter of a legendary actor, or the wife of southern cinema's biggest star. Growing up in Bangalore and then Madras, in a household that resolutely kept out any hint of her father's superstardom, she was a quiet, introverted child whose greatest pleasure was a visit to Marina Beach and an occasional meal out. It was not cinema but law that became a preoccupation when she started thinking about college and career - but fate, and her mother, had other plans for her.Aishwaryaa writes with disarming honesty about life as Rajinikanth's daughter, of falling in love and raising two boys with Dhanush, of fighting her own demons and finding satisfaction in a career of her choice. She reflects on the many roles a woman has to juggle at home and outside - in her case, under the watchful gaze of cameras and celebrity-watchers.Intensely personal, but also inspirational, Aishwaryaa's memoir is an unusually frank insight into growing up in cinema-land. A playful meditation on the joys and difficulties of being a woman in this age, Standing on an Apple Box is as much a celebration of individual fulfilment as it is of family.
This work breaks new ground in the understanding of South Indian cinema and politics. Through incisive analysis and original concepts it illustrates the private, public and cinematic personas of MGR and Rajinikanth. It challenges the popular and scholarly myths surrounding them and shows the constant negotiation of their on-screen and off-screen identities. The book revisits the entire political history of post-Independent Tamil Nadu through its cinema,and presents a refreshing psycho-political and cultural map of contemporary South India. This absorbing volume will be an important read for scholars, teachers and students of film studies, culture and media studies, and politics, especially those interested in South India.
Devotional Fanscapes examines the practices and materiality of fans who worship film stars as divine figures. This book is an analysis of visual culture and star temples that bring cinema, fandom, religion, and politics into undocumented negotiations in national and transnational contexts.
This story is about a patriotic Anahat. Who is half-heartedly trying to destroy the narcotics business for the protection of the country. Joins a drug racket and helps the police to bust the whole racket and fulfills his duty to the country by bringing the culprit named Rajinikanth to justice.
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