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This book analyses royal education in nineteenth-century, constitutional Spain. Its main subjects are Isabel II (1830- 1904), Alfonso XII (1857-1885) and Alfonso XIII (1886-1941) during their time as monarchs-in-waiting. Their upbringing was considered an opportunity to shape the future of Spain, reflected the political struggles that emerged during the construction of a liberal state, and allowed for the modernisation of the monarchy. The education of heirs to the throne was taken seriously by contemporaries and assumed wider political, social and cultural significance. This volume is structured around three powerful groups which showed an active interest, influenced, and significantly shaped royal education: the court, the military, and the public. It throws new light on the position of the Spanish monarchy in the constitutional state, its ability to adapt to social, political, and cultural change, and its varied sources of legitimacy, power, and attraction.
Nineteenth century Spain deserves wider readership. Bedevilled by lost empires, wars, political instability and frustrated modernisation, the country appeared backward in relation to northern Europe and even in relation to much of its own geographical periphery. This new history, the first survey of its kind in English in more than a hundred years, offers a fresh perspective on this century, showing how and why elements of backwardness and modernity ran in parallel through Spain. Bounded by the military and imperial crises of 1808 and 1898, this study pays special attention to the experience of war on politics and society, and integrates the latest historical debates in its analysis.
Against the odds, monarchies flourished in nineteenth-century Europe. In an era marked by dramatic change and revolutionary upheaval, Europe's monarchies experienced an unexpected late flowering. Royal Heirs focuses on the roles and personalities of the heirs to the throne from more than a dozen different dynasties that ruled the continent between the French Revolution and the end of the First World War. The book explores how these individuals contributed to the remarkable survival of the crowns they were born to wear. Constitutions, family relationships, education, politics, the media, the need to generate 'soft power' and the militarisation of monarchy all shaped the lives of princes and princesses while they were playing their part to embody and secure the future of monarchy. Ranging from Norway to Spain and from Greece to Britain, Royal Heirs not only paints a vivid picture of a monarchical age, but also explores how such disparate monarchies succeeded in adapting to change and defending their position.
This book explores the evolution of the role of the heirs to the throne of Italy between 1860 and 1900. It focuses on the future kings Umberto I (1844-1900) and Vittorio Emanuele III (1869-1947), and their respective spouses, Margherita of Savoia (1851-1926) and Elena of Montenegro (1873-1952). It sheds light on the soft power the Italian royals were attempting to generate, by identifying and examining four specific areas of monarchical activity: firstly, the heirs’ public role and the manner in which they attempted to craft an Italian identity through a process of self-presentation; secondly, the national, royal, linguistic and military education of the heirs; thirdly, the promotion of a family-centred dynasty deploying both male and female elements in the public realm; and finally the readiness to embrace different modes of mobility in the construction of italianità. By analysing the growing importance of the royal heirs and their performance on the public stage in post-Risorgimento Italy, this study investigates the attempted construction of a cohesive national identity through the crown and, more specifically, the heirs to the throne.
Europe's Restorations were characterised by their evolving dialectics. The chapters in this first volume address the key questions and controversies of Napoleonic history from a national and international perspective. From the re-ordering of the European world through the tools of intervention, occupation and diplomacy, to the creation of new constitutional monarchies across France, Scandinavia and Germany the volume outlines the processes that realigned national priorities and the accompanying dynamics of social and political identity. In a structure that makes sense of what Luigi Mascilli Migliorini describes as the 'fiendishly complex' process of reconstructing order in post-Napoleonic Europe, this collection of essays brings together experts in the field to set a new precedent for transnational research frameworks in the study of the European Restorations.
This book explores women’s editorial and salon activities in Southern Europe and provides a comparative view of their practices. It argues that women in Spain, Italy, Portugal and Greece used their double role as editors and salonnières to engage with foreign cultures, launch the careers of promising young authors and advocate for modernization and social change. By examining a neglected body of periodicals edited between 1860 and 1920, this book sets out to explore women’s editorial agendas and their interest in creating a connection between salon life and the print press. What purpose did this connection serve? How did women editors use their periodicals and their salons to create opportunities for cross-cultural exchange? In what ways did women use their double role as editors and salonnières to promote modernization and social progress in Southern Europe? By addressing these questions, this monograph contributes to the recent expansion of scholarship on nineteenth and twentieth-century periodicals and opens new avenues for theoretical reflection on European modernity. It also invites scholars and non-specialist readers to question the center vs. periphery model and to consider Southern European counties as cultural hubs in their own right.
This book explores the puzzling phenomenon of the remarkable revival of monarchy in nineteenth-century Europe through a new prism: the public persona of the ‘Sailor Prince’. It highlights how four usually overlooked dynastic figures – the younger sons and brothers of monarchs such as Queen Victoria or Emperor William II – decisively helped to advertise their respective dynasties in the fiercely contested political and popular mass market, by aligning them with one of the most myth-invested cultural presences and power-political symbols of the Age of Empire: the navy. The 'Sailor Prince' in the Age of Empire traces the unusual professional careers, the adventurous empire travels and the multifaceted public representations of Prince Alfred of Britain (1844-1900), Prince Heinrich of Prussia (1862-1929), Prince Valdemar of Denmark (1858-1939) and Prince Georgios of Greece (1869-1957). Through the prism of these four personality brands, the study also investigates issues such as the role of the maritime sphere in national identity, the nature and extent of nineteenth-century monarchical modernization, the relevance of intra- and inter-imperial royal diplomacy in the Age of High Imperialism, and the curious collaboration of middle-class opinion-makers and entrepreneurs with Europe’s monarchical establishment.
This volume challenges the traditional view that the First World War represents a pivotal turning point in the long history of monarchy, suggesting the picture is significantly more complex. Using a comparative approach, it explores the diverse roles played by monarchs during the Great War, and how these met the expectations of the monarchic institution in different states at a time of such crisis. Its contributors not only explore less familiar narratives, including the experiences of monarchs in Belgium and Italy, as well as the Austro-Hungarian, Japanese and Ottoman Empires, but also cast fresh light on more familiar accounts. In doing so, this book moves away from the conventional view that monarchy showed itself irrelevant in the Great War, by drawing on new approaches to diplomatic and international history - ones informed by cultural contextualization for instance - while grounding the research behind each chapter in a wide range of contemporary sources The chapters provide an innovative revisiting of the actual role of monarchy at this crucial period in European (indeed, global) history, and are framed by a substantial introductory chapter where the key factors explaining the survival or collapse of dynasties, and of the individuals occupying these thrones, are considered in a wide-ranging set of reflections that highlight the extent of common experiences as well as the differences.
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.