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Luke-Acts contains many and diverse female characters, many of whom play significant roles in the unfolding drama of God's plan of salvation through Jesus and the early church. Women followers of Jesus are fully-fledged disciples who prove to be reliable and insightful, participating in God's mission at all levels. They act as interpreters of salvation history, God's prophetic mouthpieces, witnesses to the resurrection, proclaimers and teachers of the gospel, and patrons and leaders of the early church. At the heart of this narratival exposure lies a particular theology of women. This narratival presentation and theology is rich and quite remarkable given the socio-religious climate in which Luke wrote. An appreciation of this "narratival theology" is important not only for a well-rounded understanding of Luke-Acts, but as a vital part of the variegated witness of the New Testament regarding the role of women in God's new community.
Argues for a life based on humility, service, and sacrifice instead of the accepted worldview of a life valuing fame and recognition.
Luke-Acts contains many and diverse female characters, many of whom play significant roles in the unfolding drama of God's plan of salvation through Jesus and the early church. Women followers of Jesus are fully-fledged disciples who prove to be reliable and insightful, participating in God's mission at all levels. They act as interpreters of salvation history, God's prophetic mouthpieces, witnesses to the resurrection, proclaimers and teachers of the gospel, and patrons and leaders of the early church. At the heart of this narratival exposure lies a particular theology of women. This narratival presentation and theology is rich and quite remarkable given the socio-religious climate in which Luke wrote. An appreciation of this 'narratival theology' is important, not only for a well-rounded understanding of Luke-Acts, but as a vital part of the variegated witness of the New Testament regarding the role of women in God's new community.
The Spirit Says offers a stunning collection of articles by an influential assemblage of scholars, all of whom lend considerable insight to the relationship between inspiration and interpretation. They address this otherwise intractable question with deft and occasionally daring readings of a variety of texts from the ancient world, including—but not limited to—the scriptures of early Judaism and Christianity. The thrust of this book can be summed up not so much in one question as in four: o What is the role of revelation in the interpretation of Scripture? o What might it look like for an author to be inspired? o What motivates a claim to the inspired interpretation of Scripture? o Who is inspired to interpret Scripture? More often than not, these questions are submerged in this volume under the tame rubrics of exegesis and hermeneutics, but they rise in swells and surges too to the surface, not just occasionally but often. Combining an assortment of prominent voices, this book does not merely offer signposts along the way. It charts a pioneering path toward a model of interpretation that is at once intellectually robust and unmistakably inspired.
A major scholarly collaboration exploring vivid visual rhetoric in the New Testament From Jesus’s miraculous walk on water to the graphic horrors of hell, New Testament authors make vivid and unforgettable images appear before their audience’s eyes. In the past decade, scholarship on early Christian use of ancient rhetorical techniques has flourished. One focus of rhetorical criticism of the New Testament has been the function of ekphrasis, or vivid visual description. In this landmark collection, leading New Testament scholars come together to probe the purpose and import of ekphrasis in early Christian literature. The research in this collection explores the relationship between vivid rhetoric and genre, taking into account technical features, authorial intent, and audience response. Specific topics include: • The New Testament’s rhetoric compared against Greco-Roman rhetorical handbooks • Juxtaposition between vivid and non-vivid rhetoric • The use of energeia in John’s Gospel to draw upon the reader’s multiple senses • Aesthetics and the grotesque in Revelation • The use of travelogue to create a virtual journey for the audience • Vivid rhetoric in early martyr literature Vivid Rhetoric and Visual Persuasion is a must-read for scholars of early Christianity and rhetorical criticism. Readers will find this collection indispensable in understanding a complex feature of the New Testament in its historical context. Contributors Contributors Bart B. Bruehler, Diane Fruchtman, Meghan Henning, Martina Kepper, Susanne Luther, Harry O. Maier, Gudrun Nassauer, Nils Neumann, Vernon K. Robbins, Gary S. Selby, Aldo Tagliabue, Sunny Kuan-Hui Wang, Annette Weissenrieder, Robyn J. Whitaker
Prophetic ministry in the Bible has long been perceived as the exclusive domain of individuals who were powerful, authoritative, argumentative, and, almost always, male. This impression cannot be sustained. In a logical and engaging way, Anna Beresford convincingly shows us that female characters throughout the biblical story are not merely peripheral actors but are often the ones who proclaim God's prophetic word with disturbing clarity. Beginning with the few women acknowledged as prophets in the Hebrew scriptural tradition, Beresford proceeds to uncover a surprising host of "hidden" female prophets. Among this cast we meet the widow whose last penny is consumed by organized religion; the gate crasher who teaches a pious Pharisee stern lessons in hospitality; a woman who has the last word in a theological debate. A woman used to trap Jesus proclaims truth to power, and a feisty foreign lady cleverly proves that God's love is for all of us, regardless of gender or ethnicity. This book is a compelling reminder that God speaks to all people--women and men--and calls on us to share the message "whether it is convenient or not" (2 Tim 4:2 NET).
Publisher's description: When first published, The Lord of the Rings stood far from the mainstream: no one had seen anything like it for decades. Tolkien's almost stridently antimodern tale needed valiant defenders, vocal admirers who understood its sources and relished its monumental scale. While such champions of modernism as Edmund Wilson mocked Tolkien's archaic structure and language, W.H. Auden -- a great modernist poet in his own right -- rose to his defense with a spirited essay on the true nature of the Hero Quest. Edmund Fuller's essay collected here discusses the nature of the fairy tale, returning to the roots of the term to remove the treacle of Disney and restore the value of realistic enchantment. Tolkien's friend C.S. Lewis takes up the question of why, if you have a serious comment to make about real life, you would drape it in a never-never land of your own. He shrewdly argues that it is because real life does have mythic and heroic qualities -- in abundance. This collection also includes, among others, essays by Marion Zimmer Bradley, Verlyn Flieger, Paul Kocher, Jane Chance, and each of the editors, as well as a brand-new essay by Tom Shippey that shows us how to process all this vast learning, adding to it the many delights of the film versions of Tolkien's epic masterpiece, so we can relish his achievement all the more.
A thorough, objective, and balanced analysis of the most prominent controversies made in the name of science—from the effectiveness of proposed medical treatments to the reality of supernatural claims. Edited by Michael Shermer, editor and publisher of The Skeptic magazine, this truly unique work provides a comprehensive introduction to the most prominent pseudoscientific claims made in the name of "science." Covering the popular, the academic, and the bizarre, the encyclopedia includes everything from alien abductions to the Bermuda Triangle, crop circles, Feng Shui, and near-death experiences. Fifty-nine brief descriptive summaries and 23 investigations from The Skeptic magazine give skeptical analyses of subjects as far-ranging as acupuncture, chiropractic, and Atlantis. The encyclopedia also gives for-and-against debates on topics such as evolutionary psychology and case studies on topics like police psychics and the medical intuitive Carolyn Myss. Finally, the volumes include five classic works in the history of science and pseudoscience, including the speech William Jennings Bryan never delivered in the Scopes trial, and the first scientific and skeptical investigation of a paranormal/spiritual phenomenon by Benjamin Franklin and Antoine Lavoisier.
What were Shakespeare's final thoughts on history, tragedy, and comedy? Shakespeare's Last Plays focuses much needed scholarly attention on Shakespeare's "Late Romances." The work--a collection of newly commissioned essays by leading scholars of classical political philosophy and literature--offers careful textual analysis of Pericles, Prince of Tyre, Cymbeline, The Winter's Tale, The Tempest, All is True, and The Two Noble Kinsmen. The essays reveal how Shakespeare's thought in these final works compliments, challenges, fulfills, or transforms previously held conceptions of the playwright and his political-philosophical views.