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‘Rainbow's End’ by Rex Beach is a western, action-adventure novel set to the backdrop of the Spanish-American war that will be enjoyed by fans of ‘Rough Riders’ by Theodore Roosevelt or the film ‘Citizen Kane’. The story tells the tale of a time when young men in the West who were old enough to ride would head to East Texas to join Theodore Roosevelt’s Rough Riders, and assist with the invasion of Cuba. They would ride to glory and return as heroes, but there were very few who would return home to their families. Rex Beach, was an American novelist, playwright, and Olympic water polo player. His novels, most of which were adventure novels, were influenced by Jack London – author of ‘White Fang’ – and they were very popular during the early 1900s. His second novel, ‘The Spoilers’ which was based on a true experience he witnessed while in Alaska of corrupt government officials stealing gold mines from prospectors, became one of the best-selling novels of 1906.
Featuring an insightful look at lesbian, gay, bisexual, and transgender (LGBT) life in Cuba, this chronicle illuminates the progress the country has made from centuries of backward attitudes and oppression to the current state of enlightenment. From the mores of the Colonial period to the roles that Hollywood, the CIA, and Wall Street played in depicting Cuba as a "police state" for gays and in reinforcing the oppression, this overview provides a backdrop of the past and illustrates the persecution and exploitation originally planted by Spanish colonialism and further cultivated by U.S. capitalism. Details on the gradual transformation follow as the narrative examines the impact of the political and institutional initiatives taken by Fidel Castro and the Cuban leadership to overcome bigotry and prejudice against LGBT people--among them free health care and education, guaranteed jobs and housing, special health care for AIDS victims, and widespread sex education.
Reproduction of the original.
The ‘Special Period’ in Cuba was an extended era of economic depression starting in the early 1990s, characterized by the collapse of revolutionary values and social norms, and a way of life conducted by improvised solutions for survival, including hustling and sex-work. During this time there developed a thriving, though constantly harassed and destabilized, clandestine gay scene (known as the ‘ambiente’). In the course of eight visits between 1995 and 2007, the last dozen years of Fidel Castro’s reign, Moshe Morad became absorbed in Havana’s gay scene, where he created a wide social network, attended numerous secret gatherings-from clandestine parties to religious rituals-and observed patterns of behavior and communication. He discovered the role of music in this scene as a marker of identity, a source of queer codifications and identifications, a medium of interaction, an outlet for emotion and a way to escape from a reality of scarcity, oppression and despair. Morad identified and conducted his research in different types of ‘musical space,’ from illegal clandestine parties held in changing locations, to ballet halls, drag-show bars, private living-rooms and kitchens and santería religious ceremonies. In this important study, the first on the subject, he argues that music plays a central role in providing the physical, emotional, and conceptual spaces which constitute this scene and in the formation of a new hybrid ‘gay identity’ in Special-Period Cuba.
This first book-length study of Jesse Jackson's international activities places his activism abroad in theoretical and historical perspective and shows how it belongs to a tradition of U.S. citizen diplomacy as old as the Republic.
Chronicles the events surrounding the stock market crash of 1929, discussing how it affected both American and world economy and culture.