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It was one hell of an inheritance for former Chicago reporter Tom Coleman: a broken-down pickup truck, ramshackle campground, a canoe livery—and one pot-smoking, barely working employee he doesn’t need, doesn’t want, and can’t afford. But the truth is, after losing a child and a marriage, Tom doesn’t really care. And life is nice and quiet in the middle of nowhere. Until a drug lab blows up near his property—putting Tom in contact with the woman he once loved, a small-town cop with a chip on his shoulder, and a powerful local who doesn’t want him poking his nose where it doesn’t belong. Tom doesn’t want to get involved in the first place. But in the hardscrabble Nebraska Sandhills, storms gather suddenly and bad blood runs deep. Now a quiet summer on the river is turning into a dangerous season of grudges, betrayal, and violent reckoning—and it’s already too late to find shelter...
It’s just the same things over and again for Sean Duffy: riot duty, heartbreak, cases he can solve but never get to court. But what detective gets two locked-room mysteries in one career? When journalist Lily Bigelow is found dead in the courtyard of Carrickfergus Castle, it looks like a suicide. Yet there are a few things that bother Duffy just enough to keep the case file open, which is how he finds out that Bigelow was working on a devastating investigation of corruption and abuse at the highest levels of power in the UK and beyond. And so Duffy has two impossible problems on his desk: Who killed Lily Bigelow? And what were they trying to hide?
“[A] gritty, wide-angled modern noir . . . The first standalone novel by Birtcher, author of the Mike Travis series, pulls no punches.” —Kirkus Reviews In 1976, as America celebrates its bicentennial, the drug game changes. Cocaine makes a comeback, bringing with it a previously unheard of level of violence. The copious amounts of blow crossing the US-Mexico border herald the beginning of a brave new—and terrifying—world. Far from the brutality on the border, the nameless narrator and his partner—both Vietnam vets—live a mostly peaceful life growing pot under the northern California redwoods. But when their livelihood is threatened by heavily armed robbers and a worthless rat, they find themselves drawn into a war with no good guys. Caught in the crossfire between a paranoid Mexican drug kingpin and dirty federal agents, they’ll soon realize that—like every other player in the game—they’re just pawns in a vast conspiracy that starts at the top . . . “A top-class thriller.” —San Francisco Book Review “White-knuckle tension and crisp, clean prose . . . Many books call themselves ‘thrillers,’ but this is the real deal.” —Publishers Weekly (starred review) “Birtcher combines a gritty, action-filled thriller with a nuanced, almost contemplative character drama . . . Thoroughly entertaining.” —Booklist “A thriller with genuine shocks and chills.” —Cafe Libri
It is raininga?|Guy Renford is fresh out of prison. His life is in ruins; he is estranged from his wife and daughter. So he returns to the Yorkshire town of Stonegrave to try and recover what he once held dear. But a presence is watching from behind the endless rainstorm, something that wants revenge and has not come alone.a?|and still it rainsa?|Rosie sees ghosts, and has done since childhood. These sorrowful visions of drowned schoolgirls are linked to a past she fled to America to escape. But you can never run from your destiny, and something is calling Rosie back to rainy Stonegrave, the home of her worst nightmares.a?|and rainsa?|Slowly the lives of these two people are drawn together in a town cut off by floods, and at the height of the storm they will be forced to battle a relentless foe that uses the deluge as cover, stalking them from within a merciless onslaught of rain.
Tom Waits may just be what the Daily Telegraph calls him: ‘the greatest entertainer on Planet Earth.’ He is also a shape-shifter who, over a span of almost four decades, has restlessly transformed his song-writing and persona not to suit the times but his own whims. Along with Bob Dylan, he stands as one of American music’s last great mysteries. Hundreds of journalists have sought to crack the Waits code, but few have come close to piercing the myths that shroud him. Tom Waits on Tom Waits is a selection of over fifty of his most intriguing interviews, the majority of which have never been collected in book form before. In each Waits shares something truly unique, delivering prose as crafted, poetic, potent and haunting as his best lyrics. Taken together they present a de facto autobiography of a notoriously guarded artist.
This full length biography is the first comprehensive account of a truly legendary artist. It covers every aspect of the life and career of a man who has never seemed to be in the slightest danger of losing his credibility to mainstream success. With twenty albums to his credit and a legion of passionate fans, the uncompromising Waits continues to conjure up tender, ragged and magical songs that have attracted cover versions by artists as esteemed as Bruce Springsteen, Rod Stewart, The Eagles, Elvis Costello, Meat Loaf, The Ramones and Johnny Cash. Abrasive and single-minded, the gravel voiced singer/songwriter and occasional movie actor has followed one of the most unlikely career paths in popular music. Patrick Humphries' biography finally does this unique character justice with an in-depth critical overview of his life and work supplemented with authoritative discography and filmography.
The Little Black Book Of 6-Chord Songs follows on from the successful 5-chord book, offering over seventy songs for the beginner guitarist which won’t require you to memorise a ream of obscure, hard to finger chords. Every one of these pieces can be played with only six chords! Each piece is presented with Guitar chord diagrams and full lyrics. The song list includes: - The A Team [Sheeran, Ed] - A House Is Not A Motel [Love] - Bird On A Wire [Leonard Cohen] - Dirty Deeds Done Dirt Cheap [AC/DC] - Empire State Of Mind [Jay-Z feat. Alicia Keys] - Enter Sandman [Metallica] - Ever Fallen In Love (With Someone You Shouldn't've) [The Buzzcocks] - Father And Son [Cat Stevens] - God Put A Smile Upon Your Face [Coldplay] - Golden Brown [The Stranglers] - Hand In Glove [The Smiths] - Happy Together [The Turtles] - Heart Of Glass [Blondie] - Like A Rolling Stone [Bob Dylan] - Live Forever [Oasis] - The Man Comes Around [Johnny Cash] - Respect [Aretha Franklin] - Rock The Casbah [The Clash] - Smells Like Teen Spirit [Nirvana] - Somebody Told Me [The Killers] - Son Of A Preacher Man [Dusty Springfield] - Teenage Kicks [The Undertones] - Torn [Natalie Imbruglia] - Toxic [Britney Spears] - You Really Got Me [The Kinks] And many more!
We are living in the midst of the Earth’s sixth great extinction event, the first one caused by a single species: our own. In Wild Dog Dreaming, Deborah Bird Rose explores what constitutes an ethical relationship with nonhuman others in this era of loss. She asks, Who are we, as a species? How do we fit into the Earth’s systems? Amidst so much change, how do we find our way into new stories to guide us? Rose explores these questions in the form of a dialogue between science and the humanities. Drawing on her conversations with Aboriginal people, for whom questions of extinction are up-close and very personal, Rose develops a mode of exposition that is dialogical, philosophical, and open-ended. An inspiration for Rose—and a touchstone throughout her book—is the endangered dingo of Australia. The dingo is not the first animal to face extinction, but its story is particularly disturbing because the threat to its future is being actively engineered by humans. The brazenness with which the dingo is being wiped out sheds valuable, and chilling, light on the likely fate of countless other animal and plant species. "People save what they love," observed Michael Soulé, the great conservation biologist. We must ask whether we, as humans, are capable of loving—and therefore capable of caring for—the animals and plants that are disappearing in a cascade of extinctions. Wild Dog Dreaming engages this question, and the result is a bold account of the entangled ethics of love, contingency, and desire.
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This is, first and foremost, a book about private animal rescue. The stories are true. As a result, these pages are filled with sadness and joy, loss and hope, heartbreak and compassion. Within the stories, personalities emerge, and the love affair between author and animal is apparent. During the course of one year, the author blogs the stories from her past alongside the rescues that occur in real time. Along the way, she discovers a growing support system in the blogosphere. Those connections offer not only emotional succor but also very tangible aid. The world of private animal rescue is candidly revealed in a series of short vignettes.