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What if God’s love were like the sun, constant and unchanging? What if one day you realized nothing could take that away? Firebird is a bright orange baby oriole who just loves the sunshine. But whenever a storm blows in, he frets and asks Mama why God allows the rain to take the sun away. When Firebird is finally old enough, his mother gently instructs him to fly up through the thunder and lightning to see what’s on the other side. It’s a rough flight, and just when he’s about to give up, Firebird rises above the storm to discover the sun shining where it always had been. God never lets the storm take the sun away. With that truth in his heart, Firebird continues to bask in the sunshine, but just as important, he learns to rejoice in the rain. Firebird is a children’s book that parallels the life of Samantha Crawford, a storybook artist in the inspiring new film Unconditional (scheduled for a theatrical launch in fall 2012) who has lost sight of God’s love.
A cumulative rhyme relating how Ki-pat brought rain to the drought-stricken Kapiti Plain. Verna Aardema has brought the original story closer to the English nursery rhyme by putting in a cumulative refrain and giving the tale the rhythm of “The House That Jack Built.”
A delightful picture book about a wonderfully wet walk. Simple text and colourful illustrations introduce the science of rain to very young children. This is a highly illustrated ebook that can only be read on the Kindle Fire or other tablet.
Winner of the 2021 Silver Medal for Best Illustrator, Moonbeam Children's Book Awards On a school trip to Honolulu’s Bishop Museum, Manu and his classmates are excited to see an ancient skirt made with a million yellow feathers from the ‘ō‘ō, a bird native to Hawai‘i that had gone extinct long ago. Manu knew his full name, Manu‘ō‘ōmauloa, meant “May the ‘ō‘ō bird live on” but never understood: Why was he named after a native forest bird that no longer existed? Manu told his parents he wanted to know more about ‘ō‘ō birds and together they searched the internet. The next day, his teacher shared more facts with the class. There was so much to learn! As his mind fills with new discoveries, Manu has vivid dreams of his namesake bird. After a surprise visit to Hawai‘i Island where the family sees native forest birds in their natural setting, Manu finally understands the meaning of his name, and that he can help the birds and promote a healthy forest. Manu, the Boy Who Loved Birds is a story about extinction, conservation, and culture, told through a child’s experience and curiosity. Readers learn along with Manu about the extinct honeyeater for which he was named, his Hawaiian heritage, and the relationship between animals and habitat. An afterword includes in-depth information on Hawai‘i’s forest birds and featherwork in old Hawai‘i, a glossary, and a list of things to do to help. Illustrated with eye-catching, full-color block prints, the book accurately depicts and incorporates natural science and culture in a whimsical way, showing how we can all make a difference for wildlife. The book is also available in a Hawaiian-language edition, ‘O Manu, ke Keiki Aloha Manu, translated by Blaine Namahana Tolentino (ISBN 9780824883430).
Gothiniad of Surazeus - Oracle of Gotha presents 150,792 lines of verse in 1,948 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1993 to 2000.
Chris d'Lacey's wonderful storytelling takes us on a journey with familiar characters - in an unfamiliar place. Evil Aunts, intriguing firebirds and a dangerous universe await in another action-packed, compelling story.
Magic and the force of destiny propelled Bridget Lederle across the void between worlds, through the Land of Death and Spirit, to the world of Isavalta, where she discovered secrets about herself and her family that had been hidden since before her birth. It seems like only yesterday that a charismatic stranger swept her from her home on the shore of Lake Superior and took her on an impossible journey to a strange, bejeweled world where sorcery could spring from the simplest of patterns, with most serious effect. In Isavalta she also discovered magical powers she had never suspected she possessed before her transit between the worlds. More than self-knowledge has changed her: she is in love with Sakra, a powerful sorcerer and her staunch ally. And she learns that her daughter, who she thought was lost to her, is alive. But that daughter is also the pawn in a dangerous game of power and politics. The powerful spells of a ruler intent on conquest threaten to destroy both mother and daughter. Torn between the contending forces of magic and empire, Bridget lives an extraordinary adventure replete with unimaginable dangers. Beset by enemies on all sides, she must rely on the aid of supernatural forces she can’t control, lest she be destroyed by a fate she cannot imagine.
Metaphor, though not now the scholarly “mania” it once was, remains a topic of great interest in many disciplines albeit with interesting shifts in emphasis. Warren Shibles' Metaphor: An Annotated Bibliography and History (Bloomington, Ind. 1971) recorded the initial interest. Then Metaphor: A Bibliography of Post-1970 Publications, published by John Benjamins, continued the record through the mania years up to 1985 when writings proliferated as metaphor was seen to be a fundamental category in human thought and language. Five years later, there is a need for a report on the newest thinking and tendencies in the field. This need is fulfilled by Metaphor II which offers a comprehensive view of information which would otherwise remain scattered throughout a numbing plethora of resources, including many sometimes-hard-to-find publications from Eastern Europe. Metaphor II systematically collects references of books, articles and papers published between 1985 and May 1990, and includes for completeness corrections and additions to the earlier bibliographies. Abstracts are given for many of the titles, while four indices (disciplines, semantic fields, metaphor theory and names) multiply the number of access points to the information.
How did a girl from the provinces, meant to do nothing more than run the family store, become a bold and daring poet whose life and work helped change the idea of love in modern Japan? Embracing the Firebird is the first book-length study in English of the early life and work of Yosano Akiko (1879-1942), the most famous post-classical woman poet of Japan. It follows Akiko, who was born into a merchant family in the port city of Sakai near Osaka, from earliest childhood to her twenties, charting the slow process of development before the seemingly sudden metamorphosis. Akiko's later poetry has now begun to win long-overdue recognition, but in terms of literary history the impact of Midaregami (Tangled Hair, 1901), her first book, still overshadows everything else she wrote, for it brought individualism to traditional tanka poetry with a tempestuous force and passion found in no other work of the period. Embracing the Firebird traces Akiko's emotional and artistic development up to the publication of this seminal work, which became a classic of modern Japanese poetry and marked the starting point of Akiko's forty-year-long career as a writer. It then examines Tangled Hair itself, the characteristics that make it a unified work of art, and its originality. The study throughout includes Janine Beichman's elegant translations of poems by Yosano Akiko (both those included in Tangled Hair and those not), as well as poems by contemporaries such as Yosano Tekkan, Yamakawa Tomiko, and others.