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In 1908, at the height of Jim Crow, Virginia switched from public hanging at local gallows to the electric chair in the basement of the State Penitentiary in Richmond. The change was as much a victory for progressive reformers, who desired a more humane form of capital punishment, as for segregationists, who wanted to stop large crowds of Blacks from congregating and praying in public, and prevent condemned prisoners from being considered martyrs on their way to "the promised land." Simply, it put White males more in control over the lives - and now deaths - of Black citizens. Virginia used the electric chair as a form of legal lynching, railroading mostly young, Black males through mob accusations, minutes-long sham trials, convictions and speedy electrocutions, sometimes with no legal counsel and for such nonsense crimes as scaring a white school girl. With the execution process now a secret, however, the Legislature and the Richmond press agreed that capital punishment and lynching began serving the same purpose -- "to inspire terror in the heart of the superstitious African." These are the true stories of the first 99 men and one woman executed in Virginia's brand new electric chair.
This book provides a history of the electric chair and analyzes its features, its development, and the manner of its use. Chapters cover the early conceptual stages as a humane alternative to hanging, and the rivalry between Edison and Westinghouse that was one of the main forces in the chair's adoption as a mode of execution. Also presented are an account of the terrible first execution and a number of the subsequent gruesome employments of the chair. The text explores the changing attitudes toward the chair as state after state replaced it with lethal injection.
Offers a unique behind the scenes look at the capital punishment cases that made it to the highest court in the land.
Mrs. Louise Mallard, afflicted with a heart condition, reflects on the death of her husband from the safety of her locked room. Originally published in Vogue magazine, “The Story of an Hour” was retitled as “The Dream of an Hour,” when it was published amid much controversy under its new title a year later in St. Louis Life. “The Story of an Hour” was adapted to film in The Joy That Kills by director Tina Rathbone, which was part of a PBS anthology called American Playhouse. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Thomas Jefferson developed the idea for the Virginia State Penitentiary and set the standard for the future of the American prison system. Designed by U.S. Capitol and White House architect Benjamin Latrobe, the "Pen" opened its doors in 1800. Vice President Aaron Burr was incarcerated there in 1807 as he awaited trial for treason. The prison endured severe overcrowding, three fires, an earthquake and numerous riots. More than 240 prisoners were executed there by electric chair. At one time, the ACLU called it the "most shameful prison in America." The institution was plagued by racial injustice, eugenics experiments and the presence of children imprisoned among adults. Join author Dale Brumfield as he charts the 190-year history of the iconic prison.