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Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.
This is an advisable work of art and a real countributor to the movement towards greater understanding of Indian Classical Music. A Bible on Indian Music, a treasure of knowledge and ideas on the subject. Distils the essence of Indian Classical Music. This book deals with the communication of identical phrases and single notes projecting various shades within a particular raga or in different ragas. An admirable work of art and a real contribution to the know classical music movement.
This is an advisable work of art and a real countributor to the movement towards greater understanding of Indian Classical Music. A Bible on Indian Music, a treasure of knowledge and ideas on the subject. Distils the essence of Indian Classical Music. This book deals with the communication of identical phrases and single notes projecting various shades within a particular raga or in different ragas. An admirable work of art and a real contribution to the know classical music movement.
Shruti is written with a view to familiarize music lovers with the essential features of the classical music of north India. This musical tradition, known as Hindustani music, has a long history, going back about fifteen centuries. It has been kept alive, and continues to grow in popularity because of very talented exponents of this art who have maintained its classical lineage and yet modified and renewed it afresh, for every generation. It explains, in simple terms, the distinction between khayal, thumri, and other forms of vocal singing. It describes how the main instruments are constructed and have evolved over time. For the lay listener, it outlines the various movements and nuances through which a classical raga is developed, in both its vocal and instrumental genres, and the various gharanas or traditions of style that have emerged as a consequence of the guru-shishya method of learning this art.
This Is A Book Of And About The Classical Music Of North India, Among The Oldest Continual Musical Traditions Of The World. This Volume Introduces The Great Richness And Variety Of The Different Styles Of Music As Taught By One Of The Century`S Greatest Musicians, Ali Akbar Khan.
A raga is a melodic composition in Indian classical music that imparts certain emotions. Ragas From the Periphery is a collection that uses language as its instrument. Phinder Dulai is first and foremost a South Asian writer, and while issues of identity and cultural immersion are central to his work, they are not all-encompassing. His poems are intimate landscapes in which themes of work, family, and community are always present. Crossing cultures linguistically and metaphorically, Ragas From the Periphery is an impressive debut collection.
The Raga Guide is an introduction to Hindustani ragas, the melodic basis for the classical music of Northern India, Pakistan, Nepal and Bangladesh.
Solkattu, the spoken rhythms and patterns of hand-clapping used by all musicians and dancers in the classical traditions of South India, is a subject of worldwide interest—but until now there has not been a textbook for students new to the practice. Designed especially for classroom use in a Western setting, the manual begins with rudimentary lessons in the simplest South Indian tala, or metric cycle, and proceeds step-by-step into more challenging material. The book then provides lessons in the eight-beat adi tala, arranged so that by the end, students will have learned a full percussion piece they can perform as an ensemble. Solkattu Manual includes web links to video featuring performances of all 150 lessons, and full performances of all three of the outlined small-ensemble pieces. Ideal for courses in world music and general musicianship, as well as independent study. Book lies flat for easy use.