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This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. With a voice as smooth as a Charlie Parker alto saxophone solo, Boston broadcasting icon Ron Della Chiesa has brought music and musical legends alive for over thirty-five years. These are the inside stories of Della Chiesa’s career in radio. Discover Boston's vibrant music scene as only Ron can tell it: through his interviews with everyone from opera greats Luciano Pavarotti and Placido Domingo, to jazz artists Dizzy Gillespie and Dave McKenna, beloved song legends Rosemary Clooney and Bobby Short, composers David Raksin and Andre Previn, the brilliant raconteur Jean Shepherd, to his close friend, musical legend Tony Bennett.
Marlin Taylor's Radio ... My Love, My Passion relates the definitive history of radio's easy listening music format-one of the medium's most endearing and enduring programming presentations. Who better than the father of the format himself should tell this story? Marlin's recollections are inspiring and insightful. They reflect his conviction that radio stations should operate foremost as public servants, a viewpoint that contrasts sharply with the mindsets of the broadcasters who regarded their stations as not much more than automated jukeboxes. You'll come to learn that Marlin is a man of principle who, at a very tender age, discovered the power of this most personal of all the mass media to evoke listener response and affinity. In a sixty-year career spanning from AM to FM to XM, the always-Innovative Mr. Taylor embraced radio, exploiting its capabilities to their fullest potential. Enjoy learning about the background of this pioneering, trailblazing broadcaster! Book jacket.
A teen idol of the 1950s who virtually invented the singer/songwriter/heartthrob combination that still tops pop music today, Paul Anka rocketed to fame with a slew of hits-from "Diana" to "Put Your Head on my Shoulder"-that earned him a place touring with the major stars of his era, including Chuck Berry, Jerry Lee Lewis, and Buddy Holly. He wrote Holly's last hit, and just missed joining the rocker on his final, fatal plane flight. Anka also stepped in front of the camera in the teen beach-party movie era, scoring the movies and romancing their starlets, including Annette Funicello. When the British invasion made his fans swoon for a new style of music-and musician--Anka made sure he wasn't conquered. A rapier-canny businessman and image-builder who took his career into his own hands-just as he had from the very beginning, swiping his mother's car at fourteen to drive himself, underage, to his first gigs in Quebec-Anka toured the world until he could return home in triumph. A charter member of the Rat Pack, he wrote the theme music for The Tonight Show as well as his friend Frank Sinatra's anthem "My Way". By the 1970s, a multi-decade string of pop chart-toppers, including "Puppy Love" and "(You're) Having My Baby", cemented his status as an icon. My Way is bursting with rich, rollicking stories of the business and the people in Anka's life: Elizabeth Taylor, Dodi Fayed, Tom Jones, Michael Jackson, Adnan Khashoggi, Little Richard, Brooke Shields, Johnny Roselli, Sammy Davis, Jr., Brigitte Bardot, Barnum & Bailey Circus acrobats, and many more. Anka is forthcoming, funny and smart as a whip about the business he's been in for almost six decades. My Way moves from New York to Vegas, from the casino stage to backstages all over the world. It's the most entertaining autobiography of the year.
Stephanie Urdang was born in Cape Town, South Africa, into a white, Jewish family staunchly opposed to the apartheid regime. In 1967, at the age of twenty-three, no longer able to tolerate the grotesque iniquities and oppression of apartheid, she chose exile and emigrated to the United States. There she embraced feminism, met anti-apartheid and solidarity movement activists, and encountered a particularly American brand of racial injustice. Urdang also met African revolutionaries such as Amilcar Cabral, who would influence her return to Africa and her subsequent journalism. In 1974, she trekked through the liberation zones of Guinea-Bissau during its war of independence; in the 1980’s, she returned repeatedly to Mozambique and saw how South Africa was fomenting a civil war aimed to destroy the newly independent country. From the vantage point of her activism in the United States, and from her travels in Africa, Urdang tracked and wrote about the slow, inexorable demise of apartheid that led to South Africa’s first democratic elections, when she could finally return home. Urdang’s memoir maps out her quest for the meaning of home and for the lived reality of revolution with empathy, courage, and a keen eye for historical and geographic detail. This is a personal narrative, beautifully told, of a journey traveled by an indefatigable exile who, while yearning for home, continued to question where, as a citizen of both South Africa and the United States, she belongs. “My South Africa!” she writes, on her return in 1991, after the release of Nelson Mandela, “How could I have imagined for one instant that I could return to its beauty, and not its pain?”
Nicholas Highgate, separated from his parents during the Japanese invasion of Hong Kong, is smuggled to the mainland by his Chinese nurse and disguised as a Chinese boy. As he grows to manhood he witnesses the atrocities and deprivations of the Japanese occupation and is himself drawn into the Communist resistance activities. The book ends when the Japanese surrender and Nicholas is reunited with what remains of his family.
A study of the singer/actor's art and of his centrality to the history of twentieth-century music, film, and the entertainment industry. It uses a range of perspectives to explore Crosby's achievements. It also includes tributes and reminiscences and explores his accomplishments as an actor, businessman, and radio and television performer.
"Radio Iris has a lovely, eerie, anxious quality to it. Iris's observations are funny, and the story has a dramatic otherworldly payoff that is unexpected and triumphant." —Deb Olin Unferth, The New York Times Book Review "A noirish nod to the monotony of work." —O: The Oprah Magazine "Kinney is a Southern California Camus." —Los Angeles Magazine "'The Office' as scripted by Kafka." —Minneapolis Star-Tribune "[An] astute evocation of office weirdness and malaise." —The Wall Street Journal Radio Iris follows Iris Finch, a twentysomething socially awkward daydreamer and receptionist at Larmax, Inc., a company whose true function she doesn’t understand (though she’s heard her boss refer to himself as “a businessman”). Gradually, her boss’ erratic behavior becomes even more erratic, her coworkers begin disappearing, the phone stops ringing, making her role at Larmax moot, and a mysterious man appears to be living in the office suite next door. Radio Iris is an ambient, eerie dream of a novel, written with remarkable precision and grace that could also serve as an appropriate allegory for our modern recession. Anne-Marie Kinney’s short fiction has appeared or is forthcoming in Indiana Review, Black Clock, Keyhole, and Satellite Fiction.
When her mother was dying, Bryant learned that one cannot depend on loved one to follow through on their wishes, or expect healthcare professionals to read their mind. We have to be in charge of our overall well-being, and has compiled this book to help you do just that. -- adapted from author's note, pages [8-9].