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All around Australia, former WRANs and navy men regard the woman they know as Mrs Mac with a level of reverence usually reserved for saints. Yet today no-one has any idea of who she was and how she rescued Australia's communication systems in World War II. Winner, Best 2020 Non-fiction, ACT Notable Awards As you climbed the rickety stairs of an old woolshed at Sydney harbour in 1944, you would hear the thrum of clicks and buzzes. Rows of men and women in uniforms and headsets would be tapping away vigorously at small machines, under the careful watch of their young female trainers. Presiding over the cacophony was a tiny woman, known to everyone as 'Mrs Mac', one of Australia's wartime legends. A smart girl from a poor mining town who loved to play with her father's tools, Violet McKenzie became an electrical engineer, a pioneer of radio and a successful businesswoman. As the clouds of war gathered in the 1930s, she defied convention and trained young women in Morse code, foreseeing that their services would soon be sorely needed. Always a champion of women, she was instrumental in getting Australian women into the armed forces. Mrs Mac was adored by the thousands of young women and men she trained, and came to be respected by the defence forces and the public too for her vision and contribution to the war effort. David Dufty brings her story to life in this heartwarming and captivating biography. '[An] incredible and inspiring life... Dufty's new biography captures her unwavering dedication in the face of adversity.' - Professor Genevieve Bell, Australian National University 'A cracking story about the famous Australian radio engineer you've never heard of.' - Dick Smith, entrepreneur and philanthropist
Can a girl from a middle-class Irish Catholic family living in Newark, New Jersey, in 1938 find fame and fortune (or even a job) as a radio star? Tune in to this unforgettable historical novel to find out. Poignant, often hilarious, it's the story of a family in crisis. Just as artful deception, smoke and mirrors characterize radio reality, so lies, secrets, and profound misunderstandings mark fourteen-year-old Cece Maloney's life: her secret job at a radio station, a cheating father, an aunt who may be romantically involved with the parish priest, a boy-crazed best friend, and a ham radio operator and would-be soldier both lying to their parents. The worlds collide on the night of Orson Welles's famous "The War of the Worlds" broadcast. As thousands flee in panic from the alleged Martian invasion, Cece must expose the truth about the radio hoax and confront the truth about her own and her family's dishonesty.
The Great War is over, and change is in the air, in this novel that brings to life the exciting days of early British radio…and one woman who finds her voice while working alongside the brilliant women and men of the BBC. London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity. Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living. READERS GUIDE INCLUDED
A frightening suspense novel about nine-year-old Trisha, who becomes lost in the woods as night falls.
'Luminous, elegant, haunting, - I read it straight through' Philippe Sands, Author of East West Street The enthralling story of a man's search for the truth about his family's past The last time Lien saw her parents was in the Hague when she was collected at the door by a stranger and taken to a city far away to be hidden from the Nazis. She was raised by her foster family as one of their own, but a falling out well after the war meant they were no longer in touch. What was her side of the story, Bart van Es - a grandson of the couple who looked after Lien - wondered? What really happened during the war, and after? So began an investigation that would consume and transform both Bart van Es's life and Lien's. Lien was now in her 80s and living in Amsterdam. Reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship. The Cut Out Girl braids together a powerful recreation of Lien's intensely harrowing childhood story with the present-day account of Bart's efforts to piece that story together. And it embraces the wider picture, too, for Holland was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lien's story too. This is an astonishing, moving reckoning with a young girl's struggle for survival during war. It is a story about the powerful love and challenges of foster families, and about the ways our most painful experiences - so crucial in defining us - can also be redefined. 'Remarkable, deeply moving' Penelope Lively 'An awe-inspiring account of the tragedies and triumphs within the world of the Holocaust's "hide-away" children, and of the families who sheltered them' Georgia Hunter 'A complex and uplifting tale' Kirkus
The kidnapping is long past. Janie Johnson can never change what happened to her or to the families that love her. But finally life seems to be settling down for the Springs and the Johnsons. The worst part of this new life for Janie is that Reeve Shields is away at college. Janie misses him terribly, no matter how many e-mails they send each other. As for Reeve, he's finding life at college overwhelming. He goes to work at the school radio station, hoping a late-night gig will give him what he craves--popularity and fame. Reeve gets his chance to be the voice on the radio, and when he tells the most fascinating story he knows, his show becomes a sensation. Reeve is so sure that Janie will never discover what's making his broadcast such a hit that he doesn't stop himself. But what will be the price for Janie? As Janie knew, the facts about the little girl on the milk carton had to be uncovered, no matter how much pain they caused. Now the truth about what Reeve is doing must come out. Whose voice will help Janie when she must face not only her incredible past, but also her unknown future? With the page-turning suspense that made The Face on the Milk Carton and Whatever Happened to Janie? best-sellers, Caroline B. Cooney once again explores the meaning of betrayal, the power of words, and the intensity of love.
Prince Jones, a self-professed teen love doctor known for his radio segment on the local hip-hop station, believes he can get the bookish, anti-romance Dani Ford to fall in love with him in three dates.
The first travel book for the sisters!
"Radio Iris has a lovely, eerie, anxious quality to it. Iris's observations are funny, and the story has a dramatic otherworldly payoff that is unexpected and triumphant." —Deb Olin Unferth, The New York Times Book Review "A noirish nod to the monotony of work." —O: The Oprah Magazine "Kinney is a Southern California Camus." —Los Angeles Magazine "'The Office' as scripted by Kafka." —Minneapolis Star-Tribune "[An] astute evocation of office weirdness and malaise." —The Wall Street Journal Radio Iris follows Iris Finch, a twentysomething socially awkward daydreamer and receptionist at Larmax, Inc., a company whose true function she doesn’t understand (though she’s heard her boss refer to himself as “a businessman”). Gradually, her boss’ erratic behavior becomes even more erratic, her coworkers begin disappearing, the phone stops ringing, making her role at Larmax moot, and a mysterious man appears to be living in the office suite next door. Radio Iris is an ambient, eerie dream of a novel, written with remarkable precision and grace that could also serve as an appropriate allegory for our modern recession. Anne-Marie Kinney’s short fiction has appeared or is forthcoming in Indiana Review, Black Clock, Keyhole, and Satellite Fiction.
THE OFFICIAL NORTH AMERICAN EDITION "Beguiling, audacious... rises to its own challenges in engaging intellectually as well as wholeheartedly with its questions about gender, genre and the concept of wilderness. The novel displays wide reading, clever writing and amusing dialogue." —The Guardian This is a new kind of nature writing — one that crosses fiction with science writing and puts gender politics at the center of the landscape. Erin, a 19-year-old girl from middle England, is travelling to Alaska on a journey that takes her through Iceland, Greenland, and across Canada. She is making a documentary about how men are allowed to express this kind of individualism and personal freedom more than women are, based on masculinist ideas of survivalism and the shunning of society: the “Mountain Man.” She plans to culminate her journey with an experiment: living in a cabin in the Alaskan wilderness, a la Thoreau, to explore it from a feminist perspective. The book is a fictional time capsule curated by Erin, comprising of personal narrative, fact, anecdote, images and maps, on subjects as diverse as The Golden Records, Voyager 1, the moon landings, the appropriation of Native land and culture, Rachel Carson, The Order of The Dolphin, The Doomsday Clock, Ted Kaczynski, Valentina Tereshkova, Jack London, Thoreau, Darwin, Nuclear war, The Letters of Last Resort and the pill, amongst many other topics. "Refreshingly outward-looking in a literary culture that turns ever inward to the self, although it still has profound moments of introspection. Uplifting, with a thirsty curiosity, the writing is playful and exuberant. Riffing on feminist ideas but unlimited in scope, Andrews focuses our attention on our beautiful, doomed planet, and the astonishing things we have yet to discover." —Ruth McKee, The Irish Times